VH1 100 Greatest Artists of All Time

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I watched VH1’s countdown of the 100 Greatest Artists of All Time last week, and of course I have some things to say about it.  First off, here’s the list:

1. The Beatles 2. Michael Jackson 3. Led Zeppelin 4. Rolling Stones 5. Bob Dylan 6. Jimi Hendrix 7. Prince 8. Elvis Presley 9. James Brown 10. Stevie Wonder 11. Bob Marley 12. David Bowie 13. The Who 14. Nirvana 15. The Beach Boys 16. Madonna 17. Queen 18. Pink Floyd 19. U2 20. Marvin Gaye 21. Bruce Springsteen 22. The Clash 23. AC/DC 24. The Velvet Underground 25. Chuck Berry 26. Neil Young 27. Aretha Franklin 28. Elton John 29. Radiohead 30. Aerosmith 31. John Lennon 32. Black Sabbath 33. Guns N’ Roses 34. Tina Turner 35. Johnny Cash 36. Paul McCartney 37. Fleetwood Mac 38. Sly & The Family Stone 39. The Kinks 40. The Police 41. Van Halen 42. Metallica 43. Ray Charles 44. Joni Mitchell 45. Al Green 46. Ramones 47. Jay-Z 48. Rage Against the Machine 49. Parliament-Funkadelic 50. Sade 51. Billy Joel 52. Beyoncé 53. Little Richard 54. Public Enemy 55. Peter Gabriel 56. KISS 57. Iggy & the Stooges 58. Cheap Trick 59. Tom Petty and the Heartbreakers 60. Whitney Houston 61. Cream 62. Genesis 63. Notorious B.I.G. 64. Talking Heads 65. The Doors 66. Justin Timberlake 67. Coldplay 68. Otis Redding 69. Tupac Shakur 70. Def Leppard 71. R.E.M. 72. Janis Joplin 73. Van Morrison 74. The Cure 75. Rush 76. Run-DMC 77. Lynyrd Skynyrd 78. Judas Priest 79. Eminem 80. Mary J. Blige 81. ABBA 82. Steely Dan 83. Earth Wind and Fire 84. Curtis Mayfield 85. The Band 86. N.W.A. 87. George Michael 88. Bee Gees 89. Beastie Boys 90. Elvis Costello 91. Green Day 92. LL Cool J 93. Pearl Jam 94. Mariah Carey 95. OutKast 96. Journey 97. Pretenders 98. Depeche Mode 99. Hall & Oates 100. Alicia Keys

Here are the straight dope details from VH1: “The list was determined by a poll of musicians and music experts. Over 200 artists voted including Alicia Keys, Diddy, Ozzy Osbourne and Carrie Underwood, as well as members of U2, the Police, Metallica and Aerosmith.”  Here is the first problem I have with the countdown: the voting was done primarily by artists.  I am generally in favor of lists like this one being determined by critics rather than artists.  I think that critics are more likely to determine the full range of the musical spectrum, whereas artists may (possibly without even realizing it) focus on the artists most similar to them, particularly the ones they have been influenced by.  Critics, unless they are critics of only one genre, are exposed to so many different artists that they simply have more experience in determining how influential artists have been in all of music.  Certain artists are rather eclectic and would thus be more likely to recognize a wider range of influences; I do not have a problem with these sorts of artists as voters.  They are the artists who think like critics.  I worry that artists do not as often as critics understand the difference between “the greatest of all time” and “my favorite of all time.”  When artists vote, you end up with oddities such as Billy Idol ranking seventies proto-punk duo Suicide at number 1.

The 10 Most Egregious Exclusions:
1. Eric Clapton
At least Cream was on the list, but that only represents two years of Slow Hand’s 40-plus year career.  True, some of his best efforts came while with Cream, but he gave us enough classics since then (“Cocaine,” “Layla,” “Tears in Heaven”) that his absence just boggles the mind.
2. Yes
With Rush, Genesis, Pink Floyd, and Steely Dan making the list, voters were clearly not afraid to include progressive and/or complicated bands, so why not Yes?  With hits like “I’ve Seen All Good People” and “Owner of a Lonely Heart,” don’t tell me it was because they were too inaccessible.
3. Buddy Holly
The progenitors of rock ‘n’ roll have got to be on this list, and several of them are.  Elvis made it.  Chuck Berry made it.  Little Richard made it.  But no Buddy Holly?  You’d think that dying in a plane crash and having that moment immortalized as “the day the music died” would have been enough.
4. Creedence Clearwater Revival
The best Southern rock band of all time, except that they didn’t come from the South.  It is hard to place CCR in the pantheon of music, since their brand of “swamp rock” was so unusual, but it was undeniably unusually awesome.
5. Santana
Greatest Latin-American rock band of all time.  One of the greatest guitarists of all time.  One of the longest and most durable careers of a classic rock artist.  Big hits in both classic rock and modern rock eras.  What else do you need?
6. Jefferson Airplane
Jefferson Airplane was the most iconic band of the psychedelic era.  Plenty of bands were taking drugs, but they were the only one who could make music that was both fueled by drugs and about drugs and that was both brilliant and coherent.
7. Red Hot Chili Peppers
I would argue that the modern rock era began about 1990.  Not too many bands that emerged around that time remain important to this day.  Green Day fit the bill.  So do Pearl Jam.  And so do Red Hot Chili Peppers.  The first two made the list.  Why not RHCP?
8. Daft Punk
When VH1 unveiled their first 100 Greatest Artists list back in 1998, not a single hip-hop artist made the cut.  That may seem hard to believe, but hip-hop was then only starting to become the dominant force in pop music that it is today.  Electronic music has recently been influential on pop music the way that hip-hop started to be about ten years ago, so I guess that voters could not yet fully appreciate how important an artist such as house duo Daft Punk has been.  Maybe next time.
9. “Weird Al” Yankovic
There are other comedy musical artists out there, but Weird Al is the gold standard, and he is miles ahead of anyone else.  It has gotten to the point where his parodies are sometimes bigger than the songs he is parodying (White & Nerdy vs. Ridin Dirty anyone?).
10. Jethro Tull
This is a band whose major accomplishments are either a remnant of the musical past (concept albums) or were never much a part of the music landscape anyway (flute solos).  Their influence might not have been great, but at least there was one Jethro Tull.

If there were at least ten artists who ought to have made the list but did not, then there must have been at least ten who should not have made it but did.  So of those who made the list, here are The 10 Least Deserving:
ABBA
Sure, they are fun and cheesy, but that has nothing to do with being one of the greatest artists of all time.
Hall & Oates
See ABBA.
LL Cool J
I don’t dispute LL Cool J’s rapping ability, but I do dispute the importance of such hits as “Mama Said Knock You Out” and “Goin’ Back to Cali” in the great scheme of music.
George Michael
George Michael’s popularity in his heyday far outweighs his legacy, and there is a reason for that.
Cheap Trick
See ABBA and Hall & Oates, except not really cheesy, and slightly more impressive.
Bee Gees
The Bee Gees were one of the few legitimately great disco artists, but there is a reason most of us have moved on from disco.
Journey
Everybody loves “Don’t Stop Believin’” and the rest of Journey’s over the top hits, but they are just too fundementally over the top.
Def Leppard
See Cheap Trick.
Alicia Keys
Maybe in another ten years Alicia Keys can be discussed among the greatest artists of all time.
N.W.A.
N.W.A. may have changed the rap game and gotten right in the face of the music scene, but did they have any other big hits besides “Fuck tha Police”?  I admit I am not appreciably familiar with rap history, but I feel that Ice Cube and Dr. Dre especially had more significant solo careers.

Other Notable Exclusions:
The Allman Brothers Band, Alice Cooper, Miles Davis (and Charlie Parker, and John Coltrane, and all of jazz), Foo Fighters, Heart, Iron Maiden, Jerry Lee Lewis, The Moody Blues, Smokey Robinson, Paul Simon, The Supremes, The Temptations, Stevie Ray Vaughan

Now for those artists who made the list but were ranked too high or too low.  These types of lists are patently difficult when dealing with artists of different genres, as you get into an apples and oranges situation.  So when crying foul over placements too high or too low, it works best to compare artists of a similar vein.

Too Low:
91. Green Day
Finding a political message, extending into Broadway – who knew that this was where the progenitors of pop-punk would end up?  Green Day has remained just as important as a Radiohead, so if modern rock acts such as Radiohead and Nirvana can make it 29 and 14, respectively, then there must be a spot in the top half for Green Day.
82. Steely Dan
Apparently Steely Dan is too complicated for some ears to comprehend.  But that is no excuse for placing more easily understandable bands like Cheap Trick, Fleetwood Mac, and Aerosmith 14, 45, and 52 spots ahead of them.  And ABBA one spot ahead?  Excuse me?
75. Rush
Maybe they are just too weird.  Maybe girls, for the most part, do not get them.  But with hits like “Tom Sawyer” and “Limelight” and gargantuan efforts like 2112, Rush have certainly had a bigger influence than Def Leppard or even the Police.

Too High:
23. AC/DC
I love AC/DC as much as the next person, but the 23rd greatest artist of all time?  Not when they are 18 spots ahead of van Halen and two ahead of Chuck Berry.
33. Guns N’ Roses
For a guitarist as good as Slash and a singer with as great a voice as Axl Rose’s, GN’R should deserve to be this high.  But most of their songs are so poorly arranged.  With the exception of “Sweet Child O’ Mine” and maybe “Paradise City,” Axl sounds so messy, almost as if on purpose.  They get away with the messiness on “Welcome to the Jungle,” and I have lightened up to the over the top balladry of “November Rain,” but the rest represents the worst of 80s hair metal excess.
52. Beyoncé
See Alicia Keys.  I think that Beyoncé has done enough to merit a spot on this list, but I would wait at least a few more years before I would place her as high as 52nd.

VH1 Top 20 Countdown 9/11/10

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“Tighten Up” is off the list, so it’s time for a new number 1.

Original Version
1. Katy Perry – “Teenage Dream”
2. Eminem ft. Rihanna – “Love the Way You Lie”
3. Train – “If It’s Love”
4. Paramore – “The Only Exception”
5. Kris Allen ft. Pat Monahan – “The Truth”
6. Sara Bareilles – “King of Anything”
7. Daughtry – “September”
8. Taylor Swift – “Mine”
9. John Mayer – “Half of My Heart”
10. Usher ft. Pitbull – “DJ Got Us Fallin’ in Love”
11. B.o.B ft. Rivers Cuomo – “Magic”
12. Mumford & Sons – “Little Lion Man”
13. Ke$ha – “Take It Off”
14. Mike Posner – “Cooler Than Me”
15. The Script – “The Man Who Can’t Be Moved”
16. Plain White T’s – “Rhythm of Love”
17. Adam Lambert – “If I Had You”
18. Goo Goo Dolls – “Home”
19. Maroon 5 – “Misery”
20. Linkin Park – “The Catalyst”

Jmunney’s Revision
1. The Only Exception
2. King of Anything
3. Teenage Dream
4. Take It Off
5. The Catalyst
6. Cooler Than Me
7. Love the Way You Lie
8. Misery
9. Magic
10. Little Lion Man
11. If I Had You
12. Half of My Heart
13. The Man Who Can’t Be Moved
14. Rhythm of Love
15. Home
16. If It’s Love
17. DJ Got Us Fallin’ in Love
18. Mine
19. The Truth
20. September

VH1 Top 20 Countdown

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Every week, I watch VH1’s Top 20 Video Countdown, to keep up with the latest videos and check out what songs are supposedly currently popular.  And then I inevitably conclude that the voters on VH1.com screwed up the correct order of these songs and I start reordering them in my head.  So, starting this week, I will post the top 20 as it appeared on the program, followed by my own revision.

9/4/10 Original Version
1. Eminem ft. Rihanna – “Love the Way You Lie”
2. Katy Perry – “Teenage Dream”
3. Paramore – “The Only Exception”
4. Train – “If It’s Love”
5. Sara Bareilles – “King of Anything”
6. Daughtry – “September”
7. John Mayer – “Half of My Heart”
8. Mumford & Sons – “Little Lion Man”
9. Mike Posner – “Cooler Than Me”
10. Usher – “There Goes My Baby”
11. Taylor Swift – “Mine”
12. Kris Allen ft. Pat Monahan – “The Truth”
13. Goo Goo Dolls – “Home”
14. Ke$ha – “Take It Off”
15. Adam Lambert – “If I Had You”
16. The Script – “The Man Who Can’t Be Moved”
17. Lady Antebellum – “I Run to You”
18. Plain White T’s – “Rhythm of Love”
19. John Legend & the Roots ft. Common and Melanie Fiona – “Wake Up Everybody”
20. The Black Keys – “Tighten Up”

Jmunney’s Revision
1. Tighten Up
2. The Only Exception
3. King of Anything
4. Teenage Dream
5. Take It Off
6. Cooler Than Me
7. Love the Way You Lie
8. Little Lion Man
9. If I Had You
10. Half of My Heart
11. The Man Who Can’t Be Moved
12. There Goes My Baby
13. If It’s Love
14. Rhythm of Love
15. I Run to You
16. Home
17. Mine
18. Wake Up Everybody
19. The Truth
20. September

The 20 Greatest Classic Rock Singers (According to Jmunney)

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1. Freddie Mercury
Song That Really Shows Off His Chops: “Another One Bites the Dust”

2. Robert Plant
Song That Really Shows Off His Chops: “Immigrant Song”

3. Roger Daltrey
Song That Really Shows Off His Chops: “Won’t Get Fooled Again” (featuring the most iconic rock ‘n’ roll scream of all time)

4. Ann Wilson
Song That Really Shows Off Her Chops: “Crazy on You”

5. Paul McCartney
Song That Really Shows Off His Chops: “Hey Jude”

6. Geddy Lee
Song That Really Shows Off His Chops: “Closer to the Heart”

7. Jon Anderson
Song That Really Shows Off His Chops: “I’ve Seen All Good People”

8. Jim Morrisson
Song That Really Shows Off His Chops: “Break on Through (to the Other Side)”

9. Pat Benatar
Song That Really Shows Off Her Chops: “Heartbreaker”

10. Paul Rodgers
Song That Really Shows Off His Chops: “All Right Now”

11. Brad Delp
Song That Really Shows Off His Chops: “Peace of Mind”

12. Grace Slick
Song That Really Shows Off Her Chops: “White Rabbit”

13. Greg Lake
Song That Really Shows Off His Chops: “Lucky Man”

14. David Bowie
Song That Really Shows Off His Chops: “Fame”

15. Steven Tyler
Song That Really Shows Off His Chops: “Dream On”

16. Bruce Springsteen
Song That Really Shows Off His Chops: “Spirit in the Night”

17. Janis Joplin
Song That Really Shows Off Here Chops: “Piece of My Heart”

18. Tom Petty
Song That Really Shows Off His Chops: “Refugee”

19. John Fogerty
Song That Really Shows Off His Chops: “Born on the Bayou”

20. Steve Perry
Song That Really Shows Off His Chops: “Don’t Stop Believing” (But if you can’t stand the cheese, go with “Lovin’ Touchin’ Squeezin’”)

It should not be construed that anyone I have excluded does not deserve to be mentioned among great classic rock singers.   The nature of keeping a list to a certain number means that some deserving people will be left out.  With that in mind, here are some
Honorable Mentions:
Lou Gramm, Bon Scott/Brian Johnson, Van Morrisson, Justin Heyward, The Guy from Scorpions

The Greatest Classic Rock Singers of All Time

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102.9 WMGK, Philadelphia’s classic rock station, recently unveiled its list of the twenty greatest classic rock singers of all time.  The list was determined by the votes of MGK’s At-Work Network members.  I am a member of the At-Work Network, but I did not pay close attention to the voting deadline.  So I forgot to vote.  But I still have some thoughts on the selections!

1. Freddie Mercury
The At-Work Network got this one right.  With a voice that would have been equally at home in opera, Freddie transcended the arena of rock vocals while simultaneously being firmly planted in it.

2. Paul McCartney
Sir Paul is the epitome of the pop-rock vocalist.  His voice is pretty enough to be accessible in the pop world, but there is also an edge to it that makes him deserving of a spot on this list.

3. Robert Plant
The banshee wail of Robert Plant is what many rock singers aspire to, and rightfully so.  But he is also versatile such that his vocal oeuvre shows off Zeppelin’s blues roots and his own folk-style tendencies.

4. Bruce Springsteen
The gravelly character of Bruce’s voice appears to be a matter of choice (much more so than in the cases of Petty or Dylan).  One gets the sense that his voice could be cleaner, but he made the right choice to fit his music.

5. Roger Daltrey
He employs a scream that can melt your face just as much as any Pete Townshend guitar solo.

6. Paul Rodgers
A surprisingly (though not undeservedly) high showing from Rodgers, considering that a cynical viewpoint could view him as a poor man’s Daltrey.  But he does distinguish himself, particularly with his knack for solidly controlled trilling.  The only entrant in this list to have fronted two successful bands (Free and Bad Company). 

7. Billy Joel
With music that is too piano-driven to completely belong in the rest of the classic rock world, Billy is too much of a pop vocalist to belong on this list.

8. John Lennon
John would definitely jump in to lend his chops for the Beatles, but he hardly accomplished enough to be considered one of the top ten vocalists of all time.

 9. Jim Morrison
Apparently a lounge-style singing voice has its place in the rock world.  Who knew?  Well, when that voice is as ferocious as Morrison’s, the notion no longer sounds that crazy.

10. Mick Jagger
Mick is the vocalist on this list who most gets away with not having that much natural talent.  His showman style allowed him to get away with many of his shortcomings.  While his singing was not often technically impressive, it was always interesting.

11. Elton John
Of the two classic rock piano men, Elton is the more interesting of the two (and more often rock-driven) but he also is too much of a pop vocalist to belong on this list. 

12. Justin Heyward
The most surprising entrant, the Moody Blues’ Justin Heyward made it in as a write-in vote.  The soaring beauty of his voice is undeniable, but is it rocking enough?

13. Steve Perry
Perry’s skill as a vocalist is undeniable, but it is too often employed for what veers into thick ’80s cheese.  Thankfully, there are enough times when he gets plenty intense on tracks such as “Any Way You Want It.”

14. Brad Delp
Listen to any Boston song and try to find some way to pick apart Delp’s voice.  It is so technically perfect, so clean.

15. Steven Tyler
Silly Aerosmith (“Love in an Elevator,” “Dude Looks Like a Lady”) may obscure Steven Tyler’s talent, but he can pull off screeching, rich high notes, and scat just as well.

16. Don Henley
Don Henley?  Really?  His work with the Eagles is so boring.  Well, okay, “One of These Nights” isn’t too bad.

17. David Bowie
He may be best known for his wild outfits and his general strangeness, but he should also be known for being the most versatile vocalist in classic rock.  He can sing about Ziggy and hold his own against Bing.

18. Ann Wilson
If there had to be only one woman on this list (and there should have been more than one), then it had to be Ann Wilson.  The closest anyone has ever been to a female Robert Plant, Annie Wilson’s overpowering vocals should have driven her higher on this list.

19. Phil Collins
Phil holds the distinction of being the only drummer on this list.  He was always a serviceable vocalist with Genesis and then on his own, but he never established himself as an all-time great until his work for Disney’s Tarzan (which isn’t exactly rock).

20. Bob Seger
There is a certain weariness to Bob Seger’s voice that lent an appreciable depth to his hits, but it is not spectacular enough to earn him a spot on this list. 

And here are the most egregious exclusions:

Jon Anderson
Jon Anderson does not sing falsetto.  His natural singing and speaking voice is above the tenor range.  Also, his normal speaking voice sounds like Grover the Muppet. 

Pat Benatar
She can hold a blistering high note long enough to break plenty of hearts on her own.

Janis Joplin
There is an all-out quality to Janis Joplin’s voice.  She gives her entire heart and soul to every syllable.

Greg Lake
He might sound quite similar to Roger Daltrey, but that is not a bad voice to sound similar to.  And Daltrey never sang about a gypsy queen in a glaze of Vaseline. 

Geddy Lee
Geddy Lee’s idiosyncratic high tenor may not be everyone’s cup of tea, but there can be no denying the difficulty in pulling off a voice as absurd as his.

Grace Slick
It took more than just the presence of a female rock singer to make it known that women could rock; it also took someone with the power of Grace Slick to show that the ladies could not only exist, but thrive alongside the boys.

And tomorrow, my list of the top 20.

All These Magical Ladies are the Same

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I have noticed a trend over the last several years in which just about every film that features a female character with magical powers uses the song “Every Little Thing She Does is Magic” either in the trailer or the film proper (or possibly both).  It has been in the trailers for both Nanny McPhee and Nanny McPhee Returns (just where is she returning from anyway?) and the credits for Bewitched (and possibly at some earlier point in Bewitched – I haven’t seen the whole movie, just the credits).  This list I just came up with does not look too long, actually … can anyone else think of any others?  I feel like there must have been more, or maybe it just started feeling that way when the Police made their third appearance.  The second time was already overkill, so the third time would then naturally give one a sense of ubiquity.  Anyway, are all the little things that Nicole Kidman and Emma Thompson just as magical as everything else they do?  Has this crutch of a song given us the wrong impression, or is there no magical deed too small for magical folk, just as there is no evil deed too small for evil folk?

Jeff Malone’s Best Songs of 2006-2009

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As revealed on Jeff Malone’s Magic Mix on Monday, April 12, here is my list of the top 25 songs of the past four years.  The full story can be found here.

1. Justin Timberlake ft. Timbaland – SexyBack

2. Muse – Knights of Cydonia

3. MGMT – Electric Feel

4. Silversun Pickups – Lazy Eye

5. Rihanna ft. Jay-Z – Umbrella

6. Silversun Pickups – Panic Switch

7. Paramore – Misery Business

8. Kings of Leon – Sex on Fire

9. TV on the Radio – Wolf Like Me

10. Foo Fighters – The Pretender

11. Wolfmother – Woman

12. Bat for Lashes – Daniel

13. Major Lazer ft. Mr. Lexx and Santigold – Hold the Line

14. The White Stripes – Icky Thump

15. Animal Collective – My Girls

16. The Sword – Freya

17. Gnarls Barkley – Crazy

18. Priestess – Lay Down

19. Calvin Harris – The Girls

20. Death Cab for Cutie – I Will Possess Your Heart

21. Justice – D.A.N.C.E.

22. Kings of Leon – Use Somebody

23. Coldplay – Viva La Vida

24. Queens of the Stone Age – 3’s and 7’s

25. The Ting-Tings – Great DJ

Best of ’06-’09 Music Spotlight

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The hits just keep on coming!

MGMT – Electric Feel (2008)
“All along the western front”
When I first heard “Electric Feel,” I thought, “Is that the Bee Gees?”  I worry that MGMT might be somewhat insulted by that misidentification.  But matching the iconic falsettos of the Gibb brothers is quite an accomplishment for a vocalist.  The falsetto is rarely employed by MGMT; it is just one part of their arsenal of tricks.  These boys from Brooklyn reside in their own idiosyncratic space in the music landscape, but they also draw from and move forward the collision of pop, rock, dance, and electro.

Best of ’06-’09 Music Spotlight

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Another choice from my top 25 of 06-09:

The Sword – Freya (2006)
“When is all done it must begin again”
Part of the opening guitar bit to “Freya” is known as a “chunk riff.”  I am not entirely sure what that means, but I prefer everything together in a chunk as opposed to a screeching mess that is all over the place like most metal music today.  Thank you, the Sword, for proving that you can still pull off old-school, Sabbath-style metal, with its tightly arranged solos, mythological references, and CLEARLY ENUNCIATED VOCALS.

Best of ’06-’09 Music Spotlight

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And another pick from my top 25 of 06-09:

Major Lazer ft. Mr. Lexx and Santigold – Hold the Line (2009)
“I’ll make your jeans vibrate like a Nokia”
Discovering Major Lazer was a sort of discovery in which I knew what I had come across was an underground sensation, but I had no idea where that underground resided.  This mystery deepened when I could not find the lyrics of Mr. Lexx’s reggae-riddim verses posted anywhere online.  So I bought Major Lazer’s debut album, Guns Don’t Kill People… Lazers Do, partially in hopes to find lyrics included in the liner notes.  Alas, no dice.  What I got instead was a further deepening of the mystery.  “Hold the Line” was nowhere on the track list.  Instead, the track that featured Mr. Lexx and Santigold was entitled “I’ll Make Ya.”  What the heck was going on?  Was Major Lazer even real, or had I imagined everything?  All was set aright eventually.  It turned out, unsurprisingly, that there was just a good deal of mischief to go along with the most memorable reggae-rock-dancehall fusion project in … ever.

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