Does ‘Wake Up Dead Man’ Have the Power to Wake All of Us Up?

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Where is this man on the scale of Awake to Dead? (CREDIT: Netflix)

Starring: Josh O’Connor, Daniel Craig, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, Thomas Haden Church, Jeffrey Wright, Annie Hamilton, James Faulkner, Bridget Everett, Noah Segan

Director: Rian Johnson

Running Time: 144 Minutes

Rating: PG-13

Release Date: November 26, 2025 (Theaters)/December 12, 2025 (Netflix)

You will believe a man can be resurrected! That’s the tongue-in-cheek promise of Wake Up Dead Man, the latest Knives Out mystery. As a lifelong practicing Catholic, I was especially primed to appreciate Benoit Blanc venturing off to an off-the-beaten parish on Easter Weekend to help the new young priest (Josh O’Connor) figure out the death of the firebrand monsignor (Josh Brolin). And ultimately, Rian Johnson very much succeeded in helping to restore my faith. That’s not to say that I had completely lost my faith, and it’s also not to say that any character literally comes back to life. (Although in the interest of avoiding spoilers, I’m not not saying that either.) Furthermore, I’m also certainly not saying that you have to be Catholic to enjoy this movie (nor that all Catholics will automatically enjoy it). But it did convince me anew of believing in the stories we tell ourselves, and that is a blessing.

Grade: 10 Awakenings out of 7 Crypts

Did ‘Blue Moon’ Make Me Swoon?

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CREDIT: Sony Pictures Classics/Screenshot

Starring: Ethan Hawke, Margaret Qualley, Bobby Cannavale, Andrew Scott, Jonah Lees, Simon Delaney, Patrick Kennedy

Director: Richard Linklater

Running Time: 100 Minutes

Rating: R

Release Date: October 17, 2025 (Theaters)

Was I born under a blue moon? Well, considering how much I enjoyed the movie Blue Moon, I would have to answer “yes.” Is that how these things work?

Anyway, I didn’t know a whole hell of a lot about Lorenz Hart before I watched this biopic about him, other than a general awareness that he was a significant contributor to the Great American Songbook. But I did know that I’m a fan of watching Ethan Hawke do whatever he does on screen, whether or not he’s collaborating with Richard Linklater. And I also had a strong suspicion that him teaming up with Margaret Qualley would result in some crackling chemistry. I wish she had been in more of it, but the parts without her were capably filled by other quip-throwers, like Bobby Cannavale and the guy playing E.B. White (Patrick Kennedy).

Should I now move into a house and nickname it the Blue Moon? I think it would fit me nicely.

Grade: Living Up to the “Blue” in Its Title in More Ways Than One

Cinematic Holiday 2023 Catch-Up Roundup

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CREDIT: NEON

Heading into the Christmas break, it seemed like I had a lot more new movies to catch up on than usual. Or maybe it was actually a normal amount, and I was just cataloging my filmgoing plans a little more closely than I typically do. Either way, it took me about a month, but I’ve finally checked off everything that was on my to-watch list. So let’s run down some quick thoughts on all of them!

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‘Catherine Called Birdy’: Kickin’ It Teen Style 1290 AD Edition

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Look at that Birdy fly! (CREDIT: Alex Bailey/© Amazon Content Services LLC)

Starring: Bella Ramsey, Andrew Scott, Billie Piper, Joe Alwyn, Dean Charles-Chapman, Paul Kaye, Lesley Sharp, Sophie Okonedo, Ralph Ineson, Michael Woolfitt, Isis Hainsworth, Archie Renaux

Director: Lena Dunham

Running Time: 108 Minutes

Rating: PG-13 for The Power of Suggestion

Release Date: September 23, 2022 (Theaters)/October 7, 2022 (Amazon Prime Video)

What’s It About?: What was life like for a sassy, opinionated teenage girl in 1290 England? That’s what Catherine Called Birdy is here to let us know! Based on a 1994 children’s novel by Karen Cushman, it follows the always rambunctious days of the irrepressible Lady Catherine (Bella Ramsey), aka (you guessed it) “Birdy.” She’s an unmistakably independent young woman, but what does that even mean in a patriarchal medieval society? Despite her unique wants and desires as a human being in her own right, the standards of the time insist that she’s little more than a bargaining chip for marriage. She might drive her parents (Andrew “Hot Priest” Scott and Billie “Companion Rose” Piper) batty, but they do love her. Although, they’re also in quite the financial bind, so they could really use that dowry moolah from even the oldest, ugliest, most grotesque suitor. What’s a little Birdy to do?!

What Made an Impression?: There’s something mystical about watching a story set in a time before mass telecommunication. Since there’s no video evidence of the era, any picture of centuries ago is a mere approximation. But this wasn’t exactly a problem for the people when they were alive in 1290. In fact, I would go so far as to say that nobody ever thought about that sort of thing, unless they were unusually philosophically inclined. Certainly, Birdy and her family and friends don’t concern themselves with such thoughts; instead, they mostly just go about their routines and live their lives as they are wont to do. So the fact that we get to have a peek into those lives arrives like a mysterious gift from the universe, even if it is all fully fictional.

On a more quotidian level, I also appreciate that Catherine Called Birdy is family-friendly without feeling like it’s holding back. There are several moments where it feels frighteningly possible that things could turn bloody and/or abusive. And while we’re spared the worst details, we’re not spared the vicarious experience of what it’s like to be a teenage girl at a time when that meant you were basically property. Ramsey boils it all together with a spirited, feral performance that should hook in plenty of viewers.

Catherine Called Birdy is Recommended If You Like: Rolling around on hills, Occasional swordplay, The scene with Dennis the Peasant from Monty Python and the Holy Grail

Grade: 3.5 out of 5 Dowries

‘1917’s’ Gimmick is a Technical Feat, But It Gets in the Way of Some Potential Storytelling Resonance

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CREDIT: Universal Pictures and DreamWorks Pictures

Starring: George MacKay, Dean-Charles Chapman, Colin Firth, Mark Strong, Andrew Scott, Benedict Cumberbatch, Richard Madden

Director: Sam Mendes

Running Time: 119 Minutes

Rating: R for Explosives and Gunfire Flying Through the Air

Release Date: December 25, 2019 (Limited)/Expands January 10, 2020

The World War I men-on-a-mission-to-stop-a-mission film 1917 is one of those flicks, like Birdman or Alfred Hitchcock’s Rope, that is shot and edited in such a way as to make it appear like one long continuous take. It also has a race-against-the-clock premise, as British Lance Corporals Blake (Dean-Charles Chapman) and Schofield (George MacKay) are sent to deliver a message to another British battalion to call off an attack and thus prevent them from walking into a German trap. Chapman and MacKay display the right sort of nervous energy for a seemingly impossible, deadly task, but honestly, I wish there had been more bells and whistles on their journey. Specifically, it would have been a big help if there had been a clock in the corner of the screen letting us know how much time they had left to successfully deliver the message. That might seem out of place for a film that gets much of its power from disorientation and uncertainty, but when the premise is clear and simple, it helps to have the stakes be clear and simple as well.

Overally, 1917 is impressive and accomplished, but in a manner that often gets in the way of itself. The “almost” nature of the one-shot gimmick is not hard to suss out, as there are plenty of moments when someone turns towards a wall, or the picture becomes total darkness, and it’s clear that a cut would be very easy to do at this moment. Still, a series of several long continuous takes is tough to pull off, and the urgency that technique conveys fits with the subject matter. But … why not cut? Why not let us see the doomed battalion before they realize how doomed they are? The power of this story is in the dramatic irony of fate’s fickleness, and we get only a small portion of that by sticking on one path. Ultimately then, 1917 is a long fancy showcase to show off some filmmaking skillz instead of a fully realized narrative vision.

1917 is Recommended If You Like: The Revenant, Dunkirk, Video game cut scenes

Grade: 3 out of 5 Orders