Entertainment To-Do List: Week of 4/26/24

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Daaaaaa Bates (CREDIT: PBS/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Boy Kills World (Theaters)
Challengers (Theaters) – I’ve enjoyed “S&M” in the trailer.

TV
-White House Correspondents’ Dinner (April 27 on C-SPAN) – Colin Jost hosts.
The Real Story of Mr. Bates vs. the Post Office (April 28 on PBS)
Jeopardy! Masters Season 2 Premiere (May 1 on ABC)

Music
-Justice, Hyperdrama
-Pet Shop Boys, Nonetheless
-St. Vincent, All Born Screaming

Sasquatch People: Sunset with the Joker

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Mr. J & Mr. S (CREDIT: Altered Innocence/Screenshot; Bleecker Street)

Sasquatch Sunset

Starring: Riley Keough, Jesse Eisenberg, Christophe Zajac-Denek, Nathan Zellner

Directors: Nathan and David Zellner

Running Time: 89 Minutes

Rating: R

Release Date: April 12, 2024 (Theaters)

The People’s Joker

Starring: Vera Drew, Lynn Downey, Kate Distler, Nathan Faustyn, David Liebe Hart, Phil Braun, Maria Bamford

Director: Vera Drew

Running Time: 92 Minutes

Rating: Unrated

Release Date: April 5, 2024 (Theaters)

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‘Boy Kills World’ is a Blindingly Colorful and Surprisingly Thoughtful Revenge Tale

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Oh, Boy! (CREDIT: Roadside Attractions)

Starring: Bill Skarsgård, H. Jon Benjamin, Jessica Rothe, Michelle Dockery, Brett Gelman, Isaiah Mustafa, Andrew Koji, Famke Janssen, Sharlto Copley, Yayan Ruhian, Nicholas Crovetti, Cameron Crovetti, Quinn Copeland

Director: Moritz Mohr

Running Time: 111 Minutes

Rating: R for Blood, Guts, and All Sorts of Deadly Injuries

Release Date: April 26, 2024 (Theaters)

What’s It About?: They killed his family right in front of him when he was a child, and now he’s spent the rest of his life preparing for vengeance. Isn’t that always the way on the silver screen?  Indeed, the revenge genre remains vibrant and durable, especially when the setting is a fascistic post-apocalyptic society like in Boy Kills World. In the dystopian tradition of The Hunger Games and The Purge, Boy (Bill Skarsgård) is one of the many victims of The Culling, in which the ruling van der Koy family rounds up a group of citizens to be annually slaughtered on live TV. Boy’s mom and sister were among those culled many years ago in an attack that left him deaf and mute. Now, following his tutelage from a single-minded shaman (Yayan Ruhian), he’s ready to mete out some bloody, cheeky justice during this year’s edition. And since he can’t talk, we get to keep company with his cartoonishly nervous inner voice (H. Jon Benjamin, naturally) and the ghostly memory of his spunky little sis (Quinn Copeland).

What Made an Impression?: Kickbox the Rainbow: If Skittles stopped being a candy and started being an action movie, the result of that alchemy would surely be Boy Kills World. Boy’s bright vest is matched by the dandy-ish pants and cravats of the most eccentric van der Koy (Sharlto Copley, naturally), and counterbalanced by pops of canary yellow, particularly on the mysterious helmet-wearing combat specialist played by Jessica Rothe. Furthermore, the frenetic martial arts bouts feel like they were choreographed by eight-year-olds who mainlined their Halloween hauls, but then finessed by more sober professionals. This relentless approach could be blinding and exhausting, but it’s all tempered by Benjamin’s steadily phlegmatic narration.
A Vicious Cycle: Boy Kills World could have settled for just delivering shallow thrills, but it has more on its mind than that. The question hanging over Boy’s journey ultimately isn’t whether or not he can kill all his enemies, but whether or not he can ever truly escape this oppressive society. And on top of that, can any of the van der Koys untether themselves from their violent family legacy? The final act makes it clear that Boy has become so much more twisted by his trauma than he realizes, and he’s not the only one. For anyone who’s been born into a clan with unhealthy patterns that keep repeating themselves, this movie might just provide the inspiration you need to disengage from that paradigm. The presentation might be as cartoonish as possible, but the psychological underpinnings are as firm as can be.

Boy Kills World is Recommended If You Like: Street Fighter, Sugar rushes, Traumatic psychology

Grade: 4 out of 5 Cullings

Entertainment To-Do List: Week of 4/19/24

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Abigail! (CREDIT: Bernard Walsh/Universal Pictures)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Abigail (Theaters)
The Ministry of Ungentlemanly Warfare (Theaters)

Music
-T. Bone Burnett, The Other Side
-Pearl Jam, Dark Matter
-Taylor Swift, The Tortured Poets Department

‘Abigail’ Takes a Few Bites, and It Sure Gets Messy

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Isn’t she lovely! (CREDIT: Bernard Walsh/Universal Pictures)

Starring: Alisha Weir, Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud, Giancarlo Esposito

Directors: Matt Bettinelli-Olpin and Tyler Gillett

Running Time: 109 Minutes

Rating: R for Buckets of Blood, and Even Some Guts, and All the Attendant F-Bombs

Release Date: April 19, 2024 (Theaters)

What’s It About?: A ragtag group of criminals who are the best at what they do are assembled for a seemingly simple job: kidnap 12-year-old ballerina Abigail (Alisha Weir) and demand a $50 million ransom from her very powerful father. They hole up in a mansion for what’s meant to be a straightforward babysitting gig and assume Rat Pack-inspired codenames to hide their true identities. But that’s not amore, because it soon becomes clear that they’re in much more than they’ve bargained for when Abigail reveals the full extent of her identity. Could it be that this crew has more in common that they realize and that they might just have the right pop culture-inspired know-how to escape this house of horrors? Considering that Abigail was directed by the savvy team behind Ready or Not and the last couple of Screams, signs point to yes!

What Made an Impression?: Twist Premise: If you’ve ever listened to the podcast Scott Hasn’t Seen, then you may have encountered a pet theory of its co-host Scott Aukerman. The gist is that movies shouldn’t have titles, but instead just be identified by numbers, e.g. “Movie #10,607.” Aukerman’s point is that it’s best for audiences to experience movies with absolutely zero expectations and therefore maximum potential for surprise. If that idea appeals to you, then you should stop reading this review RIGHT NOW if you have any interest in seeing Abigail. But if you already regularly go to the movie theater or watch TV, then chances are you’ve already seen the ubiquitous trailer, which gives away the big twist at the heart of the concept. I don’t think there’s anything wrong with knowing about the title dancer’s bloodsucking tendencies when entering the theater, but it is worth noting that the script doesn’t rush into the reveal. I loved seeing the Abigail trailer as often as I did, but it would’ve been nice to have been able to test out Mr. Aukerman’s theory.
Let’s Make a Deal: When Abigail shows what appears to be its full hand, it turns into a full-bore cat-and-mouse most dangerous game as a little predator nibbles away at her prey. But it actually has another ace or two up its sleeve. You see, Abigail’s father is a notorious gangster businessman whose elimination of his enemies has become a bit of an urban legend. Or it would be a legend, if it weren’t all true. That wrinkle might make it seem like the bloodlust is even more inescapable, but it also opens up some avenues for wheeling and dealing. Abigail may love playing with her food, but there are certain frustrations that come with being a preteen for centuries. And while you’d be wise to be skeptical about her or anyone else of her ilk when they say they’ll let you go, their offers do make for some intriguing negotiation.
Theater of Blood: With her levitational abilities, bone-twisting dance skills, and telepathic manipulation, Abigail’s powers are about as boundless as you could possibly fear they’d be. But it’s essential for vampires to have some vulnerability, and that’s where Matt Bettinelli-Olpin and Tyler Gillett excel. Let’s just say, if you manage to expose Abigail to sunlight or poke her with a stake, she does not go gently. If you enjoyed the death scenes in Ready or Not, then you’ll lap up Abigail as quite the encore. Bettinelli-Olpin and Gillett aren’t reinventing the vampire wheel here (who could at this point?), but they’re certainly pouring all of their blood and guts into it.

Abigail is Recommended If You Like: Ready or Not, And Then There Were None, The blood elevator from The Shining

Grade: 3 out of 5 Tutus

‘Don’t Tell Mom the Babysitter’s Dead,’ Do Become Stressed Out

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I haven’t told my mom that I watched this movie (CREDIT: Iconic Events/Screenshot)

Starring: Simone Joy Jones, Nicole Richie, Donielle Tremaine Hansley, Ayaamii Sledge, Carter Young, June Squibb, Miles Fowler, Ms. Pat, Jermaine Fowler, Gus Kenworthy, Iantha Richardson

Director: Wade Allain-Marcus

Running Time: 99 Minutes

Rating: R

Release Date: April 12, 2024 (Theaters)

Y’all know I sometimes like to review movies by asking: would I like this to happen to me? In the case of Don’t Tell Mom the Babysitter’s Dead (2024 Version), I don’t think I can go any higher than a “Reply hazy, try again.”

I’ve never seen the original Don’t Tell…, so I don’t know if this 21st century version opted for a totally new direction, but I can say for sure that this is NOT what I was expecting. With a deceased babysitter, I figured the kids would take their newfound freedom and get up to a bunch of unfettered adventures that Mom cannot know about. But instead, the kids need money, so they apply for jobs that Mom cannot know about. Instead of vicarious partying, I had to paddle through vicarious financial precarity. ACK!

Grade: Don’t Tell Mom About the Fraud Either

Jeff’s Wacky SNL Review: Ryan Gosling/Chris Stapleton

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This moment will be stapled in my mind forever (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky”1 theme.

Former SNL cast member Kristen Wiig joined the Five-Timers Club last week, and now the next new episode features some returning favorites in the guest lineup, with host Ryan Gosling and musical guest Chris Stapleton. When the April shows were announced, I wondered if this would be a once-in-a-lifetime case of two five-timer inductions two episodes in a row. But in fact, this is only Gosling’s third host outing. (I guess his previous appearances just loom inordinately large in my memory.)

This is also Stapleton’s third time as the musical guest.

Since one of Gosling’s most notable accomplishments in the past year is his performance of the song “I’m Just Ken” in the motion picture Barbie and on the Oscars stage, I will be reviewing each sketch with the format “I’m just…”, in which I proclaim how each segment made me react in stark, forthright terms.

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That’s Auntertainment! 2024 March Madness

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That’s What March Madness is 2024 (CREDIT: Capital One/Screenshot)

On the afternoon of Monday April, 8, 2024, Jeff and his good friend Jeff Smith were in the shadow of a solar eclipse as they commiserated over yet another unforgettable edition of March Madness. Which will make you madder: their recap of everything that had happened thus far, or their predictions about the men’s final?

Entertainment To-Do List: Week of 4/12/24

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Look at him go! (CREDIT: Max/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Arcadian (Theaters) – Nicolas Cage. And Jaeden Martell, too.
Civil War (Theaters)
Sasquatch Sunset (Theaters)
Sting (Theaters) – I was just checking the release calendar and noticed this intriguing spider horror movie, which I hadn’t heard about previously.

TV
Conan O’Brien Must Go (April 18 on Max)

Music
-Blue Öyster Cult, Ghost Stories
-girl in red, I’m Doing It Again Baby!
-Tori Kelly, Tori. – This came out last week, but somehow I missed it then.
-Mark Knopfler, One Deep River
-Maggie Rogers, Don’t Forget Me

Podcasts
The Lonely Island and Seth Meyers Podcast – Talkin’ ’bout Digital Shorts.
Newcomers Season Premiere – Lauren and Nicole are talking Martin Scorsese!

Sports
-Boston Marathon (April 15 on ESPN2)

‘Civil War,’ or How to Be a Photojournalist

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Civil War, what is it good for? (CREDIT: Murray Close/A24)

Starring: Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, Jesse Plemons

Director: Alex Garland

Running Time: 109 Minutes

Rating: R for Gunfire, Grenades, and Piles of Dead Bodies

Release Date: April 12, 2024 (Theaters)

What’s It About?: The president of the United States refuses to relinquish power in the face of incoming secessionary forces. Meanwhile, a group of journalists sniffs out an opportunity, as they’re going to barge right into the White House for an interview. Nobody outside of the commander-in-chief’s inner circle has talked to him in who knows how long. But they’re warned that it’s essentially a suicide mission. The administration considers the press an enemy of the people, and the area in and around Washington, D.C. is the deadliest part of the country, or what’s left of it. Nevertheless, they feel compelled to make the trip, out of a sense of duty, or ambition, or steely commitment to the truth, or some combination of the above.

What Made an Impression?: Thought Number One: The fact that Civil War takes place in a near-future United States is kind of beside the point. The landscape matters in a logistical sense, but the underlying principles would remain the same no matter what the setting or how much it is or isn’t based in reality. Fundamentally, this movie is a dramatized how-to guide for how to be a wartime photojournalist. As veteran photog Lee (Kirsten Dunst), her colleague Joel (Wagner Moura), ambitious youngster Jessie (Cailee Spaeny), and Lee and Joel’s mentor Sammy (Stephen McKinley Henderson) embed themselves in combat zones, they’re just as vulnerable to bullets and bombs as any soldier or civilian. The big block “PRESS” letters on their vests and van are supposed to relay a message of objective neutrality, one that most (but not all) of the combatants respect.
Thought Number Two: Any viewer expecting Civil War to be a specific warning about the current state of affairs in the United States will likely end up disappointed. This country may be more polarized than it’s been in decades, but the exact nature of that polarization is not exactly reflected in writer/director Alex Garland’s vision. This is simply an alternate possibility of what that division could look like, one that Garland thoroughly declines to offer any explanation for. Even the president (Nick Offerman) remains nameless! Once I accepted that Civil War was going to be light on backstory, I could appreciate its cinéma vérité qualities. Still, I was frustrated by the impenetrable characterization of the people that we do get to know. Although, that was perhaps by design, as Lee and Joel have been hardened by the lesson that they must subsume themselves within their jobs. Weirdly enough, that loss of personality is enough to remind me of how urgent it is to avoid any actual civil war.

Civil War is Recommended If You Like: Primary (1960), Abandoned highway cinematography, Ominous road trips

Grade: 3.5 out of 5 Alliances

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