When ‘The Wedding Banquet’ Lasted ‘Until Dawn’

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TFW it’s April at the movies (CREDIT: Sony Pictures/Screenshot; BleeckerStreet/ShivHansPictures)

The Wedding Banquet (2025)

Starring: Han Gi-Chan, Kelly Marie Tran, Bowen Yang, Lily Gladstone, Joan Chen, Youn Yuh-jung

Director: Andrew Ahn

Running Time: 103 Minutes

Rating: R

Release Date: April 11, 2025 (Theaters)

Until Dawn

Starring: Ella Rubin, Michael Cimino, Odessa A’zion, Ji-young Yoo, Belmont Cameli, Maia Mitchell, Peter Stormare

Director: David F. Sandberg

Running Time: 103 Minutes

Rating: R

Release Date: April 25, 2025 (Theaters)

Let me be absolutely clear about one thing: I would NOT want The Wedding Banquet to last Until Dawn.

Fortunately, these are two separate movies that I’m talking about right now. And further fortunately, you don’t have to attend a matrimonial event to watch The Wedding Banquet, nor do you have to stay up all night to watch Until Dawn. (Although actually a wedding-themed movie marathon during my own nuptials sounds like a pretty grand idea. I’ll have to store that away for future reference, thank you.)

Anyway, to quickly sum up my most essential takeaways from this pair of flicks: The Wedding Banquet lovingly underscores the value of interlocking the intricacies of friends, family, and lovers no matter how queer you are, while Until Dawn is quite possibly the most exciting sandbox Peter Stormare has ever been given to play around in (give or take a Gorb).

Grades:
The Wedding Banquet: 333 Grandmas out of 444 Ruses
Until Dawn: It Was a Darky and Occcasionally Stormare Night

‘Shazam! Fury of the Gods’ Did Not Make Me Furious, At the Very Least

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Look at how furious Shazam is! (CREDIT:
Warner Bros. Pictures/Screenshot)

Starring: Zachary Levi, Asher Angel, Jack Dylan Grazer, Adam Brody, Helen Mirren, Lucy Liu, Rachel Zegler, Ross Butler, Ian Chen, D.J. Cotrona, Jovan Armand, Grace Caroline Currey, Meagan Good, Faithe Herman, Djimon Hounsou, Marta Milans, Cooper Andrews

Director: David F. Sandberg

Running Time: 130 Minutes

Rating: PG-13

Release Date: March 17, 2023 (Theaters)

Shazam! Fury of the Gods reminded me of Wonder Woman 1984, both in terms of how it makes risky storytelling decisions, and also in terms of how Wonder Woman is in it. In the case of the WW follow-up, it was kind of inexplicable compared to the first outing. But in the case of the lightning bolt boy, the darkly kooky vibe was absolutely called for and precedented, it just didn’t work as well as it did the first time. But I’m still glad I watched it!

Grade: A Sort-Of Unicorn

Movie Review: ‘Shazam!’ is a Blast of Kinetic and Frequently Disturbing Superhero Fun

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CREDIT: Warner Bros.

Starring: Zachary Levi, Asher Angel, Mark Strong, Jack Dylan Grazer, Djimon Hounsou, Grace Fulton, Ian Chen, Jovan Armand, Faithe Herman, Cooper Andrews, Marta Milans

Director: David F. Sandberg

Running Time: 132 Minutes

Rating: PG-13 for Surprisingly Intense, Decently Scary Superhero Violence

Release Date: April 5, 2019

Shazam! harkens back to an era when superhero flicks, and the action-adventure genre generally, were legitimately scary. This is a movie in which a fair amount of people disintegrate, or get eaten by gargoyle-esque monsters, or get thrown out of windows hundreds of stories up. Seriously, this might set a record for most defenestrations in a PG-13 movie. I don’t mean to imply that the ostensibly family-friendly segment of the superhero genre has become otherwise toothless. The injuries and collateral damage are acknowledged in the likes of The Avengers (and overly fetishized in the likes of Man of Steel), but they are rarely this tangibly visceral. It’s been a while since the Penguin bit off someone’s nose in Batman Returns, but Shazam! has plenty of moments that are shocking on the same level, and that is mostly a good thing.

Those violent, sudden deaths hit as hard as they do because Shazam! is at first glance the height of boundless fun and bright colors. Its wish-fulfillment premise is that teenage boy Billy Batson (Asher Angel) is given the superpowers of an ancient wizard, which he accesses by shouting the title exclamation. This turns him into Zachary Levi in full-on beefcake form dressed in the most vibrant red and yellow with a lighting bolt on the front of his ensemble. Like most kids his age, Billy is nowhere near responsible enough to handle the weight of superherodom, which lends his adventures a “With great power comes great responsibility” vibe, but it’s a lot messier than the template set by Spider-Man. In his quest to exploit his powers for fame and fortune, Billy nearly kills a busful of people and panics so much in response that it is genuinely unclear if he can manage to fix his mistake and save them.

Lending a layer of tragedy to Shazam! is the fact that Billy and his main nemesis are both driven by an origin story of familial rejection. Billy was accidentally separated at a young age from his mother at a carnival, and he has spent the ensuing years running away from foster homes in an attempt to reunite with her. Meanwhile, Thaddeus Sivana (Mark Strong) grew up an emotionally abused outcast in his wealthy family. He was once considered a candidate to receive the Shazam powers, and he has spent decades attempting to rediscover the wizardly realm, primarily so that he can exact some extremely disproportionate revenge. It’s not too hard to imagine that in a parallel universe, Billy could grow up to be as terrifying as Thaddeus, but luckily he has the strength of his newest foster family to help carry him along. Amidst all the very real danger, Shazam! would very much like us to recognize the importance of a loving support system no matter what our level of superpowers.

Shazam! is Recommended If You Like: Spider-Man, Batman Returns, Indiana Jones and the Temple of Doom

Grade: 3.5 out of 5 Finger Lightning Bolts

This Is a Movie Review: Annabelle: Creation

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Annabelle: Creation really takes a while to ramp up the intensity. Like, at least an hour, maybe even an hour-fifteen, into its running time, at which point it finally starts ripping limbs and tearing faces apart enough to (barely) justify its R rating. That is kind of crazy given the relentless standard set by the previous Conjuring/Annabelle films. In the prelude, there are a lot of lingering close-ups and light/dark interplay in which you have plenty of time to uncover the agents of evil lurking in the fuzzy shadows. Ultimately, Creation is most valuable for how it expands the mythology, favoring a harmonically mind-bending approach that calls to mind the latter-day Paranormal Activity sequels.

I give Annabelle: Creation 5 Broken Fingers Around a Cross in Every Frame.