I will be live tweeting the Video Music Awards tomorrow, Thursday, September 6, at 8 eastern/7 central. If you want to follow, go @jmunneymalone.
You know you love me.
xoxo,
Jmunney
Jeff "Jmunney" Malone's Self-Styled "Expert" Thoughts on Movies, TV, Music, and the Rest of Pop Culture
September 5, 2012
Awards Shows, Music, Music Videos, Television, Video Music Awards Leave a comment
I will be live tweeting the Video Music Awards tomorrow, Thursday, September 6, at 8 eastern/7 central. If you want to follow, go @jmunneymalone.
You know you love me.
xoxo,
Jmunney
September 3, 2012
Awards Shows, Music, Music Videos, Television, Video Music Awards Leave a comment
The 2012 MTV Video Music Awards are this Thursday, September 6, 8 PM (7 Central). Generally, I think I have a good sense of what will win at major entertainment awards shows, but last year, I correctly predicted 2 out of 14 VMA categories. So, this year I’m not going to spend much time trying to figure out this notoriously hard to crack festivity. Just a quick will win/should win for each category.
Video of the Year
Drake ft. Rihanna – “Take Care”
Gotye ft. Kimbra – “Somebody That I Used to Know”
M.I.A. – “Bad Girls”
Katy Perry – “Wide Awake”
Rihanna ft. Calvin Harris – “We Found Love”
Will Win/Should Win: “Somebody That I Used to Know”
Best Male Video
Justin Bieber — “Boyfriend”
Chris Brown — “Turn Up the Music”
Drake ft. Rihanna — “Take Care”
Frank Ocean — “Swim Good”
Usher — “Climax”
Will Win: “Boyfriend”
Should Win: “Take Care”
Best Female Video
Beyoncé — “Love on Top”
Selena Gomez & the Scene — “Love You Like a Love Song”
Nicki Minaj — “Starships”
Katy Perry — “Part of Me”
Rihanna ft. Calvin Harris — “We Found Love”
Will Win: “Part of Me”
Should Win: “Love You Like a Love Song”
Best New Artist
fun. – ft. Janelle Monáe — “We Are Young”
Carly Rae Jepsen — “Call Me Maybe”
Frank Ocean — “Swim Good”
One Direction — “What Makes You Beautiful”
The Wanted — “Glad You Came”
Will Win: “Call Me Maybe” (or “What Makes You Beautiful”)
Should Win: “Call Me Maybe”
Best Pop Video
Justin Bieber — “Boyfriend”
fun. ft. Janelle Monáe — “We Are Young”
Maroon 5 ft. Wiz Khalifa — “Payphone”
One Direction — “What Makes You Beautiful”
Rihanna ft. Calvin Harris — “We Found Love”
Will Win: “Boyfriend”
Should Win: “We Found Love”
Best Rock Video
The Black Keys — “Lonely Boy”
Coldplay — “Paradise”
Imagine Dragons — “It’s Time”
Linkin Park — “Burn It Down”
Jack White — “Sixteen Saltines”
Will Win/Should Win: “Lonely Boy”
Best Hip-Hop Video
Childish Gambino — “Heartbeat”
Drake ft. Lil Wayne — “HYFR”
Jay-Z and Kanye West — “Paris”
Nicki Minaj ft. 2 Chainz — “Beez in the Trap”
Kanye West ft. Pusha T, Big Sean and 2 Chainz — “Mercy”
Will Win: “Paris”
Should Win: “Paris” (I guess)
Best Electronic Dance Music Video
Avicii — “Levels”
Duck Sauce — “Big Bad Wolf”
Calvin Harris — “Feel So Close”
Skrillex — “First of the Year (Equinox)’
Martin Solveig — “The Night Out”
Will Win: “First of the Year (Equinox)”
Should Win: “Big Bad Wolf”
And now we come to the “professional” categories, in which there is even less of a point in attempting predictions, so I’ll just run through the should win’s for these categories.
Best Director
Coldplay ft. Rihanna — “Princess of China” (Director: Adria Petty and Alan Bibby)
Duck Sauce — “Big Bad Wolf” (Director: Keith Schofield)
Jay-Z and Kanye West ft. Otis Redding — “Otis” (Director: Spike Jonze)
M.I.A. — “Bad Girls” (Director: Romain Gavras)
Frank Ocean — “Swim Good” (Director: Nabil Elderkin)
Should Win: Keith Schofield, “Big Bad Wolf”
Best Choreography
Avicii — “Levels” (Choreographers: Richy Greenfield and Petro Papahadjopoulos)
Beyoncé — “Countdown” (Choreographers: Danielle Polanco, Frank Gatson Jr., Beyoncé and Anne Teresa De Keersmaeker)
Chris Brown — “Turn Up the Music” (Choreographer: Anwar “Flii” Burton)
Jennifer Lopez ft. Pitbull — “Dance Again” (Choreographer: JR Taylor)
Rihanna — “Where Have You Been” (Choreographer: Hi-Hat)
Should Win: “Levels”
Best Visual Effects
David Guetta ft. Nicki Minaj — “Turn Me On” (Visual Effects: Alex Frisch, Joe Harkins, Scott Metzger and Vico Sharabani)
Linkin Park — “Burn It Down” (Visual Effects: Ghost Town Media)
Katy Perry — “Wide Awake” (Visual Effects: Ingenuity Engine)
Rihanna — “Where Have You Been” (Visual Effects: BAKED FX)
Skrillex — “First of the Year (Equinox)” (Visual Effects: Deka Brothers and Tony “Truand” Datis)
Should Win: “Turn Me On”
Best Art Direction
Lana Del Rey — “Born to Die” (Art Directors: Anna Brun and Audrey Malecot)
Drake ft. Rihanna — “Take Care” (Art Director: Charles Infante)
Of Monsters and Men — “Little Talks” (Art Director: Mihai Wilson)
Katy Perry — “Wide Awake” (Art Director: Benji Bamps)
Regina Spektor — “All the Rowboats” (Art Director: Anthony Henderson)
Should Win: “Born to Die”
Best Editing
A$AP Rocky — “Goldie” (Editor: Samantha Lecca)
Beyoncé — “Countdown” (Editors: Alexander Hammer and Jeremiah Shuff)
Gotye ft. Kimbra — “Somebody That I Used to Know” (Editor: Natasha Pincus)
Jay-Z and Kanye West — “Niggas in Paris” (Editors: Alexander Hammer, Peter Johnson and Derek Lee)
Kanye West ft Pusha T, Big Sean and 2 Chainz — “Mercy” (Editor: Eric Greenburg)
Should Win: “Somebody That I Used to Know”
Best Cinematography
Adele — “Someone Like You” (Director of Photography: David Johnson)
Coldplay ft. Rihanna — “Princess of China” (Director of Photography: Stéphane Vallée)
Lana Del Rey — “Born to Die” (Director of Photography: André Chemetoff)
Drake ft. Rihanna — “Take Care” (Director of Photography: Kasper Tuxen)
M.I.A. — “Bad Girls” (Director of Photography: André Chemetoff)
Should Win: “Bad Girls”
Best Video with a Message
Kelly Clarkson — “Dark Side”
Gym Class Heroes ft. Ryan Tedder — “The Fighter”
K’naan ft. Nelly Furtado — “Is Anybody Out There?”
Lil Wayne — “How to Love”
Demi Lovato — “Skyscraper”
Rise Against — “Ballad of Hollis Brown”
Will Win: “Skyscraper”
Should Win: “Ballad of Hollis Brown”
Best Latino Artist
Juanes
Jennifer Lopez
Pitbull
Romeo Santos
Wisin & Yandel
Will Win: ???
Should Win: ???
August 19, 2012
Awards Shows, Music, Music Videos, Television, Video Music Awards Leave a comment
Video of the Year
Drake ft. Rihanna – “Take Care”
Gotye ft. Kimbra – “Somebody That I Used to Know”
M.I.A. – “Bad Girls”
Katy Perry – “Wide Awake”
Rihanna ft. Calvin Harris – “We Found Love”
This is the best overall set of Video of the Year nominees I can remember in my lifetime. I would be happy with any of these videos winning, but Gotye definitely deserves it the most. Lately, there’s been one oddball Video of the Year nominee each year, and eight months ago, I would have thought that oddball nominee would have been “Somebody That I Used to Know,” but then that inexplicably became a hit, so M.I.A. was slotted in as the alternative choice. I hadn’t heard or seen “Bad Girls” until I saw these nominations, and now I’ve been listening to it every day. But still, “Somebody That I Used to Know” deserves it by a mile – it was #3 in my list for best music videos of 2011 (#1 – Tyler, the Creator’s “Yonkers” – was up last year and #2 – Duck Sauce’s “Big Bad Wolf” – was perhaps a bit much for Video of the Year, but did manage a spot in the Electronic category).
Best Male Video
Justin Bieber — “Boyfriend”
Chris Brown — “Turn Up the Music”
Drake ft. Rihanna — “Take Care”
Frank Ocean — “Swim Good”
Usher — “Climax”
Umm … where is Gotye? Drake – by far – is the only one here with a signficantly memorable video.
Best Female Video
Beyoncé — “Love on Top”
Selena Gomez & the Scene — “Love You Like a Love Song”
Nicki Minaj — “Starships”
Katy Perry — “Part of Me”
Rihanna ft. Calvin Harris — “We Found Love”
Oh, VMA inconsistency! If “Wide Awake” is up for Video of the Year, then why is “Part of Me” the Katy Perry selection for Female Video? This is a tough call between Rihanna and Selena – RiRi had the more indelible images, but I think I prefer Selena with the more interesting idea.
Best New Artist
fun. – ft. Janelle Monáe — “We Are Young”
Carly Rae Jepsen — “Call Me Maybe”
Frank Ocean — “Swim Good”
One Direction — “What Makes You Beautiful”
The Wanted — “Glad You Came”
Gotye is the only new artist up for Video of the Year, but he’s not up for Best New Artist… Frank Ocean may have had the best music of the newbies, but his video for “Swim Good” doesn’t do much for me. I think I’ll actually give the edge to Carly Rae over fun. on this one.
Best Pop Video
Justin Bieber — “Boyfriend”
fun. ft. Janelle Monáe — “We Are Young”
Maroon 5 ft. Wiz Khalifa — “Payphone”
One Direction — “What Makes You Beautiful”
Rihanna ft. Calvin Harris — “We Found Love”
“We Found Love” seems a little out of place in the pop category, but it is certainly the best of this bunch.
Best Rock Video
The Black Keys — “Lonely Boy”
Coldplay — “Paradise”
Imagine Dragons — “It’s Time”
Linkin Park — “Burn It Down”
Jack White — “Sixteen Saltines”
You can always count on Best Rock Video to not be completely screwed up. Please, please, let’s recognize the Black Keys, who have had on average the best videos of any band the past two years.
Best Hip-Hop Video
Childish Gambino — “Heartbeat”
Drake ft. Lil Wayne — “HYFR”
Jay-Z and Kanye West — “Paris”
Nicki Minaj ft. 2 Chainz — “Beez in the Trap”
Kanye West ft. Pusha T, Big Sean and 2 Chainz — “Mercy”
I would really love to see Childish Gambino win something, because it could in a way be considered a win for Community. “Heartbeat” is a great song, though its video isn’t all that special, but nor are any of the other nominees, so … go, Donald Glover!
Best Electronic Dance Music Video
Avicii — “Levels”
Duck Sauce — “Big Bad Wolf”
Calvin Harris — “Feel So Close”
Skrillex — “First of the Year (Equinox)’
Martin Solveig — “The Night Out”
Good call by the VMAs to restrict the Dance category to Electronic Dance this year, as it resulted in a group of nominees that is overall even better than the Video of the Year nominees. I would love to see all of these videos win something, but “Big Bad Wolf” is the most impressive, in a lot of ways.
Best Director
Coldplay ft. Rihanna — “Princess of China” (Director: Adria Petty and Alan Bibby)
Duck Sauce — “Big Bad Wolf” (Director: Keith Schofield)
Jay-Z and Kanye West ft. Otis Redding — “Otis” (Director: Spike Jonze)
M.I.A. — “Bad Girls” (Director: Romain Gavras)
Frank Ocean — “Swim Good” (Director: Nabil Elderkin)
It’s usually a good call to award Spike Jonze, but “Otis” is nowhere near the level of “Sabotage,” “Buddy Holly,” or “Weapon of Choice.” Romain Gavras has now directed a couple of great videos for M.I.A., and that collaboration deserves recognition, but I have to give it to Keith Schofield, who deserves plenty of credit for doing whatever he did to make “Big Bad Wolf” happen.
Best Choreography
Avicii — “Levels” (Choreographers: Richy Greenfield and Petro Papahadjopoulos)
Beyoncé — “Countdown” (Choreographers: Danielle Polanco, Frank Gatson Jr., Beyoncé and Anne Teresa De Keersmaeker)
Chris Brown — “Turn Up the Music” (Choreographer: Anwar “Flii” Burton)
Jennifer Lopez ft. Pitbull — “Dance Again” (Choreographer: JR Taylor)
Rihanna — “Where Have You Been” (Choreographer: Hi-Hat)
In a traditional sense of understanding dance, the choreography of “Where Have You Been” was the most impressive, but when one considers that something like “Praise You” is considered one of the best dance videos of all time, “Levels” must then surely be recognized for being so wackadoodly memorable.
Best Visual Effects
David Guetta ft. Nicki Minaj — “Turn Me On” (Visual Effects: Alex Frisch, Joe Harkins, Scott Metzger and Vico Sharabani)
Linkin Park — “Burn It Down” (Visual Effects: Ghost Town Media)
Katy Perry — “Wide Awake” (Visual Effects: Ingenuity Engine)
Rihanna — “Where Have You Been” (Visual Effects: BAKED FX)
Skrillex — “First of the Year (Equinox)” (Visual Effects: Deka Brothers and Tony “Truand” Datis)
“Wide Awake” and “First of the Year” had cool-looking effects, but those of “Turn Me On” were more all-encompassing.
Best Art Direction
Lana Del Rey — “Born to Die” (Art Directors: Anna Brun and Audrey Malecot)
Drake ft. Rihanna — “Take Care” (Art Director: Charles Infante)
Of Monsters and Men — “Little Talks” (Art Director: Mihai Wilson)
Katy Perry — “Wide Awake” (Art Director: Benji Bamps)
Regina Spektor — “All the Rowboats” (Art Director: Anthony Henderson)
Lana Del Rey may get a lot of guff for being overhyped by bloggers and for her super strange live performances, but she has made some excellent, often beautiful music videos, and “Born to Die” was the most beautiful video of the year.
Best Editing
A$AP Rocky — “Goldie” (Editor: Samantha Lecca)
Beyoncé — “Countdown” (Editors: Alexander Hammer and Jeremiah Shuff)
Gotye ft. Kimbra — “Somebody That I Used to Know” (Editor: Natasha Pincus)
Jay-Z and Kanye West — “Niggas in Paris” (Editors: Alexander Hammer, Peter Johnson and Derek Lee)
Kanye West ft Pusha T, Big Sean and 2 Chainz — “Mercy” (Editor: Eric Greenburg)
Why is this the only other category that “Somebody That I Used to Know” is up for? Anyway, it should definitely win here – the editing played a big part in making it as good as it was.
Best Cinematography
Adele — “Someone Like You” (Director of Photography: David Johnson)
Coldplay ft. Rihanna — “Princess of China” (Director of Photography: Stéphane Vallée)
Lana Del Rey — “Born to Die” (Director of Photography: André Chemetoff)
Drake ft. Rihanna — “Take Care” (Director of Photography: Kasper Tuxen)
M.I.A. — “Bad Girls” (Director of Photography: André Chemetoff)
Following Adele with the camera was a neat trick, but the panoramic shots of riding through the desert in “Bad Girls” trump it.
Best Video with a Message
Kelly Clarkson — “Dark Side”
Gym Class Heroes ft. Ryan Tedder — “The Fighter”
K’naan ft. Nelly Furtado — “Is Anybody Out There?”
Lil Wayne — “How to Love”
Demi Lovato — “Skyscraper”
Rise Against — “Ballad of Hollis Brown”
Why not nominate “Bad Girls” here? That video’s all about supporting the right to drive for Saudi women. Anyway, none of these nominees are doing much for me, except maybe Rise Against, who managed a decent Bob Dylan cover.
Best Latino Artist
Juanes
Jennifer Lopez
Pitbull
Romeo Santos
Wisin & Yandel
I’m not sure what the point of this category is.
February 21, 2012
Best of 2011, Fashion, Music, Music Videos, Sports, Television Leave a comment
As a finale to my Best of 2011 coverage, here are the best parts of 2011 that didn’t fit neatly into any of my categories.
Best Look – Katy Perry’s Smurfette Dress

Best Viral Videos
1. Today Now! Interviews the 5-Year-Old Screenwriter of Fast Five
2. Funny or Die’s Audio Tour
Best National Anthem Performance – Zooey Deschanel at Game 4 of the World Series
Late Night Talk Show Musical Guest MVP’s
St. Vincent
St. Vincent – “She is Beyond Good and Evil” on Late Night with Jimmy Fallon
Childish Gambino
Childish Gambino – “Bonfire” on Late Night with Jimmy Fallon
Best Single Dance Move in a Music Video – The Tofo Tofo dancers and Beyoncé drop to their knees and kick back up in the “Run the World (Girls)” music video.
Best Hip-Shaking – Ellie Goulding in the “Lights” Music Video
January 25, 2012
Best of 2011, Best of Music 2011, Music, Music Videos Leave a comment
Simplicity was the name of the game for music videos in 2011. Among my top ten and honorable mentions, five featured only the artists (or only one person instead of the artist), three were definitely each one unbroken shot (in one of those, the camera never moved), and two others looked like they were each one unbroken shot, but probably weren’t because of the effects involved.
1. Tyler, the Creator – “Yonkers” [Dir. Wolf Haley]
This is just a man, and who he is. If you have never been exposed to Tyler, the Creator before watching the “Yonkers” video, be prepared to steel yourself. And if all that you have seen of him is the enthusiastic kid who won Best New Artist at the VMA’s, follow the same advice. Attention is commanded right away by this clip, thanks to its use of black-and-white, one of the most tried-and-true attention-grabbing methods available. With the viewer at full attention, Tyler, quite literally, pours his entire self into this performance, as he eats a cockroach, vomits, and then hangs himself, never backing off the brutality of the lyrics. These elements, along with the constant shifts in the camera’s focus and the disorienting close-ups, add up to an introduction of Tyler, the Creator as offputtingly alien but in a way that cannot be ignored.
2. Duck Sauce – “Big Bad Wolf” [Dir. Keith Schofield]
Guess what, folks? LMFAO’s “Sexy and I Know It” was only the second most brazenly homoerotic music video of the year. However, that is a misnomer for “Big Bad Wolf,” because the men are not showing off for each other, and the sexuality it presents is too bizarre to be explained in normal terms. Specifically, it features a couple of guys whose genitals are the heads of the guys from Duck Sauce. I appreciate that these men are willing to show off in the same way that so many female video vixens have before them. But on the flip side, others might claim that this is a problem, and the right way to put it is that they are objectifying themselves like the girls who have come before them. But when a couple of ladies who also have cranial genitalia show up, it becomes clear that the message is mainly about everyone opening themselves to having a good time. And I do mean that in the euphemistic sense, but I mean more that as well. This video approves saying “yes” to sex, and it is talking especially to those who do not always get enough attention: the chubby, the particularly ethnic, the hairy. And it is all done in the style of the Surrealization of Sexuality.
3. Gotye ft. Kimbra – “Somebody That I Used To Know” [Dir. Natasha Pincus]
Music is about expressing feelings in ways that are generally not considered appropriate for normal social interactions. The clip for “Somebody That I Used to Know” demonstrates that maxim in a visual way. Gotye directly addresses the camera about how a recent break-up has rendered his emotions while a corresponding abstract expression of those emotions is illustrated. He then literally becomes a part of that painting. Kimbra, taking the role of the ex, is also part of that painting, and their relationship is broken such that they can literally not look each other in the eye. The arrangement of faces is reminiscent of Bergman; there is a cinematic essence to it – that of heightened reality that can only be captured by films, including music videos.
4. Martin Solveig ft. Dragonette – “Hello” [Dir. Tristan Seguela]
Music videos have sometimes been defined by as mini-movies. This description is used to distinguish those videos that attempt to be more than just a collection of images or performance footage. But those videos that try to tell stories with a beginning, middle, and end do not always take care to be clear and logical. “Hello” avoids that pitfall by giving itself a setting – a sports competition – in which the elements of a story basically fall into place on their own. The sunny setting and candy color palette make certain that this is a fun video, but the whole underdog ethos keeps it from being annoyingly frothy. Martin and his opponent – fellow DJ Bob Sinclar – look like they can actually play tennis, and the cameos from ATP players Novak Djokovic, Gaël Monfils, and Mathilde Johansson add to the authenticity. The DJ Mag rankings taking the place of ATP rankings is a clever detail that adds to the whole sense of great care being taken to present a clear and logical – and fun – mini-movie.
5. The Black Keys – “Howlin’ for You” [Dir. Chris Marrs Piliero]
The fake movie trailer conceit – especially the fake grindhouse trailer – is a particularly played-out concept, but it doesn’t matter how played-out it is when it is done right. And the video for “Howlin’ for You” is the fake grindhouse trailer conceit done right. A major part of making it work is the music, and when the music being used is by the Black Keys, there’s no problem there. The right cast is also clutch: Tricia Helfer is the right sort of ass-kicking babe, but the less obvious choices of Corbin Bernsen and Sean Patrick Flanery are even more inspired. Professional editing is also essential: the fake trailer should not constantly be showing off its fakeness; the viewer already knows it’s fake – it should maintain the illusion of realness. Once all this is accomplished, only then can the fake grindhouse trailer get away with calling Todd Bridges a “Sir” and using lines like, “I’m pretty sure God would consider it a sin not to glorify that ass.”
6. Robyn – “Call Your Girlfriend” [Dir. Max Vitali]
One’s first instinct may be to dismiss a dance performance that includes the move of sitting down, rolling over on your back, and humping the ground a few times with your head pressed against the floor. Or maybe you’re like me and you were endlessly amused by that patently Robyn-esque move. Either way, that is the silliest move in the “Call Your Girlfriend” video; meanwhile, every other move simply kills, no doubt about it. The routine is quirky and challenging – the best combination when it comes to dance. The breakdown at 2:30 is fifteen seconds of nirvana. The dopamine that must be teeming through Robyn as she dances her dance would give anyone the energy to successfully deliver the sort of break-up news that she is requesting.
7. The Black Keys – “Lonely Boy” [Dir. Jesse Dylan]
The video for “Lonely Boy” features a spur-of-the-moment improvised dance from actor/musician/part-time security guard Derrick T. Tuggle in the parking lot of a motel. And it is as awesome as it sounds.
8. Katy Perry – “Last Friday Night (T.G.I.F.)” [Dir. Marc Klasfeld and Danny Lockwood]
“Last Friday Night” features appearances from Darren Criss from Glee, Kevin McHale (not Kevin McHale the basketball player, Kevin McHale the actor from Glee), ‘80’s icons Corey Feldman and Debbie Gibson, the brothers Hanson, and Kenny G. But the most satisfactory celebrity appearance is that of perhaps the most notorious “star” of 2011: Rebecca Black. And thus Katy Perry makes her case as the Grant Morrison of music videos. Like the comic book superwriter reintroducing the most bizarre and stupidest Batman villains into the canon, the pop starlet appropriates Black as a witty commentary on the weekend culture of the 21st century. Katy Perry is not ashamed to immerse herself in the epic fails of the youth of today, but she does so in a knowingly straightforward way that may make some wonder whether or not announcing how awesome you are while acting stupidly is truly awesome. Alternatively, it may just inspire more partying. Either way, everybody wins?
9. Kanye West ft. Rihanna and Kid Cudi et al – “All of the Lights” [Dir. Hype Williams]
Videos like “All of the Lights” really make me feel for those who suffer from epilepsy, because here is one amazing viewing experience that they will likely never be able to have without seizing up. The only way for Kanye and Hype Williams to capture the essence of this title is to have variously colored lights flashing by quickly in an epilepsy-unfriendly manner. Hype is basically showing off his skills as the elder statesman of hip-hop videos. So many current hip-hop videos begin with gaudy, self-congratulatory text introducing the talent. Hype takes that method as far as it can go by making almost the entire video a succession of such gaudy, self-congratulatory text. This is what the hip-hop world has come to, and Kanye is the only one able to see it and willing to say it.
10. Battles ft. Gary Numan – “My Machines” [Dir. Daniels]
A man falls down an up escalator (think about it), and he continues to do so for about four minutes. It may sound like a Family Guy gag that defines overkill, but when it is set to the tune of a driving beat by experimental rock band Battles, it is much more bearable. The “My Machines” video is a triumph of simple visual effects, as the shaky camera and the foggy flashing lights appear to shake the foundations of the mall, and ramp up the escalator’s intensity, rocking the falling gentleman like no escalator has ever rocked him before.
Honorable Mentions:
Skrillex – “First of the Year (Equinox)” [Dir. Tony Truand]
The expression of a fight against child molestation that we desperately needed.
Selena Gomez & the Scene – “Love You Like a Love Song” [Dir. Geremy Jasper and Georgie Greville]
If only all video karaoke machines knew the singer so well.
Adele – “Rolling in the Deep” [Dir. Sam Brown] and “Someone Like You” [Dir. Jake Nava]
Adele is a little bit intimidating sitting in a chair making water shake and just as intimidating walking around and singing into the camera.
Ke$ha – “Blow” [Dir. Chris Marrs Piliero]
The best use of unicorns in 2011 and the best use of “James Van Der Douche” in a while.
Lana Del Rey – “Video Games” [Dir. Lana Del Rey]
Yeah, sure, whatever, let’s include all these random clips in your video, including paparazzi footage of Paz de la Huerta.
Foster the People – “Call It What You Want” [Dir. Ace Norton]
Foster the People romp around in a mansion with some Shining-type qualities.
Rihanna ft. Calvin Harris – “We Found Love” [Dir. Melina Matsoukas]
Rihanna’s most direct confrontation yet of an abusive relationship.
August 30, 2011
Awards Shows, Music, Music Videos, Television, Video Music Awards Leave a comment
It turns out that predicting the winners of the VMA’s is even more of a fool’s errand than it is for most awards shows, which I have realized after correctly predicting a grand total of 2 (out of 14) categories (Foo Fighters for Rock Video, GaGa for Video with a Message). Here a few things I learned about the VMA’s this year:
–MTV does not care about consistency.
The distribution of the awards reminded me of an episode of Da Ali G Show. Brüno was interviewing some guy at a fashion show. He asked him why the show was humorless, and then he asked him how it had maintained a sense of humor; he asked him why the show was about the individual, and then he asked him why it was about other people; he asked him how he had made the show so heavy, and then he asked him how he had made it so light. Ultimately he asked this guy if he cared about inconsistency, which of course, he didn’t. Clearly, MTV feels the same way. “Firework” won Video of the Year, even though it did not also win Best Female Video, and it wasn’t even nominated in Best Pop Video. (Another Katy Perry video – “Last Friday Night” – was nominated in the Pop category. There seemed to have been a desire to recognize all of Katy’s videos from the past year, which is fine, but she could have had multiple nominations in the same category if the nominators wanted her to.) This isn’t anything new. Panic! at the Disco won Video of the Year – and nothing else – in 2006, while Beyoncé won Video of the Year in 2009 but, quite famously, did not also win Female Video.
–This was Adele’s year, but it was also Katy Perry’s, and GaGa (and Britney) need to be recognized, too.
“Rolling in the Deep” is the biggest hit of the year, and it won more moonmen than any other video this year, but those wins all came in the “professional categories” (Art Direction, Editing, Cinematography). Meanwhile, Katy Perry has had a year comparable to – perhaps better than – Adele’s, having just had her fifth number one single off the same album (an accomplishment previously achieved only by Michael Jackson). Her videos also had three wins (two for “E.T.,” one for “Firework”). Meanwhile, Lady GaGa was somehow able to top them both in Female Video, and Britney was able to top them as well in Pop Video.
–Justin Bieber wins everything he is nominated for.
Unless it’s the Grammys. And nobody understands the Grammys.
August 28, 2011
Awards Shows, Music, Music Videos, Television, Video Music Awards Leave a comment
The 2011 MTV Video Music Awards are taking off tonight, and believe it or not, this is an awards show that has more legitimacy than most. Unfortunately, this legitmacy has been on the downturn in the past decade. It is not that bad music videos are being awarded, it is that the safer picks – like “Umbrella” and “Bad Romance” – are chosen, while the truly best and most daring – like Fatboy Slim’s “Weapon of Choice” or Justice’s “D.A.N.C.E.” or The Black Keys’ “Tighten Up” – are merely given perfunctory nominations or relegated to less prestigious (but more interesting) categories like Breakthrough Video (which is not being awarded this year). This is mainly due to MTV’s pop bias, which the network got away with in the early days of the VMA’s, as the best music videos back then could be found among the popular ones. But in the modern music world, there are tons of indie artists making music videos along with the popular artists, and every video can easily be propagated through YouTube. Thus, the best videos often have to be actively sought after, which means MTV is now mostly recognizing the best of only a subset of the music video world. And in that limited capacity, a pretty good job is done. Anyway, here is a category-by-category breakdown.
Video of the Year
Adele – “Rolling in the Deep”
Beastie Boys – “Make Some Noise”
Bruno Mars – “Grenade”
Katy Perry – “Firework”
Tyler, the Creator – “Yonkers”
Will Win: Katy Perry is the most nominated artist (with 4 different videos being recognized), but “Rolling in the Deep” is by far the biggest hit of the year and pretty close to a sure thing.
Should Win: Stark black-and-white photography and memorable images (cockroach, vomit, hanging) make for a winning combination when it comes to music videos, as “Yonkers” provides evidence of.
Best Male Video
Justin Bieber – “U Smile”
Eminem ft. Rihanna – “Love the Way You Lie”
Cee-Lo Green – “Fuck You!”
Bruno Mars – “Grenade”
Kanye West ft. Rihanna and Kid Cudi – “All of the Lights”
Will Win: Unless the VMA’s are determined entirely by fan voting (and I’m pretty sure they’re not; if they were, this category would go to Bieber), this is a toss-up between Eminem and Cee-Lo. I give the edge to “Fuck You!” for being more recent and more upbeat.
Shoudl Win: Looking for striking visual imagery? Look no further than “All of the Lights.”
Best Female Video
Adele – “Rolling in the Deep”
Beyoncé – “Run the World (Girls)”
Lady GaGa – “Born This Way”
Nicki Minaj – “Super Bass”
Katy Perry – “Firework”
Will Win: “Rolling in the Deep.” Biggest hit of the year, don’t you know?
Should Win: “Rolling in the Deep.” The vibrating glasses of water are what really sell it.
Best New Artist
Big Sean ft. Chris Bown – “My Last”
Foster the People – “Pumped Up Kicks”
Kreayshawn – “Gucci Gucci”
Tyler, the Creator – “Yonkers”
Wiz Khalifa – “Black and Yellow”
Will Win: The fact that Tyler is up for Video of the Year doesn’t really mean much for his chances here. “Black and Yellow” was the biggest hit out of this bunch. But don’t count Tyler out, as Avenged Sevenfold beat Chris Brown and Rihanna in 2006 and Tokio Hotel beat Katy Perry and Taylor Swift in 2008.
Should Win: You gotta want someone who is going to have a long career of making great videos winning here. I think “Yonkers” proves that will be the case with Tyler, the Creator.
Best Pop Video
Adele – “Rolling in the Deep”
Bruno Mars – “Grenade”
Katy Perry – “Last Friday Night (T.G.I.F.)”
Pitbull ft. Ne-Yo, Afrojack, and Nayer – “Give Me Everything”
Britney Spears – “Till the World Ends”
Will Win: This award has lately been closely in line with Video of the Year, which bodes well for “Rolling in the Deep.”
Should Win: Celebrity cameos that are witty and actually have a purpose? Thank you, “Last Friday Night.”
Best Rock Video
The Black Keys – “Howlin’ for You”
Cage the Elephant – “Shake Me Down”
Foo Fighters – “Walk”
Foster the People – “Pumped Up Kicks”
Mumford & Sons – “The Cave”
Will Win: This award doesn’t always go to the biggest hit (as lately there isn’t always a big hit among the nominees). The four relatively new artists may cancel each other out, leading the way for the oft-nominated but never victorious Foo Fighters to win for “Walk.”
Should Win: The fake-trailer (especially the grindhouse variety) conceit has become a bit overdone, but when it’s done well, it’s done well, as in “Howlin’ for You.”
Best Hip-Hop Video
Chris Brown ft. Lil Wayne and Busta Rhymes – “Look at Me Now”
Lupe Fiasco – “The Show Goes On”
Lil Wayne ft. Cory Gunz – “6 Foot 7 Foot”
Nicki Minaj – “Super Bass”
Kanye West ft. Rihanna and Kid Cudi – “All of the Lights”
Will Win: The VMA’s love a good comeback story, which is good news for “6 Foot 7 Foot” from Lil Wayne, who is in the midst of his post-prison career resurgence.
Should Win: There’s a Hype Williams clip (“All of the Lights”) nominated? Give it to him. He makes classic hip-hop spots in his sleep.
Best Collaboration
Chris Brown ft. Lil Wayne and Busta Rhymes – “Look at Me Now”
Nicki Minaj ft. Drake – “Moment 4 Life”
Katy Perry ft. Kanye West – “E.T.”
Pitbull ft. Ne-Yo, Nayer, and Afrojack – “Give Me Everything”
Kanye West ft. Rihanna and Kid Cudi – “All of the Lights”
Will Win: It may be too hard to resist the big number of credited artists and Pitbull’s rising star power in “Give Me Everything.”
Should Win: “All of the Lights.” Kanye is the current king of collaborations and RiRi is the queen of hooks.
Best Direction
30 Seconds to Mars – “Hurricane” (Dir. Bartholomew Cubbins)
Adele – “Rolling in the Deep” (Dir. Sam Brown)
Beastie Boys – “Make Some Noise” (Dir. Adam Yauch)
Eminem ft. Rihanna – “Love the Way You Lie” (Dir. Joseph Kahn)
Katy Perry ft. Kanye West – “E.T.” (Dir. Floria Sigismondi)
Will Win: Best Direction can match up with Video of the Year, and there aren’t really any other strong contenders this year. So congratulations, Sam Brown.
Should Win: The general mark of good music video direction is striking imagery, which is what Floria Sigismondi gave us in “E.T.”
Best Choreography
Beyoncé – “Run the World (Girls)” (Choreographer: Frank Gatson)
Lady Gaga – “Judas” (Chroeographer: Laurieann Gibson)
LMFAO ft. Lauren Bennett and GoonRock – “Party Rock Anthem” (Choreographer: Hokuto Konishi)
Bruno Mars – “The Lazy Song” (Choreographers: Bruno Mars and Poreotics)
Britney Spears – “Till the World Ends” (Choreographer: Brian Friedman)
Will Win: It is the “Party Rock Anthem” of the summer, and it has got people shufflin’.
Should Win: The moves aren’t overly impressive in “Party Rock Anthem,” but they are plenty fun.
Best Special Effects
Chromeo – “Don’t Turn the Lights On” (Special Effects: The Mill)
Linkin Park — “Waiting for the End” (Special Effects: Ghost Town Media)
Manchester Orchestra — “Simple Math” (Special Effects: DANIELS)
Katy Perry ft. Kanye West — “E.T.” (Special Effects: Jeff Dotson for Dot & Effects)
Kanye West ft. Dwele — “Power” (Special Effects: Nice Shoes and ArtJail)
Will Win: The VMA’s like some hook to their special effects, but not something too unusual, which bodes well for “Waiting for the End.”
Should Win: Those bulging eyes in “Don’t Turn the Lights On” truly were “special.”
Best Art Direction
Adele – “Rolling in the Deep” (Art Director: Nathan Parker)
Death Cab for Cutie – “You Are a Tourist” (Art Directors: Nick Gould, Tim Nackashi and Anthony Maitz)
Lady Gaga – “Judas” (Art Director: Amy Danger)
Katy Perry ft. Kanye West – “E.T.” (Art Director: Jason Fijal)
Kanye West ft. Dwele – “Power” (Art Director: Babak Radboy)
Will Win: “Power” was all about art direction. Hopefully MTV gets that.
Should Win: “Power.”
Best Editing
30 Seconds to Mars – “Hurricane” (Editors: Jared Leto, Frank Snider, Michael Bryson, Stefanie Visser and Daniel Carberry)
Adele – “Rolling in the Deep” (Editor: Art Jones at Work)
Manchester Orchestra – “Simple Math” (Editor: DANIELS)
Katy Perry ft Kanye West – “E.T.” (Editor: Jarrett Fijal)
Kanye West ft. Rihanna and Kid Cudi – “All of the Lights” (Editor: Hadaya Turner)
Will Win: Unless “Rolling in the Deep” wins everything, voters will probably recognize the painstaking work of splicing “All of the Lights” together.
Should Win: It might be dangerous viewing for epileptics, but “All of the Lights” is well-done dangerous viewing for epileptics.
Best Cinematography
30 Seconds to Mars – “Hurricane” (Directors of Photography: Benoît Debie, Jared Leto, Rob Witt and Daniel Carberry)
Adele – “Rolling in the Deep” (Director of Photography: Tom Townend)
Beyoncé – “Run the World (Girls)” (Director of Photography: Jeffrey Kimball)
Eminem ft. Rihanna – “Love the Way You Lie” (Director of Photography: Christopher Probst)
Katy Perry – “Teenage Dream” (Director of Photography: Paul Laufer)
Will Win: With Megan Fox, Dominic Monaghan, and a burning house, “Love the Way You Lie” may have had the most front-and-center elements that caught the camera’s eye.
Should Win: “Teenage Dream” is the sexiest and most lovingly shot video of the past year.
Best Video with a Message
Eminem ft. Rihanna – “Love the Way You Lie”
Lady Gaga – “Born This Way”
Katy Perry – “Firework”
Pink – “Fuckin’ Perfect”
Rise Against – “Make It Stop (September’s Children)”
Taylor Swift – “Mean”
Will Win: “Born This Way”: GaGa is the performer with a message du jour these days.
Should Win: With “Make It Stop,” Rise Against showed us that the one thing the anti-gay bullying campgain had yet to do was rock out.
Best Latino Artist of 2011
Don Omar and Lucenzo – “Danza Kuduro”
Enrique Iglesias ft. Ludacris and DJ Frank E – “Tonight (I’m Lovin’ You)”
Maná – “Lluvia al Corazón”
Prince Royce – “Corazón Sin Cara”
Wisin & Yandel – “Zun Zun Rompiendo Caderas”
Will Win: Don Omar may not be as big a name as Enrique stateside, but with over 200 million hits, “Danza Kuduro” is the 14th most viewed video of all time on YouTube.
Should Win: I’ve appreciated Don Omar whenever he makes an appearance on a Fast and Furious soundtrack, and “Danza Kuduro” showed up in Fast Five.
July 3, 2011
Cinema, Music, Music Videos, Oscars, Television, Trailers Leave a comment
2011 is halfway through, and it is time for us to take a breath and get ourselves prepared for what we may very well have to include six months from now in the roundup of the best in entertainment for the whole year.
Best in Movies
The best films I have seen so far this year are Bridesmaids and Midnight in Paris. I haven’t caught The Tree of Life, so I can’t yet say if it loves up, or down, to the hype.
In Midnight in Paris, Woody Allen pulled out his best directing tricks since those he showed off in Match Point.
Woody’s literacy also earns him accolades for his screenplay, while Kristen Wiig and Annie Mumolo wrote a fascinating look at female friendship with Bridesmaids.
As for acting, the top female leads were Kristen Wiig (Bridesmaids) and Saoirse Ronan (Hanna), while James McAvoy and Michael Fassbender (X-Men: First Class) led the way for the men. The top supporting ladies were Melissa McCarthy (Bridesmaids) and Lin Shaye (Inisidious). The Supporting Actor fielded is already crowded, with Kevin Bacon (X-Men: First Class), Bruno Ganz (Unknown), Peter Sarsgaard (Green Lantern), and Corey Stoll as Ernest Hemingway (Midnight in Paris).
Best Trailers
Hanna blew our mind with its wild tonal shifts, X-Men: First Class promised us a visceral period piece, and the wedding invitation in The Twilight Saga: Breaking Dawn: Part 1 marked the ultimate in cheese.
Best in Television
The top shows that I caught that debuted in 2011? Portlandia, Sports Show with Norm Macdonald, and Bob’s Burgers at number 1. Honorable mentions go to Perfect Couples and Happy Endings.
Best Songs
At the top is, of course, Adele with “Rolling in the Deep,” while former Tony! Toni! Toné! member Raphael Saadiq brought the funk with “Stone Rollin.'”
Best Music Videos
Guest stars galore has been the name of the game for great music videos for 2011. First off, two clips from Chris Marrs Piliero: Ke$ha’s “Blow” (featuring James Van Der Beek) and the Black Keys’ faux-trailer in “Howlin’ for You” (featuring Tricia Helfer, Corbin Bernsen, Sean Patrick Flanery, and Todd Bridges). There were also twisted tales from Katy Perry – “Last Friday Night (T.G.I.F.),” with Darren Criss, Kevin McHale, Rebecca Black, Hanson, Kenny G, Corey Feldman, and Debbie Gibson – and Martin Solveig ft. Dragonette – “Hello,” with tennis stars Novak Djokovic and Gael Monfils and fellow DJ Bob Sinclair. Meanwhile, sans guest stars, Taylor Swift was at her cutest and wittiest yet in “The Story of Us.”
January 27, 2011
Best of Music 2010, Music, Music Videos Leave a comment
1. Kanye West – Runaway [dir. Kanye West]
Other music videos might claim it unfair that they had to compete with “Runaway,” as it could very well be considered a short film set to a Kanye West soundtrack as opposed to a music video proper. But it is not like the other videos could not have also been as long as they wanted to be and included multiple songs. With “Runaway,” Kanye West could have earned the honor of best music video of the year through sheer ambition alone, but the execution isn’t too bad, either. The phoenix that Kanye’s character, Griffin, discovers is supposed to be a pure and unblemished creature, and the implication is that the world she comes from is pure and unblemished as well. But when the phoenix explains that what she hates most about Griffin’s world is how sculptures are phoenixes turned to stone by society, one wonders if she is really the authority on perfection. Griffin insists that this is not true. Surely this is hardly the worst deed committed by the people of this world. But is Griffin too naïve to be arguing with her? When a guest at the dinner party asks him if he realizes that his girlfriend is a bird, he admits that he does not. What is absolutely going on is the difficulty, perhaps impossibility, of natives of two different worlds coming to a complete understanding of each other. The phoenix’s protests sound so wrong to Griffin’s ears because she does not (cannot?) explain it in his terms, nor can he explain what he has to say in her terms.
2. The Black Keys – Tighten Up [dir. Chris Marrs Piliero]
It is the relatively rare video that is not a collection of images to accompany the music, but also a story with a clearly traceable narrative. And it is the rare video within that category that keeps that story contained to the length of the song. Usually, you have something like “Thriller” that adds a few minutes before, in between, and sometimes after the song. True, “Tighten Up” includes an approximately 20-second opening before the music kicks in, but after that, the song does not stop (save for about a second in the middle). There is quite a bit of whimsy to the storytelling of the Black Keys: e.g., who keep donuts in their pockets? (What if you get clothing fibers on the donut? Or flour in your pockets?) The fact that Dan and Patrick are just as bad as their sons illustrates that stories about love are as old as time and stories about guys fighting over the same girl are one second short of being as old as time. Of course this little blues rock number is the perfect soundtrack for such a story. You can hardly blame the boys – that little girl is quite the seductress.
3. M.I.A. – Born Free [dir. Romain Gavras]
Apparently the “Born Free” video was banned from YouTube (although I had no trouble finding it). I guess some people were a little too disturbed by it. Unfortunately, I have the sense that those people missed the point, as I heard that it was banned due to its violent content, as opposed to its political views. As it is, M.I.A. is about the only musician today brave enough – nay, she’s about the only musician who cares enough – to make political allegory out of her videos. (Were there ever any other musicians making videos like this?) Like the best allegories, it is a fully realized, unironic fantasy world that looks like our own world. Of course it is ridiculous that redheads would be taken from their homes, shot, beaten, and blown up, but how is it any more ridiculous than America’s treatment of blacks and Native Americans or the Tamil genocide in M.I.A.’s native Sri Lanka?
4. St. Vincent – Laughing with a Mouth of Blood [dir. Patrick Stanton and Doug Lussenhop]
The music video for “Laughing with a Mouth of Blood” is also part of a series of sketches by thunderAnt. thunderAnt is Sleater-Kinney’s Carrie Brownstein and SNL’s Fred Armisen (who have brought the Women and Women First Bookstore to their IFC sketch series Portlandia). This video would work if it was just a one-off, but it is always nice when an up-and-coming artist is in the hands of a group of people that have already got a thing going. It is all about the indignities of being a struggling musician, with the embarrassment of nobody showing up to an under-promoted gig amplified by the cluelessness of the hipster owners of a feminist bookstore.
5. Lady GaGa ft. Beyoncé – Telephone [dir. Jonas Åkerlund]
Before “Telephone,” Lady GaGa’s videos were mostly a mishmash of images, and nothing else (with the exception of the sophisticated “Paparazzi”). They were basically excuses for the dancing set pieces, although they did have the eye obscuring and the other Illuminati symbols. Then with “Telephone,” GaGa decided that she was no longer just going to make silly conspiracy hand gestures, she was going to make a full-blown conspiracy-laden video. The fact that the assassins of “Telephone” are of the brainwashed variety may be oblique to some, and GaGa’s conspiratorial leanings certainly aren’t reported much on the MTV. But you got to know that something is up when the Japanese TV style graphics clutter the screen as GaGa prepares the poison. And let’s not miss Beyoncé’s Mickey Mouse sunglasses.

I’m not entirely sure what Lady GaGa’s stance on mind control by the media is, or if she even wants her fans to notice that element of her artistry, but go ahead and watch The Manchurian Candidate and realize that she is part of a tradition of great brainwashing-related art.
6. Jay-Z ft. Swizz Beatz – On to the Next One [dir. Sam Brown]
All right, more fun from the Illuminati! Jay-Z’s black and white video is actually filled with a whole host of occult images: Jay-Z making devil horns while surrounded by a halo-esque set of lights, liquid being poured on an encrusted skull, crows, skull face paint, horned skulls representing the pagan deity Baphomet. The bareness of the set design and the b&w palette are reminiscent of Snoop’s “Drop It Like It’s Hot” video, but the occult references make for a creepier end product. The fact that these symbols have been associated with groups like the Knights Templar and the freemasons that supposedly secretly run society makes it clear that Jay is the one pulling the strings in the rap world.
7. Rihanna – Rude Boy [dir. Melina Matsoukas]
If you are going to subscribe to the theory that the music video should not strive for narrative but should only be a collection of images, then make sure you are working with people who know how to put together a nice artistically minded color palette. References to iconic art helps as well: Andy Warhol (the silhouetted Rihanna), Keith Haring (the lion figure), and Jean-Michael Basquiat (the crown). There is also what is to my eyes a visual reference to David Lynch’s Eraserhead (check out RiRi’s hair during the zebra-print portion). And then Rihanna’s physical wit (curled lips, winks, finger pointing, smiles) ensures that her personality is firmly planted within the images.
8. Janelle Monáe ft. Big Boi – Tightrope [dir. Wendy Morgan]
Epigraphs are often so extraneous. So when you get a good one, you gotta love it. This is what Janelle Monáe has to tell us in her doozy of an epigraph: “Dancing has long been forbidden for its subversive effects on the residents and its tendency to lead to illegal magical practices.” If you are going to make a dance music video, make sure of these three things: everyone can dance really well, the routine is creative and intricate, and there is a style to the video all its own. “Tightrope” has the first two down with no problems (the dancing does not stop as it makes its way through the asylum), and then the third element is wild: a woman who looks sexy in a tuxedo. And Janelle adds a little extra, delivering on the promise of the epigraph, as the dancing apparently gives her the ability to walk through walls. So it is, then, that if we can dance, then we too can walk through the walls of our lives.
9. Drake – Find Your Love [dir. Anthony Mandler]
Drake has been such a sensation in the rap world because he plainly makes rap music and videos that are unlike anything any other MC’s are producing. What other rapper makes the focus of his video a (realistic-looking) kidnapping and casts a girl with a huge ass as the love interest? A lot of guys rap about the badonkadonk, but who besides Drake has put a true badonkadonk (and one that isn’t very flattering proportion-wise) in a video? The girl is not shot particularly glamorously, except insofar as a kiss on the beach is glamorous. But the image of Drake and the girl is striking nonetheless. One might think that the kidnapping element would mean that Drake is at his lowest and most frightened, but instead his is a state of melancholy, as he deeply ponders how his situation has come to this. He is looking for a real, meaningful love when everything around him is telling him that it does not exist.
10. Yeasayer – Madder Red [dir. Andreas Nilsson]
Kristen Bell plays an aspiring actress in a relationship (mother/son? girlfriend/boyfriend? owner/pet? friends?) with a short, stocky creature with stumpy (if any) feet, one oddly shaped arm, and bloody pus drooling out of its mouth. Her mother looks like she might disapprove, or it could be that she is just worried because she knows how sick this poor little fellow is. They rush to the hospital, but it turns out to be the creature’s time. Could this be a statement on racial tolerance? Animal rights? Based on the look of the creature, it could very well be a truly graphic and fearless depiction of a pro-life viewpoint. Ultimately, its most essential theme is love. Kristen’s love for the creature is the strongest portrayal of unconditional love I have ever seen in a music video.