CREDIT: NEON

This review was originally posted on News Cult in December 2018.

Starring: Natalie Portman, Raffey Cassidy, Jude Law, Stacy Martin, Jennifer Ehle, Willem Dafoe

Director: Brady Corbet

Running Time: 110 Minutes

Rating: R for School Shooting Violence, Drug Use, and Staten Island Accented-Profanity

Release Date: December 7, 2018 (Limited)

There is a scene about midway through Vox Lux in which pop star Celeste Montgomery (Natalie Portman) is at a diner with her daughter Albertine (Raffey Cassidy, who also plays the teenage Celeste), expounding about how the press is always hounding her, and it turns into this incomprehensible rant about the misbegotten state of the world. She sounds like someone who watched Fight Club too many times as a teenager, specifically the scene in which Tyler Durden espouses his whole philosophy. But the causes of Celeste’s unique psychology can actually be traced to much more intense external forces. The armchair nihilist philosophizing is just gravy.

The adult Celeste is the product of two adolescent experiences that no teenager is naturally wired to perfectly handle. Both of these types of experiences on their own can, and have, resulted in long-term negative effects for many people. But together they produce … well, they produce Vox Lux. Celeste’s journey begins by surviving a shooting at her middle school, which is obviously traumatic enough to produce scars that last a lifetime. During her recovery, she writes a song to create some love out of the violence, and it ends up becoming a huge hit and leads into a full-on pop music career. But teenage stardom is not ideal for most people, and Celeste does not buck that trend. Fast-forward to the present day, in which at 31 years old she is emotionally still a child.

The culmination of Celeste’s story is hardly surprising, but director Brady Corbet makes it entrancing even at its most disturbing. This is a truly singular whirlwind of a person, and even knowing how messed up her personal life is, we can see how she remains compelling through and through to the public at large. The final 15 minutes or so take place at her new tour’s kickoff performance at her hometown of Staten Island. Considering the series of crises on the way to getting her to the stage in one piece, I thought that this moment was going to end with her collapsing or otherwise failing to finish the show. But instead, she is a wonder to behold, as bedazzling as any modern pop star at the top of her game. This triumph is even more stunning considering the struggle leading up to it. Celeste becomes more admirable while simultaneously remaining as much of a cautionary tale as ever. She remains a symbol by holding up the weight of circumstances that are so much heavier than any one person could possibly bear.

Vox Lux is Recommended If You Like: The Spectacle of Pop Music, Black Swan, Staten Island accents, Actors playing the same characters 20 years apart

Grade: 4 out of 5 Losses of Innocence