Best Episode of the Season: Community Season 5

Leave a comment

Season Analysis: Community had a lot to accomplish in Season 5: get its narrative back on track after the unfocused Season 4, deliver fitting farewells to Troy Barnes and Pierce Hawthorne, re-orient the rhythm of its ensemble with those departures and the addition of new regulars, once again craft a potential series finale or set out a map for a future beyond Season 5, and on top of all that, continue the storylines of the characters who remained.  This was a tall order for 13 episodes to fill, and it did an admirable job of nearly pulling all of it off.  Perhaps 3 more episodes would have allowed Shirley an adequate storyline and resulted in a better balance of high-concept and grounded episodes.  Season 5’s theme ultimately appeared to be the difficulty of moving on at a time in life when moving on should be natural.  This message was not delivered quite as strongly as it could have been, but it was done strongly enough that Community resumed its rightful place as one of the most entertaining and most important shows on television.

Community-Basic_Sandwich

“Basic Sandwich”
After my initial viewing of “Basic Sandwich,” I declared that it did a great job of hedging its bets between being a de facto series finale or just another season finale.  It put a cap on saving Greendale, while leaving open plenty of storyline avenues that could easily fill out at least another whole year.  But I made that statement with a fair degree of confidence in renewal.  So once NBC threw down the cancellation decision, I realized just how unsatisfying “Basic Sandwich” really would have been as the absolute end.  But then Yahoo! came through in the last minute, and suddenly this was an even more perfect episode.  This is the show that refuses to die, the cult favorite that actually will get to end on its own terms despite all the forces that have tried to prevent that from happening, and that defiance was completely woven into the fabric of this episode. Even before the cancellation/renewal whirlwind, the crisis in “Basic Sandwich” of whether or not the study group should move on mirrored the situation that Community fans found themselves in.  Annie’s fears of losing Jeff romantically led her to question the value of saving Greendale, as she realized it wasn’t quite the same place it had always been, now that it was missing certain great people and their attendant charms.  But Abed proved once again that his meta, deconstructionist nature, and by extension, the meta nature of Community, has never been detached, but always a loving embrace to the people important to Abed and to the fans of the show.  Yes, Greendale had changed, and yes, Community will probably continue to change.  But that does not mean, as Jeff and Britta almost scared themselves into thinking, that the best option is running away from it all at the end of an era.  All good things must come to an end, but they should not be abandoned.  Understanding that difference is a major part of what Community is exploring in its latter years, and “Basic Sandwich” presented an episode-length dramatization of that conundrum.  And it also managed to make Dave Matthews Band cool.

5X5_Abed_and_lava

Runner-up: “Geothermal Escapism”
A game of “the floor is lava” as a send-off for Troy could have been a disappointing paintball knockoff, and at first it did seem to be following the beats of those classics (though with enough dystopian style of its own to make it worthwhile).  But it took a third act turn that stunned with a side of Community we had not quite seen before.  Abed wanted to let Troy go, but he literally could not help but seeing that as a disaster – the floor actually was lava to him.  We had seen Abed’s mental breakdowns before, but never one that he had acknowledged and confronted so head-on.  This crisis of wanting to let go but not quite knowing how made Troy’s departure that much more heartbreaking but also that much more satisfying.

Best Episode of the Season: Masters of Sex Season 1

Leave a comment

Season Analysis: Masters of Sex proved to be quite sexy in its first season, despite taking the most clinical approach to orgasms and the like.  The thing is, when you are interested and as passionate about the boudoir as Dr. William Masters is, there is no way to not be sexy.  Also adding to the sex appeal were some sensational actors bringing fascinating historical characters to life.

EPISODE 111

“Phallic Victories”
Julianne Nicholson was the secret weapon of Masters of Sex Season 1.  The show could have very easily worked as only scenes of Michael Sheen and Lizzy Caplan sparring and making verbal and physical love, but it needed a solid supporting cast to take it to the next level.  And Nicholson’s character, Dr. Lillian DePaul, could have easily just been an antagonist, serving as a roadblock to Bill Masters’ research because she couldn’t see the big picture.  She would have been a sympathetic antagonist, as she had a legitimate beef over not being taken as seriously as her male colleagues.  But “Phallic Victories” kicked things into high gear by having Caplan’s Virginia Johnson declare, to hell with double standards!  Lillian, woman or no, favoritism or no, needed to present her research with the same zeal and attention-grabbing as Bill Masters.  This revelation led only to a small victory initially, but it was satisfactory, thus setting up the perfect narrative occasion to fully humanize Lillian, as she revealed that the cervical cancer she had previously fought off had now returned beyond the point of treatment.  This critical moment put a huge personal face on the stakes of the subject matter that Masters of Sex insists be taken seriously by everyone.

Best Episode of the Season: Hello Ladies Season 1

Leave a comment

Season Analysis: Stephen Merchant’s semi-autobiographical take on the single life in L.A. struggled with its tone in its first and only season, but it was quite lovely when it embraced its heart, and whenever Kyle Mooney was on screen.

hello-ladies-the-drive-108a

“The Drive”
I tend to be wary about unresolved sexual tension that is present right at the start of a new show.  It is not that I don’t like romance on my sitcoms, nor that I don’t think it should be drawn out.  I like both of those things – when done well.  But when there is a mildly combative platonic relationship in a pilot episode, it just screams, “These two are going to end up together, and that is that!”  Inevitability – entertaining inevitability – cannot be forced.  Luckily, Stephen Merchant and Christine Woods (as Stuart and his roommate/tenant Jessica) had plenty of chemistry right from the start, with a mildly teasing repartee serving as a feature of a real friendship.  The problem with Hello Ladies was that Stuart’s shallow ladykilling attempts always felt like an act forced in to ramp up the cringeworthiness.  There was clearly a sweet guy underneath all that bluster, and “The Drive” finally allowed that sweetness to shine through.  Instead of pursuing a model who was legitimately into him, Stuart chose instead to comfort Jessica after she was devastated by the news that her role on NCIS was being recast, because he simply knew how important it was to be a good friend at that moment.  The pathos shined through as Merchant let Hello Ladies settle down and allowed Stuart to just be who he really was.

Best Episode of the Season: The Eric André Show Season 2

Leave a comment

Season Analysis: I didn’t watch Season 1 of The Eric André Show, mostly because I wasn’t aware it existed.  From what I know of it, Season 2 was more accessible, though not by much.  After watching one episode, I wasn’t quite sure how to process it, but soon enough, its insane blend of nihilist television felt just like home.

EricAndre2x10

“Scott Porter; Brutus “The Barber” Beefcake”
Every episode of The Eric André Show begins with André screaming like a lunatic as he destroys his own set.  While this orgy of chaos lasts longer than rationality would dictate, he does eventually settle down and sit at his replacement desk.  But in the Season 2 finale, the destruction lasts the entire episode, allowing the show to ramp its incomprehensibility up to 11.  While André remains “busy” with his anarchy, an earlier episode from the season is fast-forwarded and overlaid on top of the video of the current episode.  Ultimately, what is achieved is nothing less than the fullest realization of Eric André’s pure comedic unpredictability in the barest of structures.

Segment of the Season: “Ranch It Up”
Eric André, dressed in a green tank top, plaid shorts, and a backwards pink hat, confronts random people with a series of made-up, college campus-based slang terms, such as “Oriental background actresses,” “Cherokee chicks on the Trail of Beers,” “’Sup Mello,” and “buzz me, mulatto,” delivering it with the conviction of the fearless lunatic that he is.

Interview of the Year: James Van Der Beek
Joining Eric, Hannibal, and Eric’s former Bitch 23 co-star are lookalikes brought on to mirror their every move.

EricAndreShowJVDBEricAndreShowDouble

Best Episode of the Season: High School USA! Season 1

Leave a comment

Season Analysis: Dino Stamatopoulos’ animated high school sitcom satire by way of Archie was the perfect atonal mix of taboo issues tackled with a straight face.

High-School-USA-Episode-5-Adoption

“Adoption”
Maybe the major reason High School USA! never really captured a sizable audience (besides the fact that it aired in the 11 o’clock hour on Saturday night and was often preempted by sports) was its cognitive dissonance.  When Mandy Moore-voiced Cassandra, who is clearly Asian, is shocked to discover that her white and quite old parents adopted her, it is obviously nonsensical, which can work in mainstream comedy, but nonsense tends to confuse when a nonsensical reaction is accepted as a perfectly understandable reaction.  So when the rest of the gang are only mildly surprised that their friend doesn’t realize she looks quite different than her parents, it is a strange viewing experience.  A world that operates by insane logic isn’t for everybody, but for those who like it, High School USA! hit its insane sweet spot with “Adoption.”  A trip to China to find Cassandra’s birth parents results in the gang essentially being treated as visiting dignitaries.  That is because in the type of clean-cut shows that HSUSA! takes aim at, the main characters are super-famous and conveniently talented whenever the plot calls for it.  To that end, Cassandra and the rest of the gang are, of course, the members of a band.  And just for good measure, even though they clearly are wielding instruments like a guitar and a tambourine, the music they play is inexplicably dubstep.

Best Episode of the Season: The League Season 5

Leave a comment

Season Analysis: The League is no longer just about fantasy football (not that it ever really was), and Season 5 was at its best when it most purposefully broke away from its normal routine.

RafiDirtyRandy

“Rafi and Dirty Randy”
“Rafi and Dirty Randy” has the structure of a backdoor pilot, insofar as it focuses on a couple of ancillary characters removed from the show’s regular action. It begins with a connection to the main characters, with Rafi stealing Kevin’s car for his and Dirty Randy’s trip of vengeance to L.A. But this is a nightmare version of a backdoor pilot. While this episode certainly piqued my interest enough to get me to check out a theoretical Rafi & Dirty Randy series, I do not think that was ever the intention. Maybe this was an actual backdoor pilot in an alternate universe in which psychopathic logic such as “take care of it” meaning “set it on fire” is the normal logic of FXX characters. Although, come to think of it, the characters on The League, and of course It’s Always Sunny in Philadelphia as well, have various degrees of psychopathy. So, come on FXX, let’s get on a spinoff of The League’s two best side characters! Jason Mantzoukas is ready to be a star!

Best Episode of the Season: It’s Always Sunny in Philadelphia Season 9

Leave a comment

Season Analysis: When you get used to the insanity of Always Sunny, it becomes increasingly difficult to note what is unique about any particular season’s stretch of insanity.  And I’m saying this as someone who hasn’t watched all nine seasons, but only the last three.

11-cat-spider

“Flowers for Charlie”
The lack of hard science in the novel Flowers for Algernon makes it ripe for being picked apart.  That story of a man with a low IQ becoming super-intelligent, only to revert to his original state, does not need a detailed explanation, because that is not really the point, but a version of that story that focuses a great deal on the science would be problematic if it did not have an adequate explanation.  In It’s Always Sunny in Philadelphia’s version, the scientist (Burn Gorman, who was one half of the best part of Pacific Rim – the other half, of course, being Charlie Day) and his assistant running the experiment to increase Charlie’s intelligence are given plenty to do, so it is only natural that their methods should be explained.  And it is perfectly Sunny to have that explanation be a ruse in which Charlie was merely led to believe that his intelligence was increased.  His fake Chinese and chess skills were wonderful displays of how confidence and thoroughly realized bullshit can be just as enthralling as actual talent.

Best Episode of the Season: Comedy Bang! Bang! Season 2

Leave a comment

Season Analysis: Season 2 of Comedy Bang! Bang! reached the heights of 2013 television as its absurd brand of deconstruction made it one of the best shows about putting on a show of all time.

CBB-Gillian-Jacobs

“Gillian Jacobs Wears a Red Dress with Sail Boats”
In playing around with the conventions of talk-based television, Comedy Bang! Bang! understands that effectiveness is achieved by specificity.  The ubiquity of Chris Hardwick hosting live recap shows is ridiculous, and it would be even more ridiculous if one of those recap shows were recapping a talk show (parody or regular).  Thus, the Comedy Talk! Talk! segment is spot-on and filled with crazy details (one of Hardwick’s guests will be Jacoby from the band Papa Roach, the winner of a Twitter-based contest will receive a “bucket of backyard bourbon burgers”).  It is not too of-the-moment, because it must be of-the-moment to effectively skewer the state of television.  “GJWaRDwSB” also gets a lot of mileage out of its parody flashback/flash-forward structure, going so far as stretching the gag out to a future beyond episode’s end, as “It Was Onions” (the in-universe name of the episode) completes the EGOT, with Adam Scott himself presenting the Tony, and then taking the flash-forward to the past, as time travelers head to the prehistoric era to present this episode for caveman Reggie Watts’ viewing pleasure.  There really is no opportunity to catch your breath with all the structure-breaking of this episode, as also exemplified by the “clip” from Gillian Jacobs’ “new movie,” which seems to be taking place backstage during this episode.  Finally, “GJWaRDwSB” is chock full of great performances, particularly from Jason Mantzoukas as vampire chef Emeril Luigi (actually Lugosi), who isn’t particularly monstrous or even a jerk.  He’s just professional and annoyed that Scott isn’t; you may think that, as a vampire, he would want your meats to be bloody, but he’s more concerned about cooking food properly, so as to avoid watery shits.

Best Episode of the Season: Futurama Season 7-B

Leave a comment

Season Analysis: Futurama was energized in its final batch of new episodes, adding a few new entries to its pantheon of all-time classics.

Futurama_Murder_on_the_Planet_Express_(134)

Futurama-Finale-Meanwhile-Old-Fry-and-Leela-610x342

TIE: “Murder on the Planet Express” and “Meanwhile”
Throughout its run, Futurama established a reputation for engaging both the head and the heart.  It explored legitimately engaging science fiction concepts and managed to be one of the most poignant animated series in television history.  I had to pick two episodes as the best of Futurama’s 2013 output, as they respectively exemplified these two major aspects. “Murder on the Planet Express” mish-mashed the trickery and paranoia of The Thing, The Game, and Alien in a nifty tale in which a trust-building exercise for the Planet Express crew quickly turns into a fight for survival as a hitchhiker turns out to be a murderous shape-shifting alien that mimics and eats the members of the crew one by one, and then it turns out this shape shifter was part of the trust exercise all along.
The series finale, “Meanwhile,” used a much simpler concept to achieve a much deeper emotional effect.  The Professor has invented a device that can send the user 10 seconds back in time.  Fry plans on using it to watch the sunset over and over as he proposes to Leela, but all the time-jumping goes awry and the device gets broken, thereby freezing time.  Fry and Leela are the only ones who remain unfrozen, and they live out an entire married life together, against the backdrop of the universe at the moment their marriage began.  Eventually, the Professor breaks through via some dimension-hopping and everything is reverted back to pre-10-second-time-travel shenanigans.  Fry and Leela will not remember this time together, but it surely remains in existence in some realm, just as Futurama itself bids us farewell but surely lives on in some way.

Best Episode of the Season: American Dad! Season 10

1 Comment

Season Analysis: American Dad! is getting to the point in its run when it is starting to repeat itself a little too often, but it still has enough awesome episodes every year to make you realize there is nothing else quite like it on television.

AmericanDadFamilyland

“Familyland”
Nearly 50 years after his death, Walt Disney continues to be a fruitful source of satire, as demonstrated by American Dad! with Roy Family, the founder of the theme park Familyland, who had been frozen upon his death so that he could one day return to life should the denizens of his park no longer deserve to enjoy his creation.  But this episode wasn’t really about exposing the prejudices of one of America’s most beloved figures, at least not entirely.  “Familyland” was mostly an excuse for American Dad! to indulge its apocalyptic side, which is its best side.  A week after Mr. Family has sealed off all the exits, each section of the park has become a kingdom ruled by one of the Smiths.  The details of Cartoon City (ruled by Steve), Wild Wild Wild West World (ruled by Stan), Fairy Tale Land (ruled by Haley railing against the princess role model), and Outer Space Land (ruled by Roger, who inexplicably notes that this cheesy attraction got everything right) are thoroughly impressive.  American Dad! is one of the best animated shows ever in terms of understanding that it is a cartoon, and knowing that that means it can destroy its status quo whenever it feels like it and pretend like nothing happened the very next episode, and “Familyland” was the best example of that in Season 10.

Older Entries Newer Entries