Jeff’s Wacky SNL Review: Finn Wolfhard/A$AP Rocky

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Rock on! (CREDIT: NBC/Screenshot)

Jeff “jmunney” Malone watches every new episode of Saturday Night Live and then reviews all the sketches and segments according to a “wacky” theme.

Well, if they insist, I’m happy to keep watching them debut new comedy sketches live from New York City on Saturday night. To clarify, I’m currently talking about the NBC television program Saturday Night Live, specifically the tenth episode of the 51st season, featuring host Finn Wolfhard and musical guest A$AP Rocky. The former is best-known for the Netflix series Stranger Things, which I famously have not watched beyond Season 1, despite having some desire to catch up. As for the latter (frequently also referred to by certain jokesters as “As Soon as Possible Rocky”), he’s got a very new album that I’ve been listening to, as well as a co-star in common with his host. Furthermore, before watching this episode, I wondered if some of his other funny recent co-stars might be inclined to make a cameo. Let’s find out!

For my Review Gimmick, I shall be returning to an oldie but a goodie of Transcribing the Notes I Took While Watching the Episode.

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‘Highest 2 Lowest’ Review: Spike Lee and Denzel Washington Reunite for Another Thriller Through the Streets of NYC

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But I Haven’t Seen “Highest 1 Lowest”! (CREDIT: A24)

Starring: Denzel Washington, Jeffrey Wright, Ilfenesh Hadera, Aubrey Joseph, ASAP Rocky, Elijah Wright, Ice Spice, Dean Winters, John Douglas Thompson, LaChanze, Michael Potts, Wendell Pierce

Director: Spike Lee

Running Time: 133 Minutes

Rating: R for Language Mostly, Nothing Extraordinary

Release Date: August 15, 2025 (Theaters)/September 5, 2025 (Apple TV+)

What’s It About?: Operating out of a pristine Brooklyn high-rise penthouse overlooking his empire, Stackin’ Hits CEO David King (Denzel Washington) seemingly has it all: the millions, the cultural cachet, the beautiful family. But there are a few cracks starting to form. The sales aren’t as massive as they used to be, and there’s a buyout offer on the table. And then catastrophe strikes, when his son Trey (Aubrey Joseph) is kidnapped for a $17.5 million ransom. Well, actually, the kidnapper meant to nab Trey, but he mistook his buddy Kyle (Elijah Wright) for him. He still wants those millions, though, even though Kyle’s dad Paul (Jeffrey Wright) isn’t in any position to put together all that cash. That leaves David in the driver’s seat, setting up an epic ethical struggle and a thrilling chase to exact justice when everything that matters is threatened from the bottom to the top.

What Made an Impression?: Big Big Big Big BIG: Spike Lee isn’t always the most maximalist filmmaker, but when he goes big, he doesn’t hold back. And in Highest 2 Lowest, let’s just say his approach is the opposite of small. Obviously, this is a high-stakes situation, but you can make some room for subtlety in even the most high-stakes scenarios if you want to. Or you can do what Lee and his cast and crew do and leave absolutely everything on the screen, and have it all triple-underlined by Howard Drossin’s bombastic operatic jazz score. Adjust your sensibilities accordingly if you don’t want to be absolutely overwhelmed.
NYC Isn’t Dead: Did you know that Spike Lee is a proud New Yorker? There are a few ways you might have found that out, like maybe if you’ve ever seen him courtside at a Knicks game, or if you’ve ever watched any of his earlier movies that just so happen to be set in the Big Apple. But even if Highest 2 Lowest is somehow your first exposure to Lee, there’s still a more-than-zero-percent chance that you’ll be able to figure out where he stands on the subject of his hometown, particularly during a subway-set piece in which a bunch of excited baseball fans start a chant of “Boston sucks!” while on their way to a Yankees game. It’s a little bit subtle, but not too hard to miss.
Arriving at the Crossroads: Ultimately, Highest 2 Lowest is preoccupied with posing the question: “Are you going to be the person you’re supposed to be?” Sure, there are some fun chase scenes and a raucous salsa concert on Puerto Rican Day along the way that might feel like they’re fun just for the sake of being fun. But the internal stakes are unmistakable. Is legacy more important than friendship and family? Can you be an artist and a thief? What do we owe the world if we have talents to share? Some characters are in more stable positions than others to answer these questions, but the stakes are captivating no matter what the specificities of the crisis.

Highest 2 Lowest is Recommended If You Like: The Bronx Bombers, Curating Your Record Collection, State Farm’s “Mayhem” Commercials

Grade: 4 out of 5 Ransoms