Is There Anything Real to Grasp Onto in ‘Now You See Me: Now You Don’t’?

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I see them! … Or do I? (CREDIT: Lionsgate)

Starring: Jesse Eisenberg, Dominic Sessa, Justice Smith, Ariana Greenblatt, Woody Harrelson, Dave Franco, Isla Fisher, Rosamund Pike, Lizzy Caplan, Morgan Freeman

Director: Ruben Fleischer

Running Time: 112 Minutes

Rating: PG-13

Release Date: November 14, 2025 (Theaters)

I would LOVE to live in the world of the Now You See Me movies! Here’s why: nothing makes a lick of sense, but somehow everything always works out perfectly in the end. Just so long as you’re not one of those selfish Master of the Universe types, that is. Is this what justice looks like? Well, it’s at least what Justice Smith looks like, considering that he’s one of the main new stars arriving for the third entry, Now You Don’t. And in case you’re wondering, here’s my response to that subtitle: yes, they do, and they probably always will!

Grade: Actually, Though, This One’s a Little Too Illusory

Alexander Payne and Paul Giamatti Reunite for ‘The Holdovers,’ Making a Few New Holiday Friends Along the Way

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Hold it! (CREDIT: Seacia Pavao / © 2023 FOCUS FEATURES LLC)

Starring: Paul Giamatti, Dominic Sessa, Da’Vine Joy Randolph, Carrie Preston, Andrew Garman, Naheem Garcia, Michael Provost, Brady Hepner, Jim Kaplan, Ian Dolley, Gillian Vigman, Tate Donovan

Director: Alexander Payne

Running Time: 133 Minutes

Rating: R for Cranky Curmudgeonliness and Teenage Boys Being Teenage Boys

Release Date: October 27, 2023 (Theaters)

What’s It About?: Merry Christmas! Why, it’s still merely October, you say? Well, having the holidays thrusted upon you a couple months early is surely a more bearable fate than that borne by Barton Academy prep school student Angus Tully (Dominic Sessa) and his hidebound history teacher Paul Hunham (Paul Giamatti) in the early 1970s. Angus is stuck at school over the winter break because his mom (Gillian Vigman) and stepdad (Tate Donovan) are too busy jet-setting, while Paul pulls the short end of the faculty stick as the guardian for all the kids who don’t have anywhere else to go. This is a formula that’s promising an explosive clash of strong personalities, but maybe head of the cafeteria Mary (Da’Vine Joy Randolph) can help to extinguish the eruptions.

What Made an Impression?: Not-So-Hidden Layers: If you’re 18 or younger, then Mr. Hunham will probably strike you as an absolute nightmare. I’m pretty sure everyone had at least one teacher who was so soul-crushingly set in his ways. But older viewers will likely be more willing to extend him if not affection, then certainly understanding. Right from the jump, he reveals that he’s more complicated than the stodgy traditionalist he’s presented as, and obviously a character played by Paul Giamatti and directed by Alexander Payne was always going to be plenty three-dimensional. The specifics of those dimensions mainly have to do with his frustration that’s directed at a world that appears to be falling apart as well as all the young, privileged kids who are blissfully unaware of their inoculation against all that.
Kindred Spirits: When Angus and Paul’s antagonism eventually begins to soften into something resembling mentorship, it’s because of that time-honored tradition of seeing themselves in each other. As it turns out, they’ve both been handicapped by some pretty bum deals in life, and they go about their days with simmering anger shaping pretty much every one of their actions. They’re the kind of people who secretly shoulder burdens all by themselves, only to generate a ton of sympathy when the truths are uncovered. They go through quite a rocky start, but it’s ultimately a blessing that they’ve found each other.
A True Three-Hander: I can imagine a version of The Holdovers that features just Angus and Paul as its only two characters, and that version probably would have been pretty satisfying. But the version we actually get is even more so, thanks to the straight-shooting performance of Da’Vine Joy Randolph. Mary is notably more emotionally open than everyone around her, which allows her to serve as the enzyme to get Paul to open up, at least a little bit. There’s a sweet early scene in which he joins her while she’s watching The Newlywed Game. He’s never watched it before, so he pinpoints the premise as a recipe for disaster, which she assures him is exactly the point. And ultimately this movie demonstrates that being open to even small new experiences like this one can start nudging us towards exactly where we need to go.

The Holdovers is Recommended If You Like: Rushmore, Armageddon Time, The Way Way Back

Grade: 4.5 out of 5 History Exams