‘American Fiction’ is a Relentless Satire, and Quite a Bit More

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A Fictional American Man (CREDIT: Claire Folger/© 2023 Orion Releasing LLC. All Rights Reserved.)

Starring: Jeffrey Wright, Tracee Ellis Ross, John Ortiz, Erika Alexander, Leslie Uggams, Sterling K. Brown, Myra Lucretia Taylor, Raymond Anthony Thomas, Issa Rae, Adam Brody, Keith David

Director: Cord Jefferson

Running Time: 117 Minutes

Rating: R for Angry and Literate Profanity

Release Date: December 15, 2023 (Theaters)

What’s It About?: Thelonius “Monk” Ellison (Jeffrey Wright) just can’t believe the state of the literary industry. Publishers say they want books by Black authors. He’s a Black author, but they don’t want his books! What they really mean is that they want stereotypical stories about economic disparity that performative white liberals will lap up to prove their progressive bona fides. So Monk comes up with a little satirical trick in which he anonymously writes “My Pafology,” the most cliched Black trauma novel possible, while pretending to be a fugitive felon. And of course, it quickly becomes the most in-demand thing he’s ever written. But will he slip too far into his new persona? Meanwhile, he and his sister Lisa (Tracee Ellis Ross) and brother Cliff (Sterling K. Brown) have to care for their widowed mother Agnes (Leslie Uggams) as she slips into dementia.

What Made an Impression?: The Expected & The Unexpected: American Fiction pulls off one of my favorite cinematic tricks: it’s exactly the movie that the trailers sell it as, while also being completely something else. You don’t have to be Black to understand the righteous fury that writer/director Cord Jefferson is smuggling into his characterization of Monk, you just have to be paying attention. From the get-go, the satire is brazen and LOL-worthy. I was hoping for all of that to be true. But I was completely unprepared for how much time we end up spending with Monk’s mom and siblings. And I’m not complaining, because this is also perhaps the most affecting and deeply felt family drama of the year.
A Self-Righteous Struggle: Monk could’ve easily been a blank slate of a personality who just stares in disbelief at every outrageous twist and turn. And if that were the case, the movie he’s in would’ve been just as hilarious. But instead, it’s a little more complicated, and wonderfully so. Instead of laughing off the success of “My Pafology,” he takes every one of its triumphs as a personal affront. His frustrations with performative allyship are well-founded, but he doesn’t account for taste. Perfectly decent people of all races like these books just fine without making a big deal out of the state of the world. But Monk just can’t let things go without a fight. He always leads with his anger to the point that it ruins every relationship with whomever doesn’t have the patience to deal with him.
Remaining Clear-sighted: In keeping with the theme of surprise, the most important lesson of American Fiction is not what I was expecting. Perhaps I shouldn’t be too shocked, since the racial satire, while on-target, wasn’t exactly new. So instead, what really stuck with me was the importance of clear-sightedness. That is to say, the characters who focus on what’s really important are the ones who are also the most satisfied and at peace. In that regard, the Ellisons’ longtime housekeeper Lorraine (Myra Lucretia Taylor) is an absolute angel. She isn’t blind to the strife among the people in her care, but all she has to offer them is unconditional love. And then there’s Adam Brody as a slick movie producer who can’t wait to option the story of an actual real-life felon. At first, he seems just as awful as the patronizing publishers. But when Monk lets him in on the truth a bit more, he pivots to another idea. True, he might be just as opportunistic as ever, but taking advantage of an opportunity isn’t exactly a bad thing when you’re honest and enthusiastic. The Monks of the world would benefit from being tempered by this realization.

American Fiction is Recommended If You Like: Sorry to Bother You, Undercover Brother, Thanksgiving dinner

Grade: 4.5 out of 5 Fake Felons

‘Shazam! Fury of the Gods’ Did Not Make Me Furious, At the Very Least

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Look at how furious Shazam is! (CREDIT:
Warner Bros. Pictures/Screenshot)

Starring: Zachary Levi, Asher Angel, Jack Dylan Grazer, Adam Brody, Helen Mirren, Lucy Liu, Rachel Zegler, Ross Butler, Ian Chen, D.J. Cotrona, Jovan Armand, Grace Caroline Currey, Meagan Good, Faithe Herman, Djimon Hounsou, Marta Milans, Cooper Andrews

Director: David F. Sandberg

Running Time: 130 Minutes

Rating: PG-13

Release Date: March 17, 2023 (Theaters)

Shazam! Fury of the Gods reminded me of Wonder Woman 1984, both in terms of how it makes risky storytelling decisions, and also in terms of how Wonder Woman is in it. In the case of the WW follow-up, it was kind of inexplicable compared to the first outing. But in the case of the lightning bolt boy, the darkly kooky vibe was absolutely called for and precedented, it just didn’t work as well as it did the first time. But I’m still glad I watched it!

Grade: A Sort-Of Unicorn

‘Promising Young Woman’ Spoiler-Filled Review Addendum

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Promising Young Woman (CREDIT : Merie Weismiller Wallace/Focus Features)

I’ve already published a rave review of Promising Young Woman that you can check out here, and now that the release date has finally arrived, I’ve got some spoiler-rific thoughts to share. This is all to say: SPOILER ALERT! So you know, don’t read this unless you’ve seen it or if you’re fine with knowing all the details ahead of time.

ONE LAST WARNING! Don’t click ahead unless you really mean to…

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‘Promising Young Woman’ Fulfills Its Promise, and Then Some

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Promising Young Woman (CREDIT: Focus Features)

Starring: Carey Mulligan, Bo Burnham, Laverne Cox, Clancy Brown, Jennifer Coolidge, Alison Brie, Connie Britton, Alfred Molina, Chris Lowell, Max Greenfield, Adam Brody, Sam Richardson, Molly Shannon, Christopher Mintz-Plasse

Director: Emerald Fennell

Running Time: 113 Minutes

Rating: R for Twisted Jokes, Drug Spikings, Discussions of Sexual Violence, and Some Up-Close Acute Violence

Release Date: December 25, 2020

Promising Young Woman hooked me immediately with its trailer, seemingly telling me everything I needed to know. When I finally saw the actual movie, it somehow still had plenty of opportunities to surprise me. It fits one of my favorite formulas for all-time great movies: simultaneously exactly what I was hoping for and so different from what I was expecting. Carey Mulligan is a knockout, in every way you can imagine. She plays med school dropout Cassie Thomas, a black widow who lures entitled men into this intoxicating trap she’s cooked up. She pretends to be blackout drunk at bars so that someone will not-so-gallantly bring her home to take advantage of her, at which point she drops the charade and spooks like them like a zombie popping out of the grave. She has her own history with assault, but she’s also an avenging angel taking on the entirety of rape culture.

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No Need to Make a Deal with the Devil: Go See ‘Ready or Not’!

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CREDIT: Eric Zachanowich/Twentieth Century Fox

Starring: Samara Weaving, Adam Brody, Mark O’Brien, Henry Czerny, Andie MacDowell, Nicky Guadagni, Kristian Bruun, Melanie Scrofano, Elyse Levesque, John Ralston

Directors: Matt Bettinelli-Olpin and Tyler Gillett

Running Time: 95 Minutes

Rating: R for Ridiculous and Bloody Violence, Over-the-Top Profanity, and a Few Bumps of Cocaine

Release Date: August 21, 2019

Rich people are so different from the rest of us (HOW DIFFERENT ARE THEY?!) that some of them think it’s perfectly justifiable to hunt other people for fun. Or at least that’s what the 1924 short story “The Most Dangerous Game” and its many descendants would have us believe. The latest example is Ready or Not, which features the highest-stakes version of hide-and-seek I have ever witnessed. It takes place at the mansion of the Le Domas family, whose black sheep son Alex (Mark O’Brien) has returned home with his new bride Grace (Samara Weaving). The Le Domases made their fortune in the gaming industry, and it is no coincidence that tradition dictates that whenever someone marries into the family, she must play a little game with her in-laws on her wedding night.

As the newbie to all this eccentricity, Grace is of course the hider, which she discovers is quite a frightening position to be in when she learns that everyone is trying to kill her before the sun comes up. This may sound like some sort of twisted sport hunting, but while the Le Domases can be gleeful in their attempted murder, they would rather not have to go through it. And yet they have decided they must, for they believe that something very bad will happen to them if they do not complete the ritual. You see, a few generations ago, when the first Le Domas arrived in America, he made a deal with a strange benefactor who promised – and delivered – great fortune, but with the caveat that his family must perform this wedding night gameplay in perpetuity under penalty of execution. The underlying message is clear: the ultra-rich are prone to some rather offbeat logic to justify their lot in life.

The familial indoctrination on display here is strikingly similar to that of a cult, which has me wondering: is devotion to the principles of the ultra-rich a religious sect unto itself? The religious overtones are certainly there, as the mandatoriness of the lethal hide-and-seek is fashioned as a sort of deal with the devil. But while the Le Domases appear to be allegiant to some sort of dark lord, their loyalty is not all that different than the sort demanded by the God of the Old Testament. While watching Ready or Not, I couldn’t stop thinking of Abraham attempting to sacrifice his son Isaac after God commanded him to do so, with God then rewarding Abraham for his loyalty. Is Alex’s responsibility to kill his new wife just a similar test of faith?

The great satisfaction of Ready or Not is how these weighty issues of generational inheritance fit so seamlessly within the thrills of a relentless and-then-there-were-none-style slasher pic. The performances follow suit. Samara Weaving is like a threatened animal screaming full-bodied howls animated by profound incredulousness, with the survivor’s strength she summons recalling Marilyn Burns in The Texas Chain Saw Massacre and Sharni Vinson in You’re Next. As the parents and aunt of the groom, Andie MacDowell, Henry Czerny, and Nicky Guadagni are all disturbingly committed to the game, while Adam Brody, as Alex’s brother Daniel, is in eternal negotiations with the legacy he’s inherited. The blood in Ready or Not is disturbing, hilarious, and thought-provoking – what else can you ask for?!

Ready or Not is Recommended If You Like: You’re Next, Clue, The Purge

Grade: 4.5 out of 5 Bloody Wedding Dresses