‘Never Let Go’ Could Have Had a Firmer Grip

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Pictured: The Characters in This Movie Not Letting Go (CREDIT: Lionsgate)

Starring: Halle Berry, Percy Daggs IV, Anthony B. Jenkins

Director: Alexandre Aja

Running Time: 101 Minutes

Rating: R for The Forest at Its Gnarliest and Bloodiest

Release Date: September 20, 2024 (Theaters)

What’s It About?: In a cabin deep in the woods live the last three people on Earth, and their trusty dog. Or at least that’s the story that the mother (Halle Berry) tells her twin sons Nolan (Percy Daggs IV) and Sammul (Anthony B. Jenkins). According to Momma, it’s not that the entire human population has died, but rather that everyone has been possessed by a vague, unrelenting Evil. Momma and the boys are only able to survive because their cabin has been specially blessed. So whenever they venture outside, they tie themselves to a rope tethered to the house, as breaking free would leave them vulnerable to the grasp of the Evil. But when their living supplies run low, they’re forced to resort to desperate measures to survive. And that is NOT a formula for maintaining trust in each other.

What Made an Impression?: Extreme Experiences, Extreme Measures: The most logical explanation about the Evil of Never Let Go is that it’s all in Momma’s head, perhaps due to mental illness or apocalyptic religious beliefs, or some combination thereof. Kevin Coughlin and Ryan Grassby’s script and Alexandre Aja’s direction certainly nudges us in that direction. There are some generally creepy humanoid creatures with slithery forked tongues, but only Momma is able to see them, for the most part. She may have also just constructed a fable to protect her family from the more quotidian evils of the world, as she frequently hints about the bad life she escaped from before The Evil. That sounds like a reference to something like addiction and/or abusive relationships, although the way she tells it, it could just be that she moved to a big city and found it to be too godless for her sensibilities.
Ambiguity Overload: That vagueness within Momma’s backstory is infused throughout the entire movie. While the most logical explanation is never not that the Evil is all just in Momma’s head, this is a horror movie, so there’s no good reason why there couldn’t be a supernatural alternative. But whenever there’s evidence refuting Momma’s version of events, she doesn’t offer any compelling reason to believe beyond “That’s just the Evil playing tricks on you.” The final act muddies things quite a bit, though. Nolan, the more doubtful of the two brothers, is a defiant survivor, whereas Sammul appears to be quite vulnerable to possession, although perhaps that’s because he’s inherited some of his mother’s most catastrophic personality traits. The final moments appear to confirm that the Evil is in fact just a story, only to then linger in a way that says, “Actually maybe it is real.”
Ultimately, Never Let Go is compelling as a portrait of what it’s like to have a parent who insists that you need to escape from society without sufficient empirical evidence for why. And there’s something to be said for horror that keeps things unnervingly vague. But this one might have been a bit too vague. If you’re like me, you’ll hold on to the rope while you’re watching, but you’ll be happy to let go soon thereafter.

Never Let Go is Recommended If You Like: Dusty boots and jackets, Eating tree bark, Holding on to one prized vinyl record

Grade: 2.5 out of 5 Ropes

Entertainment To-Do List: Week of 5/14/21

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The Underground Railroad (CREDIT: Amazon Prime Video/YouTube Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Army of the Dead (May 14 in Select Theaters, May 21 on Netflix)
Oxygen (May 12 on Netflix) – Directed by Alexandre Aja, but no piranhas.
Profile (Theaters)
Spiral (Theaters) – Chris Rock joins the Book of Saw.
Those Who Wish Me Dead (Theaters and HBO Max) – Might check out to see what Angelina Jolie is up to.
The Woman in the Window (May 14 on Netflix) – Joe Wright directs Amy Adams.

TV
The Underground Railroad (May 14 on Amazon)
-2021 MTV Movie & TV Awards (May 16 on MTV)
-2021 MTV Movie & TV Awards: Unscripted (May 17 on MTV)
-2021 Jeopardy! Tournament of Champions (May 17-28, check local listings) – 19-game winner Jason Zuffranieri looks like the one to beat.

Music
-Aly & AJ, A Touch of the Beat Gets You Up on Your Feet Gets You Out and Then Into the Sun – This came out last week.
-St. Vincent, Daddy’s Home
-The Black Keys, Delta Kream – Dan and Pat cover hill country blues.

Wet ‘n’ Hungry Movie Review: Crawl

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CREDIT: Sergej Radović/Paramount Pictures

I don’t particularly enjoy close-up shots of cinematic animals being killed or injured, even if those beasts are the predatory antagonists. And even, apparently, if they are as merciless as the alligators in Crawl. We already know from Piranha 3D that Alexandre Aja knows how to effectively craft a creature feature, but that experience is not sufficient preparation for his latest. Fish faces do not generate empathy in the way that gators do, and a mass of stereotypical beachgoers getting chomped apart in ridiculous fashion is more comical than visceral. Crawl, on the other hand, is a much more intimate affair, maintaining a singular focus on a father-daughter duo stuck at the bottom of a house in the middle of a hurricane. You might find yourself laughing from the consistently clutch timing of the kills, if you can remind yourself that this is just a movie. But man, considering that this doesn’t look all that different from the future, or really the present, of the southeastern United States, it’s hard to sit still.

I give Crawl 7.5 Ripped Limbs out of 10 Chomps.