The Greatest Classic Rock Singers of All Time

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102.9 WMGK, Philadelphia’s classic rock station, recently unveiled its list of the twenty greatest classic rock singers of all time.  The list was determined by the votes of MGK’s At-Work Network members.  I am a member of the At-Work Network, but I did not pay close attention to the voting deadline.  So I forgot to vote.  But I still have some thoughts on the selections!

1. Freddie Mercury
The At-Work Network got this one right.  With a voice that would have been equally at home in opera, Freddie transcended the arena of rock vocals while simultaneously being firmly planted in it.

2. Paul McCartney
Sir Paul is the epitome of the pop-rock vocalist.  His voice is pretty enough to be accessible in the pop world, but there is also an edge to it that makes him deserving of a spot on this list.

3. Robert Plant
The banshee wail of Robert Plant is what many rock singers aspire to, and rightfully so.  But he is also versatile such that his vocal oeuvre shows off Zeppelin’s blues roots and his own folk-style tendencies.

4. Bruce Springsteen
The gravelly character of Bruce’s voice appears to be a matter of choice (much more so than in the cases of Petty or Dylan).  One gets the sense that his voice could be cleaner, but he made the right choice to fit his music.

5. Roger Daltrey
He employs a scream that can melt your face just as much as any Pete Townshend guitar solo.

6. Paul Rodgers
A surprisingly (though not undeservedly) high showing from Rodgers, considering that a cynical viewpoint could view him as a poor man’s Daltrey.  But he does distinguish himself, particularly with his knack for solidly controlled trilling.  The only entrant in this list to have fronted two successful bands (Free and Bad Company). 

7. Billy Joel
With music that is too piano-driven to completely belong in the rest of the classic rock world, Billy is too much of a pop vocalist to belong on this list.

8. John Lennon
John would definitely jump in to lend his chops for the Beatles, but he hardly accomplished enough to be considered one of the top ten vocalists of all time.

 9. Jim Morrison
Apparently a lounge-style singing voice has its place in the rock world.  Who knew?  Well, when that voice is as ferocious as Morrison’s, the notion no longer sounds that crazy.

10. Mick Jagger
Mick is the vocalist on this list who most gets away with not having that much natural talent.  His showman style allowed him to get away with many of his shortcomings.  While his singing was not often technically impressive, it was always interesting.

11. Elton John
Of the two classic rock piano men, Elton is the more interesting of the two (and more often rock-driven) but he also is too much of a pop vocalist to belong on this list. 

12. Justin Heyward
The most surprising entrant, the Moody Blues’ Justin Heyward made it in as a write-in vote.  The soaring beauty of his voice is undeniable, but is it rocking enough?

13. Steve Perry
Perry’s skill as a vocalist is undeniable, but it is too often employed for what veers into thick ’80s cheese.  Thankfully, there are enough times when he gets plenty intense on tracks such as “Any Way You Want It.”

14. Brad Delp
Listen to any Boston song and try to find some way to pick apart Delp’s voice.  It is so technically perfect, so clean.

15. Steven Tyler
Silly Aerosmith (“Love in an Elevator,” “Dude Looks Like a Lady”) may obscure Steven Tyler’s talent, but he can pull off screeching, rich high notes, and scat just as well.

16. Don Henley
Don Henley?  Really?  His work with the Eagles is so boring.  Well, okay, “One of These Nights” isn’t too bad.

17. David Bowie
He may be best known for his wild outfits and his general strangeness, but he should also be known for being the most versatile vocalist in classic rock.  He can sing about Ziggy and hold his own against Bing.

18. Ann Wilson
If there had to be only one woman on this list (and there should have been more than one), then it had to be Ann Wilson.  The closest anyone has ever been to a female Robert Plant, Annie Wilson’s overpowering vocals should have driven her higher on this list.

19. Phil Collins
Phil holds the distinction of being the only drummer on this list.  He was always a serviceable vocalist with Genesis and then on his own, but he never established himself as an all-time great until his work for Disney’s Tarzan (which isn’t exactly rock).

20. Bob Seger
There is a certain weariness to Bob Seger’s voice that lent an appreciable depth to his hits, but it is not spectacular enough to earn him a spot on this list. 

And here are the most egregious exclusions:

Jon Anderson
Jon Anderson does not sing falsetto.  His natural singing and speaking voice is above the tenor range.  Also, his normal speaking voice sounds like Grover the Muppet. 

Pat Benatar
She can hold a blistering high note long enough to break plenty of hearts on her own.

Janis Joplin
There is an all-out quality to Janis Joplin’s voice.  She gives her entire heart and soul to every syllable.

Greg Lake
He might sound quite similar to Roger Daltrey, but that is not a bad voice to sound similar to.  And Daltrey never sang about a gypsy queen in a glaze of Vaseline. 

Geddy Lee
Geddy Lee’s idiosyncratic high tenor may not be everyone’s cup of tea, but there can be no denying the difficulty in pulling off a voice as absurd as his.

Grace Slick
It took more than just the presence of a female rock singer to make it known that women could rock; it also took someone with the power of Grace Slick to show that the ladies could not only exist, but thrive alongside the boys.

And tomorrow, my list of the top 20.

All These Magical Ladies are the Same

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I have noticed a trend over the last several years in which just about every film that features a female character with magical powers uses the song “Every Little Thing She Does is Magic” either in the trailer or the film proper (or possibly both).  It has been in the trailers for both Nanny McPhee and Nanny McPhee Returns (just where is she returning from anyway?) and the credits for Bewitched (and possibly at some earlier point in Bewitched – I haven’t seen the whole movie, just the credits).  This list I just came up with does not look too long, actually … can anyone else think of any others?  I feel like there must have been more, or maybe it just started feeling that way when the Police made their third appearance.  The second time was already overkill, so the third time would then naturally give one a sense of ubiquity.  Anyway, are all the little things that Nicole Kidman and Emma Thompson just as magical as everything else they do?  Has this crutch of a song given us the wrong impression, or is there no magical deed too small for magical folk, just as there is no evil deed too small for evil folk?

Jeff Malone’s Best Songs of 2006-2009

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As revealed on Jeff Malone’s Magic Mix on Monday, April 12, here is my list of the top 25 songs of the past four years.  The full story can be found here.

1. Justin Timberlake ft. Timbaland – SexyBack

2. Muse – Knights of Cydonia

3. MGMT – Electric Feel

4. Silversun Pickups – Lazy Eye

5. Rihanna ft. Jay-Z – Umbrella

6. Silversun Pickups – Panic Switch

7. Paramore – Misery Business

8. Kings of Leon – Sex on Fire

9. TV on the Radio – Wolf Like Me

10. Foo Fighters – The Pretender

11. Wolfmother – Woman

12. Bat for Lashes – Daniel

13. Major Lazer ft. Mr. Lexx and Santigold – Hold the Line

14. The White Stripes – Icky Thump

15. Animal Collective – My Girls

16. The Sword – Freya

17. Gnarls Barkley – Crazy

18. Priestess – Lay Down

19. Calvin Harris – The Girls

20. Death Cab for Cutie – I Will Possess Your Heart

21. Justice – D.A.N.C.E.

22. Kings of Leon – Use Somebody

23. Coldplay – Viva La Vida

24. Queens of the Stone Age – 3’s and 7’s

25. The Ting-Tings – Great DJ

Best of ’06-’09 Music Spotlight

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The hits just keep on coming!

MGMT – Electric Feel (2008)
“All along the western front”
When I first heard “Electric Feel,” I thought, “Is that the Bee Gees?”  I worry that MGMT might be somewhat insulted by that misidentification.  But matching the iconic falsettos of the Gibb brothers is quite an accomplishment for a vocalist.  The falsetto is rarely employed by MGMT; it is just one part of their arsenal of tricks.  These boys from Brooklyn reside in their own idiosyncratic space in the music landscape, but they also draw from and move forward the collision of pop, rock, dance, and electro.

Best of ’06-’09 Music Spotlight

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Another choice from my top 25 of 06-09:

The Sword – Freya (2006)
“When is all done it must begin again”
Part of the opening guitar bit to “Freya” is known as a “chunk riff.”  I am not entirely sure what that means, but I prefer everything together in a chunk as opposed to a screeching mess that is all over the place like most metal music today.  Thank you, the Sword, for proving that you can still pull off old-school, Sabbath-style metal, with its tightly arranged solos, mythological references, and CLEARLY ENUNCIATED VOCALS.

Best of ’06-’09 Music Spotlight

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And another pick from my top 25 of 06-09:

Major Lazer ft. Mr. Lexx and Santigold – Hold the Line (2009)
“I’ll make your jeans vibrate like a Nokia”
Discovering Major Lazer was a sort of discovery in which I knew what I had come across was an underground sensation, but I had no idea where that underground resided.  This mystery deepened when I could not find the lyrics of Mr. Lexx’s reggae-riddim verses posted anywhere online.  So I bought Major Lazer’s debut album, Guns Don’t Kill People… Lazers Do, partially in hopes to find lyrics included in the liner notes.  Alas, no dice.  What I got instead was a further deepening of the mystery.  “Hold the Line” was nowhere on the track list.  Instead, the track that featured Mr. Lexx and Santigold was entitled “I’ll Make Ya.”  What the heck was going on?  Was Major Lazer even real, or had I imagined everything?  All was set aright eventually.  It turned out, unsurprisingly, that there was just a good deal of mischief to go along with the most memorable reggae-rock-dancehall fusion project in … ever.

Best of ’06-’09 Music Spotlight

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Another song from my top 25 of 06-09:

Kings of Leon – Use Somebody (2008)
“Oh oh oh, oh oh oh”
The first time I heard Kings of Leon’s “Use Somebody” was back in September 2008 when they performed it on Saturday Night Live.  It was on right before the last sketch, so as I was walking along right after watching it, I found myself harmonizing some ohhhhhohhhoh’s with my roommate.  Rarely has a monosyllable been stretched out for all it is worth so memorably.  Oh, and the content of the actual words is rather heartfelt, too.

Best of ’06-’09 Music Spotlight

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Here’s another preview of my top 25 countdown of the best songs of 06-09:

Rihanna ft. Jay-Z – Umbrella (2007)
“Took an oath, I’m-a stick it out till the end”
The hybrid nature of “Umbrella” may not be terribly obvious on a first listen, but it includes a fair number of disparate elements.  It is a dance song set to a rock backbeat with Caribbean-accented R&B vocals and a rap intro.  The arrangement is tight.  The lyrics are straightforward, and why shouldn’t they be, when there are so few great songs about fidelity?

Best of Music Spotlight

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For those of you who already know me, you probably know about the radio show I have hosted on WLOY, Loyola Maryland’s campus radio station, for the past few years.  If not, let me explain.  It’s called Jeff Malone’s Magic Mix.  Every week, I pick a theme and make up a playlist to fit that theme.  Such themes have included Instrumentals, Fire, Dreams, Running, Songs with Titles That Are Also Movie Titles, the Weather, and a host of others.

My first show in January each year has been a best-of in the past year of music.  It is now my senior year at Loyola, which means that Jeff Malone’s Magic Mix will be coming to an end at the conclusion of this semester.  One of my last shows is going to be a top 25 countdown of my picks for the best songs of 2006-2009 (i.e., the years that I did best-of shows for individually).  I will also be writing a blurb about each song and posting the blurbs on WLOY’s website (http://www.wloy.org). In the meantime, I will spotlight some of those blurbs occasionally on here.  The full list will be revealed on April 12.

Priestess – Lay Down (2006)
“I’ll leave you in the dirt”
A cult of death has been a major part of metal music since as long as the metal has been around.  Death has been portrayed as something that is not so bad, and it has even been worshipped.  But rarely has death sounded as fun as it does on Priestess’s “Lay Down.”  With its looping guitar riff (perfect for bopping your head along to) and earnest vocals, “Lay Down” takes its cue for how to remember loved ones from the Mexican El Día de Los Muertos festival.  The lyrics convey an odd, intriguing mix of religious feeling and possible sympathy to euthanasia: a sort of “I am happy to leave you with God, now that your suffering in this life is over.”

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