This Is a Movie Review: Concussion

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concussion

When tackling any real life story, a film must decide what not to include just as seriously as what it does include. In that vein, Concussion wisely focuses its investigation of the long-term ravages of football on the doctor who identified chronic traumatic encephalopathy, Bennet Omalu (played with the utmost nobility by Will Smith). On the other hand, when providing examples of former players who have succumbed to CTE, it does not know when to stop. The cautionary tale of Pittsburgh Steeler Mike Webster (David Morse), reduced from Steel City hero to homelessness, is powerful enough to establish the message for the whole movie. But then Concussion proceeds to show the same tragedy in the cases of Justin Strzelczyk, Andre Waters, and Dave Duerson, and the overall effect is more numbing than inflaming.

This is a shame, because otherwise the film actually manages to wring drama out of scenes dominated by examining medical slides. Omalu’s fight is so obviously right, and he is bolstered by esteemed colleagues (Albert Brooks, Alec Baldwin) and a supportive wife (Gugu Mbatha-Raw). His battle could be too virtuous to be dramatically interesting, except that it is very real and his opponent is so outrageously opposed to the truth. It may not be the zippiest of narratives, but it is certainly rousing in its conviction.

The Middle 7.12 – “Birds of a Feather”

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Will salmonella ruin that wedding? http://www.starpulse.com/news/index.php/2016/01/14/the-middle-season-7-episode-12-recap-b

Oscar Nominations Reactions

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-Sad to see no “See You Again” in Best Song, but at least the correct song from 50 Shades of Grey was picked.
-This is the most spread out I can ever remember the field being, as expected. Carol, Star Wars, and Straight Outta Compton had to be pretty close to Best Picture noms. Also Sicario, amazingly. And Ex Machina, too.
Room got more overall support than I was expecting. Lenny Abrahamson is your iconoclastic Director pick this year.
-Most of what I’m happy to see was expected or close to it, i.e., plenty of love for The Big Short, Stallone for Supporting, Mad Max for Costume.
-Denmark’s been doing well in Foreign Language Film this decade.
-Glad to see The 100 Year Old Man Who Climbed Out Of The Window And Disappeared for Makeup and Hair. I haven’t seen it, but it’s probably the best title of the year.

New Girl 5.2: “What About Fred?”

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Ferguson, clear Winston’s schedule. http://www.starpulse.com/news/index.php/2016/01/13/new-girl-season-5-episode-2-recap-what

What Won TV? – January 3-January 9, 2016

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In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.

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Sunday – The Simpsons
Monday – Jeopardy!
Tuesday – The Grinder
Wednesday – It’s Always Sunny in Philadelphia
Thursday – Todd Margaret, again
Friday – Jeopardy!
Saturday – Pittsburgh-Cincinnati, the best episode of 2016 so far.

This Is a Movie Review: The Forest

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Movies like The Forest make me upset that horror does not on the whole get the critical fair shake it deserves. It has a decent premise that it does not quite live up to, though it has plenty of interesting moments. For most genres, that translates to respectability and a Rotten Tomatoes score of approximately 60-75%, but for horror, it means dismissal and a Tomatometer as low as single digits. If the scares are not up to snuff, then neither is the praise.

The Forest is indeed not all that scary, but while it is disappointing, it has enough elements to make it worth watching. Suicidal thoughts, a disorienting location, repressed memories, paranoia, disturbing folklore, and ghosts exploiting all of the above make for a potent mix of anxiety. In a dual role as twin sisters, Natalie Dormer frequently adjusts her personalities, occasionally switching characteristics between the two. It is a tricky performance that requires the support of better editing and writing than is on display. Ultimately, The Forest does not know if it wants to be ambiguous or answer all its mysteries; it is too eager to be the former and too overstuffed to be the latter. Still, it manages to distinguish itself in a genre that usually settles for the same old tricks.

This Is a (Quickie) Movie Review: The Good Dinosaur

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The Good Dinosaur is the most uncomfortably close Pixar has gotten to the uncanny valley since Cars. “Dinosaurs with self-aware intelligence living alongside feral humans” is not on quite the same level as organic transportation devices, but it is still a freaky mix of weird and familiar. As disorienting as this premise may be, embracing this weirdness more completely may have actually been to The Good Dinosaur’s benefit, because otherwise, it is a fairly standard journey back home adventure film. What does stand out are the digressive bursts of personality. Specifically, there is the (too-short) acid trip caused by fermented berries and a triceratops with various critters adorning its horns. Other than that, Sam Elliott as a papa T. Rex rounds out the highlights.

The Middle 7.11 – “The Rush”

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Frankie doesn’t remember the last time she went pants shopping with Brick. Mike does. She said, “That’s the last time I’m going pants shopping with Brick.” http://www.starpulse.com/news/index.php/2016/01/07/the-middle-season-7-episode-11-recap-s1

New Girl 5.1: “Big Mama P”

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“The doo-doo is already mid-flight to the fans.” http://www.starpulse.com/news/index.php/2016/01/06/new-girl-season-5-premiere-recap-will-

This Is a (Quickie) Movie Review: The Hateful Eight

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Hateful-Eight

You’ve got to hand it Quentin Tarantino. He always knows exactly what he is doing. His latest – the Western mission movie-cum-locked room mystery The Hateful Eight – starts off about as deliberately paced as possible. Sure, the tension needs to be built up for the enmity promised in the title to be worth watching, but does it have to take an hour and a half? While that setup could be more economical, it makes damn sure that the cabin this mix of bounty hunters, criminals, and mystery men find themselves trapped in is a lit powder keg. A mix of flashbacks and narration threatens to explain too much, but that is acceptable when withholding information as confidently as The Hateful Eight does. Is the whole thing indulgent, excessive, and distasteful? Sure, but the master of the prestige B-movie proves once again that such a bloody stew can still make for quality cinema.

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