From the End of December 2024 Into Early January 2025, I Caught Up on Some Holiday Movie Releases: Here’s What Happened

Leave a comment

CREDIT: A24; Warner Bros. Pictures/Screenshot; Disney/Screenshot; Disney/Screenshot

The Lord of the Rings: The War of the Rohirrim

Starring: Gaia Wise, Brian Cox, Luke Pasqualino, Mirando Otto

Director: Kenji Kamiyama

Running Time: 134 Minutes

Rating: PG-13

Release Date: December 13, 2024 (Theaters)

Babygirl

Starring: Nicole Kidman, Harris Dickinson, Antonio Banderas, Sophie Wilde, Esther McGregor, Vaughan Reilly

Director: Halina Reijn

Running Time: 115 Minutes

Rating: R

Release Date: December 25, 2024 (Theaters)

Moana 2

Starring: Auliʻi Cravalho, Dwayne Johnson, Hualālai Chung, Rose Matafeo, David Fane, Awhimai Fraser, Khaleesi Lambert-Tsuda, Temuera Morrison, Nicole Scherzinger, Rachel House, Gerald Ramsey, Alan Tudyk

Directors: David Derrick Jr, Jason Hand, and Dana Ledoux Miller

Running Time: 100 Minutes

Rating: PG

Release Date: November 27, 2024 (Theaters)

Mufasa: The Lion King

Starring: Aaron Pierre, Kelvin Harrison Jr, John Kani, Seth Rogen, Billy Eicner, Tiffany Boone, Donald Glover, Mads Mikkelsen, Thandiwe Newton, Lennie James, Blue Ivy Carter, Beyoncé Knowles-Carter, Preston Nyman, Anika Noni Rose, Keith David

Director: Barry Jenkins

Running Time: 118 Minutes

Rating: PG

Release Date: December 20, 2024 (Theaters)

Oh hi, there! Well, you know how it goes. That annual time between Thanksgiving and New Year tends to be busy, both in terms of social obligations and new movie releases. So even someone who frequents the cinema as often as I do struggles to catch absolutely everything right when they arrive. But I do my best to catch up with them eventually! So here’s a roundup of my thoughts on recent holiday flicks with a focus on how much they put me in the holiday spirit.

More

‘Foe’ Attempts to Upload an Artificial Consciousness Into a Dusty Dystopia

Leave a comment

Foe! Foe! Foe! (CREDIT: Amazon Studios)

Starring: Saoirse Ronan, Paul Mescal, Aaron Pierre

Director: Garth Davis

Running Time: 110 Minutes

Rating: R for An Intimate Relationship on Full Display

Release Date: October 6, 2023 (Theaters)

What’s It About?: It’s the future! We’ve already seen plenty of cinematic visions of the years to come, and the version in Foe is of the dystopian variety ravaged by climate change. Henrietta (Saoirse Ronan) and Junior (Paul Mescal) are living in a remote farmhouse in some vague portion of The Midwest in 2065. The whole area looks like a tinderbox that could be swallowed up in flames at any moment. They’re just muddling through, but then one day a stranger (Aaron Pierre) arrives with a mysterious offer. It turns out that Junior has been recruited to launch up into an orbiting space station for some important mission, and in the meantime, Hen will be kept company by a synthetic version of Junior built by artificial intelligence to replicate his consciousness.

What Made an Impression?: Where’s the Technology?: Sometimes dystopian movies feel like they take place in the past, as a catastrophic event has wiped out our most advanced forms of modern technology. That kind of seems to be what’s going on in Foe, which is weird because its premise is about a particularly timely technological breakthrough. A.I. is leaps beyond ChatGPT at this point, and yet TVs, computers, and cell phones are nowhere to be seen. It’s possible, I suppose, that Hen and Junior are choosing to live a life off the grid without modern amenities. But if that were the case, it would presumably be worth emphasizing, but it never is. And because that gap is never remarked upon, Foe is likely to give you a baseline feeling of cognitive dissonance.
Taking a While to Get There: The ending of Foe might make you want to go back and watch the whole thing again … if you have the patience for it. That conclusion assuaged some concerns I had, but it didn’t really make the ride any more thrilling in retrospect. For most of the movie, I lamented how it wasn’t taking full advantage of its premise, or quite frankly taking any advantage of its premise. And this is a story that’s been told more compellingly before, especially in the Black Mirror episode “Be Right Back.” And when you get right down to it, the A.I. element doesn’t add much of anything. Sci-fi has been grappling with the ethics of cloning for decades now, and that aspect goes about how you would expect this time as well. Maybe that’s why this future looks so much like the past!

Foe is Recommended: Only for the pretty people being horny and passionate

Grade: 2 out of 5 Consciousnesses

Who Better to Make Us Feel ‘Old’ Than M. Night Shyamalan?

2 Comments

Old (CREDIT: Universal Pictures)

Starring: Gael García Bernal, Vicky Krieps, Rufus Sewell, Thomasin McKenzie, Alex Wolff, Abbey Lee, Eliza Scanlen, Ken Leung, Nikki Amuka-Bird, Aaron Pierre, Kathleen Chalfant, Emun Elliott, Embeth Davidtz

Director: M. Night Shyamalan

Running Time: 108 Minutes

Rating: PG-13 for Intense, Strange Violence and a Bare Buttcrack Running Into the Ocean

Release Date: July 23, 2021 (Theaters)

After delivering one of the most iconic twist endings of all time in The Sixth Sense, M. Night Shyamalan became straitjacketed by his reputation for the last-second reveal. But now that he’s a little bit older (wink, wink) and wiser, he’s quietly and consistently embraced that reputation. And why not? He truly is one of the all-time masters of the technique, and Old might just be his greatest trick since The Sixth Sense. But Old doesn’t rely on the twist for the entire movie to be effective (which was also the case with his breakthrough film). If the conclusion hadn’t told us what was really happening on this beach that ages people at a rate of about 2 years per hour, I would’ve been disappointed. But I also probably would’ve quickly gotten over that by appreciating everything else there is to offer in this meditation on the passage of time.

Each of the vacationers who find themselves on Old‘s private beach are in situations that are ripe for prompting considerations of mortality. Prisca (Vicky Krieps) has a tumor in her stomach, which is contributing to the troubles with her husband Guy (Gael García Bernal). Charles (Rufus Sewell) is beset by mental illness while attempting to keep both his much younger wife Chrystal (Abbey Lee) and elderly mother Agnes (Kathleen Chalfant) happy. Jarin (Ken Leung) and Patricia (Nikki Amuka-Bird) are trying to enjoy themselves without worrying too much about Patricia’s frequent seizures. Big deal rapper Mid-Sized Sedan (Aaron Pierre) is decompressing from the pressures of fame while also dealing with a blood clotting condition. And on top of all that, we’ve got Prisca and Guy’s two kids and Charles and Chrystal’s daughter running around, which is the perfect formula to make any parent get a little verklempt about how the days are just whizzing by.

So just how would people really react if their lifespans suddenly became overwhelmingly compressed? As Old sees it, their first instinct would be to escape, which is probably why Shyamalan decided to make it nearly impossible for them to do so. As they attempt to make peace – or not – with their doom, their reactions are filled with violence and terror. And of course that’s the case; this is a panicky and desperate crisis, a fabulous escape room of mammoth proportions. But there are also moments of  reflection and tenderness, as the families attempt to make the best of the time they have left with each other.

From the first frame to the last, Old is richly satisfying as both metaphor and thought experiment. The questions it raises are plenty of fun to puzzle out as the characters do so on screen. If our biological ages suddenly become so much older, would we become correspondingly more emotionally and mentally mature? Just what is it that makes us mature when time passes at its normal rate anyway? Life experiences, for sure. And well, there’s a lot of life experience packed into each grain of sand on this beach. And the same is also true of the richest cinema in the world. You’ll probably feel a little older after watching Old, and I bet you’ll be thankful about that.

Old is Recommended If You Like: Feeling both scared and enriched by the passage of time

Grade: 4.5 out of 5 Hours