SNL Review October 15, 2016: Emily Blunt/Bruno Mars

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This review was originally posted on News Cult in October 2016.

Love It

Ann Arbor Short Film Festival – This is the sort of satire that really nails a particular piece of culture. This is not the first time amateur filmmaking has been lampooned, but it feels like it is, because it is so incisive, and so cleanly produced. It effectively uses exaggeration and reversal to make its points. Dozens of people work on a one-minute film featuring only one actor, and that feels oddly plausible. And unlike many screenings, in which the wave of questioners overwhelms the panelist, everyone on stage dwarfs the lone audience member. The Holocaust/makeup/“at the end of the day, it’s also a comedy” explanation is one for the ages.

The Hummer party limo’s visit to the Burger King Drive-Thru could have been random for the sake of randomness, but instead, each outré character is sharply defined.

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This Is a Movie Review: The Girl on the Train

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We’re not going to hold The Girl on the Train to the same standard as Gone Girl, are we? No, because individual films are their own things, but still, comparisons can be illuminating. And these two female-led/female-titled page-to-screen sensations go together more than just superficially. Both films have plenty to say about being pegged into gender roles, and how unreliable narrators can obscure the truth of those messages, but on the Train gives itself much less room to explore those ideas than Gone does. It either thinks they will stand clearly enough on their own or does not realize how much they are there in the first place. So what we are left with is an excellent lead performance in an adequately pulpy, but mostly disposable thriller.

I give The Girl on the Train 70 Vodka Swills out of 100 Truth Revelations.

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