Entertainment To-Do List: Week of 5/29/20

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CREDIT: Aaron Epstein/Netflix

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Vast of Night (May 29 on Amazon)

TV
Central Park Season 1 (May 29 on Apple TV+) – From Bob’s Burgers creator Loren Bouchard, but is it enough to convince me to sign up for Apple TV?
Space Force Season 1 (May 29 on Netflix) – Steve Carell and friends (including a posthumous Fred Willard) go to space!
Celebrity Family Feud Season Premiere (May 31 on ABC)
Press Your Luck Season Premiere (May 31 on ABC)
Match Game Season Premiere (May 31 on ABC)
Quiz Miniseries Premiere (May 31 on AMC) – A cheating scandal on Who Wants to be a Millionaire!
Fuller House Season 5 Part 2 (June 2 on Netflix)

Music
-Lady Gaga, Chromatica

‘The Vast of Night’ Delivers the Small-Scale Sci-Fi Goods

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CREDIT: Amazon Studios

Starring: Sierra McCormick, Jake Horowitz, Gail Cronauer, Bruce Davis

Director: Andrew Patterson

Running Time: 89 Minutes

Rating: PG-13 for The Looming Threat of Something Alien

Release Date: May 29, 2020 (Amazon Prime Video)

Imagine, if you will, a movie coming out in 2020 that presents itself as an episode of a fictional anthology TV series called Paradox Theatre, which is clearly inspired by the most famous actual anthology series of all time. Twilight Zone fever is alive and well, baby! The truth is, Rod Serling’s iconic creation, and all the brethren it’s inspired, has never really gone away. (That would still very much be the case even if the CBS All Access revival didn’t exist.) It’s pretty damn hard, nearly impossible even, to recapture the spirit of O.G. Twilight Zone, but I nonetheless love that The Vast of Night wears its influence so openly on its sleeve. The Paradox Theatre framing device could have been deployed even more thoroughly than it is, but it nevertheless sets a vibe that assures you that debut director Andrew Patterson is worth paying attention to.

Patterson and screenwriters James Montague and Craig W. Sanger whisk us back to one night in 1950s New Mexico, where there’s a big basketball game at the local high school that everyone in town is headed to. But we’re not here to follow anyone on the team. Instead, we’re going along with two other students as they head off to their jobs sending audio content through the ether. Fay (Sierra McCormick) is a switchboard operator, and Everett (Jake Horowitz) hosts a radio show. He’s constantly razzing her, but he also takes her seriously enough to know it’s worth doing some digging when she alerts him to some weird noises coming through the boards.

If you’re into the genre, you know where this is headed, i.e., EXTRATERRESTRIAL VISITORS HAVE A MESSAGE FOR US! The fun and the thrill of it is getting to study Fay and Everett’s faces as it dawns on them that major secrets are about to reveal themselves. Something bigger than their regular old small-town life might just actually exist.

The Vast of Night is in its sweet spot when it keeps things claustrophobic. Eventually Fay and Everett venture back out into the night to track down the source of the noises, and there is a nice frantic energy, as they (and seemingly the entire town) become swallowed by panic and paranoia. But when Everett is flipping tapes and Fay is turning knobs and switching wires, there is a pleasantly intense procedural quality to the awe they experience while just sitting around and going through their routine. When you realize that you’re at the mercy of something as vast as the universe just outside your window, it’s enough to make you lean in and become a budding little investigator. Throw in some era-appropriate fixings like thick-framed eyeglasses, full-length skirts, and jokes about the future of cell phones, and you’ve got yourself a slick little satisfying genre picture.

The Vast of Night is Recommended If You Like: The Twilight Zone, Amazing Stories, The X-Files

Grade: 3.5 out of 5 Switchboards

If Only ‘The Lovebirds’ Were More for the Birds

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CREDIT: Skip Bolen/Netflix

While appraising the Michael Showalter-directed, Kumail Nanjiani-and-Issa Rae-starring The Lovebirds, I feel a lot like Graham Chapman’s Colonel character from Monty Python, but like, in reverse. I want to pop in there and go, “I noticed a tendency for this movie to not get silly enough. Now let’s move it along and be more silly.” For something as outrageous as this bad-night-gone-wrong-then-worse rom-com, “not silly enough” might sound like a patently ridiculous accusation. Which is fine by me, as  I love being ridiculous and securing a patent for it. Furthermore, it’s possible to be over-the-top without being silly. The Lovebirds takes a grounded approach, wondering how a couple on the verge of a breakup would realistically react if someone jacked their car to murder someone in cold blood and then they proceeded to uncover a conspiracy connected to that fresh killing. The result is kind of funny and fairly heartfelt, which is enough to make me put a checkmark to my to-watch list and maybe add a smiley face.

As a veteran of The State, Stella, and Wet Hot American Summer, Michel Sho clearly has a transcendent amount of silliness in his funny bone. And Kumail certainly does, too, as he was so, so stupendously silly on Portlandia as a series of weirdly officious service employees. From what I know of Issa, she’s more awkward and goofy than silly, but I’m sure she could get into the silly groove with the right team. Now generally, I don’t like to review movies by taking them to task for what they could’ve been. Instead, I like to approach them on their own terms and ask if they did a good job at pulling off what they were attempting. But if The Lovebirds was attempting to show how people would really react to a bunch of life-threatening shenanigans, well, I believe there are some folks who would bulge out their eyes and cock their heads and maybe stare at the camera. Or maybe not. Perhaps this isn’t a proper review. Could it be that this is actually the introduction of my journey to become the Reverse-Colonel? … Bird is the word!

I give The Lovebirds 2.5 Bacon Strips out of Hot Bacon Grease.

Entertainment To-Do List: Week of 5/22/20

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CREDIT: Amazon Prime Video/YouTube Screenshot

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Lovebirds (Streaming on Netflix) – Kumail Nanjiani and Issa Rae finally team up!
AKA Jane Roe (Premieres May 22 on FX) – A documentary portrait of the woman behind Roe v. Wade.

TV
Homecoming Season 2 (May 22 on Amazon) – Now starring Janelle Monáe!
Jeopardy! Teachers Tournament (May 25-June 5, check local listings)
Marvel’s Agents of S.H.I.E.L.D. Season 7 Premiere (May 27 on ABC) – The final season!

Music
-The 1975, Notes on a Conditional Form

Comedy
-Hannah Gadsby: Douglas (May 26 on Netflix)

How Mascot-errific Are the Mascots (And Everyone Else) in ‘Mascots’?

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CREDIT: Scott Garfield/Netflix

I’d been meaning to watch Mascots for a while ever since it arrived on Netflix in 2016. Christopher Guest’s mockumentaries represent one of the most significant trends in American comedy, after all, so I need to stay on the up-and-up. So on May 16, 2020, I decided that it would finally be the day. And then after that personal resolution, I heard the news of Fred Willard’s passing. And well, I had no choice at that point. It was almost as if Willard himself had left me a note saying, “If I die, please have fun by watching this.” He seemed like the sort of guy who would leave behind such a message. Thanks for the laughs, Fred!

CREDIT: Scott Garfield/Netflix

So now that I’ve watched, I’ve decided to rank several of the main actors by how much their acting embodies the spirit of mascots, which consists of a mischievous mix of adorable and devious, plus a dash of uncanny valley. My evaluations are based mostly on Mascots, with some consideration given towards their performances in other Guest films (where applicable):

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The ‘Valley Girl’ Remake Just Can’t Resist Being a Sugar-Saturated Jukebox Musical

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CREDIT: Orion Classics

Starring: Jessica Rothe, Josh Whitehouse, Chloe Bennet, Jessie Ennis, Ashleigh Murray, Logan Paul, Mae Whitman, Alicia Silverstone, Camila Morrone, Judy Greer, Rob Huebel

Director: Rachel Lee Goldenberg

Running Time: 103 Minutes

Rating: PG-13 for A Row of Bare Butts Utilized for a Promposal

Release Date: May 8, 2020 (On Demand)

Valley Girl the remake updates a low-key rom-com 80s charmer and turns it into a cotton candy-nostalgia-lensed jukebox musical. The song-and-dance numbers are often buoyant, but I’m more interested in the weirdness lurking around the edges. That said, the synth-heavy, new wave-dominated pop music of this particular decade is more off-kilter than other eras’ popular tunes and plenty of people find it irresistible. So when our lead Valley Girl Julie Richman (Jessica Rothe) intones, “Life was like a pop song, and we knew all the words,” you might think to yourself, “You mean something like ‘We Got the Beat’ by iconic L.A. girl group the Go-Go’s?” And sure enough, everybody on screen promptly starts singing that anthem of musical possession. Or maybe, if you’re like me, during the part when Men Without Hats’ indefatigable “The Safety Dance” pipes up, you realize that it’s a perfect tune for a wedding reception, especially the version in which they spell out the title. The mind bounces around with highly personal ideas when thoroughly familiar songs keep tirelessly piping through the speakers.

When the original Valley Girl came out in 1983, the stereotype of ditzy, superficial, upspeaking teenage female San Fernando Valley residents was already firmly ensconced in American culture. Frank Zappa and his daughter Moon had just released their song “Valley Girl” the year before, after all. So while O.G. VG was self-aware of its setting, it was also still living through its era and thus it wisely took a snapshot instead of a whole panorama. But 2020 VG‘s appetite might be bigger than its tummy. It plays just about everything a little too straight and obvious. The Romeo and Juliet template of two lovers from opposite sides of town is very much intact, as Julie falls for punk rocker Randy (Josh Whitehouse). The modern-day framing device of a grown-up Julie (Alicia Silverstone) telling the story to her own teenage daughter (Camila Morrone) only underscores the predictability. Also a bummer: the casting of YouTuber Logan Paul, who has a reputation for controversial videos that actually prompted the film to be delayed from its original 2018 release date. Although, it’s worth noting that if you’re worried you might be turned off by his presence here, it helps to know that as Julie’s current boyfriend Mickey, he is supposed to come off as a massive tool.

After watching Valley Girl, I started to develop another interpretation after I looked over director Rachel Lee Goldenberg’s filmography, which mainly consists of titles released by notorious mockbuster distributor The Asylum as well as A Deadly Adoption, the bizarrely straightforward Lifetime original movie starring Will Ferrell and Kristen Wiig. Maybe playing it straight with no comment is just Goldenberg’s sensibility. If you asked her why she cast twentysomethings and thirtysomethings as teenagers, I can imagine her answering, “Isn’t that just how you’re supposed to do things in Hollywood?” (Rothe does at least have a young face, although she has a very grown-up aura.)

Look, when a movie like this one has lines like “Everyone would probably have a total cow if I left” and “Technically speaking, punk is dead,” you kind of start to realize that it’s making fun of itself. And if you’re still worried about a fatal lack of a sense of humor, at least hang around for the moments with Rob Huebel and Judy Greer as Julie’s parents. The two of them (three if you count Huebel’s mustache) are fully alive as the most wonderful exaggerations of pushy parents who have mapped out their kid’s future. Valley Girl, huh? More like “Valley Parents Just Don’t Understand.”

Valley Girl is Recommended If You Like: Jukebox musicals, I Love the ’80s, Beach Blanket Bingo

Grade: 3 out of 5 Ronald Reagan Masks

Entertainment To-Do List: Week of 5/8/20

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CREDIT: Netflix

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Valley Girl (Streaming May 8)

TV
Solar Opposites Season 1 (May 8 on Hulu) – New animated series about a family of aliens from Rick and Morty co-creator Justin Roiland.
SNL at Home Season Finale (May 9 on NBC)
SNL Mother’s Day Special (May 10 on NBC) – A compilation episode the day after the season finale?! Count me in!
Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend (May 12 on Netflix) – Kimmy does choose-your-own-adventure!
The Happy Days of Garry Marshall (May 12 on ABC) – Please, call him Garry!

Music
-Hayley Williams, Petals for Armor

I Have Reached My Final Destination of Ranking the ‘Final Destination’ Movies

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CREDIT: YouTube Screenshots

The best horror movies are the ones where you actually care about the characters, even though the fun of horror movies often has to do with the sadistic glee of reveling in fictional blood and guts. The Final Destination franchise reconciles this paradox by making the whole premise about the Grim Reaper gradually catching up to the heroes, thereby making Death the real hero, or at least the main attraction. At their cores, these movies don’t make a lick of sense (why do people who have never before displayed supernatural powers suddenly have premonitions of horrible accidents that allow them to save themselves and their friends only to eventually die anyway?), but they have their moments that produce some delightfully pulpy thrills. Thus, I present to you a reflection of how well each entry embraces its destiny.

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Entertainment To-Do List: Week of 4/24/20

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CREDIT: Apple TV/YouTube Screenshot

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Beastie Boys Story (Streaming on Apple TV+)
Bad Education (Premieres April 25 on HBO)

TV
RuPaul’s Secret Celebrity Drag Race Premiere (April 24 on VH1)
Normal People Series Premiere (April 29 on Hulu)
-A Parks and Recreation Special (April 30 on NBC)

Music
-AWOLNATION, Angel Miners & the Lightning Riders

Best Movies of the 2010s

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CREDIT: YouTube Screenshots

I love movies.

I love films.

I love flicks.

It was a great time to be alive in the 2010s, as hundreds – thousands, even – of new cinematic offerings were produced and released. How did I manage to condense them down to the most wonderful of the wonderful? I consulted the projector within my mind’s eye and asked, “Did this make a positive, enduring impression on me (and possibly the rest of the world)?” The results of that endeavor are below, along with mentions of moments that I cannot help but declare my love for.

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