
They love to ride. (CREDIT: Ed Araquel/Lionsgate)
Starring: Ashley Park, Sherry Cola, Stephanie Hsu, Sabrina Wu
Director: Adele Lim
Running Time: 95 Minutes
Rating: R for Some Quick Outrageous Nudity and Non-Stop Outrageous Dialogue
Release Date: July 7, 2023 (Theaters)
What’s It About?: Audrey (Ashley Park) and Lolo (Sherry Cola) have been inseparable besties since they met on the playground as kiddos. But now that they’re young adults, their lives have turned out a little differently. Audrey is a high-powered attorney, while Lolo is a struggling artist, and proud of it. When Audrey’s job sends her off to China to land a big new client (Ronny Chieng), it’s also an opportunity for her and Lolo to get in touch with their roots. Audrey was born in China and adopted by white American parents, while Lolo is a second-generation Asian American. The dynamics get a little bumpy along the way when they’re joined by Lolo’s awkward cousin Deadeye (Sabrina Wu) and rather snippy when they’re accompanied by Audrey’s college friend Kat (Stephanie Hsu). But these ladies are so horny and outrageous that shenanigans were always going to be part of the agenda. Amidst this whirlwind, will they somehow also have time to meet Audrey’s birth mother?
What Made an Impression?: Asians Represent: Joy Ride is at its strongest when interrogating what it means to these characters to be Asian American and exist within the wider Asian cultural world in general. The endearing opening scene features Audrey’s parents (David Denman, Annie Mumolo) asking Lolo’s mom and dad if their little girl is Chinese. It’s obviously an uncomfortable question to field from random white people, until they see the little Asian girl hiding behind them. Similar fun is had when the girls land in China, and Lolo runs through a taxonomy of various Asian people, along with a harried warning not to confuse the visiting Koreans with the home citizens.
Coming in Hot: The Joy Ride crew aims for a “girls can just be as gross as the guys!” ethos, which is a valiant enough goal. But I fear that the outrageous-to-funny ratio might have been zapped up way too far in one direction. Your mileage may vary, but I found myself exhausted much more often than I was laughing. Maybe it was just a weird day for me, and perhaps the chuckles could come on a more receptive moment. Nevertheless, I appreciate the effort, and the uniqueness therein. After all, what other movie in this genre would have retired NBA All-Star Baron Davis show up as himself to save the day?
Tattoo You: While the outrageousness wasn’t always working for me in the humor department, I couldn’t help but be struck by a recurring gag about a tattoo on a very sensitive area of Kat’s anatomy. There’s constant speculation from the others about the ink’s design, and the eventual reveal certainly doesn’t flinch. How much it makes you laugh will depend on your sensibilities, but no matter what, it delivers plenty of cosmic energy.
A Sight for Sore Eyes: Joy Ride and I are on the same wavelength when it settles down and lets its character truly take stock of their situations. And in one of those moments, a familiar actor shows up in a surprise role and really brings the emotion home. I won’t spoil who exactly that is (though you can certainly look it up online if you’re happy to be teased), though I will say that this person delivers exactly what is needed with wisdom and grace.
Joy Ride is Recommended If You Like: Mining quarter-life crises for comedy, K-pop, Getting sloppy 24/7
Grade: 2.5 out of 5 Tattoos
