’28 Years Later: The Bone Temple’ Finds a Little Tenderness Amidst the Rage

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Come on, send him your bones! (CREDIT: Miya Mizuno/Columbia Pictures)

Starring: Ralph Fiennes, Jack O’Connell, Alfie Williams, Erin Kellyman, Chi Lewis-Parry, Emma Laird, Louis Ashbourne Serkis, Maura Bird, Ghazi Al Ruffai, Sam Locke

Director: Nia DaCosta

Running Time: 109 Minutes

Rating: R for Big Ol’ Zombie Nudity Again, Plus Some More Graphic Zombie Violence, But Even More Disturbing Uninfected Human-on-Human Violence

Release Date: January 16, 2026 (Theaters)

What’s It About?: Last we saw of young lad Spike (Alfie Williams) in post-Rage Virus Britain, his mom had died of cancer, while he opted to fend for himself as his dad headed back home. Now he finds himself in the clutches of the Jimmys, a cultish group of scavengers who sport blond wigs in the style of disgraced English DJ Jimmy Savile. Under the leadership of the charismatically cruel Sir Lord Jimmy Crystal (Jack O’Connell), they psychopathically enforce their will over anyone and everyone. It’s a dangerous conscription, though it offers pretty solid protection against the zombified humans infected by the Rage Virus. Speaking of the infected, the most fearsome in the last chapter was the hulking specimen known as Samson (Chi Lewis-Parry), who finds himself forming an unlikely companionship with Dr. Ian Kelson (Ralph Fiennes), who may just have developed some reliable treatments all these years later.

What Made an Impression?: I Think I’m Going to Ralph: 28 Years Later featured Ralph Fiennes being his usually terrific self, but it’s The Bone Temple that really lets him explore entirely new dimensions. He brings tenderness to an unlikely buddy comedy, cavorts with the forces of evil, and delivers a choreographed dance to Iron Maiden. It’s as full and varied a performance as you could possibly ask for.
Consistency is Key: It can be tricky shooting multiple sequels together and releasing them within a year of each other. Making matters even trickier is when you switch up the director, with Nia DaCosta taking over the reins from Danny Boyle this time around. But no need to worry, as the same sensibility manages to sufficiently survive. (I’m sure it helped that Alex Garland stayed on as writer.) Furthermore, DaCosta takes firm ownership over this chapter, and it might be my favorite feature from her yet.
The Man Behind the Wig: At times, the Jimmys are just unbearably ultraviolent, and it doesn’t feel like there’s much of a point to that beyond mere indulgence. Plus, O’Connell is all too willing to be as depraved as possible. Fortunately, we eventually get a peek behind the mask to discover how he became this menace in a way that rounds out the full storytelling picture without being overly pat. If things start out a little too mean for your tastes, just be patient, and everything will eventually be in its right place.
And One More Thing!: If things go well enough at the box office, there will be (at least) one more chapter in the Rage Virus saga, and The Bone Temple‘s final coda tantalizingly teases what that will be. You don’t need to stick around until after the credits to see it, but nevertheless make sure you pay attention all the way to the end.

28 Years Later: The Bone Temple  is Recommended If You: Like being in the middle of a storytelling circle and winding around the corner with the end in sight

Grade: 3.75 out of 5 Jimmys

‘Eleanor the Great’ and ‘The Strangers – Chapter 2’ Face Off in the Ultimate Challenge!

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People are Strangers, when Eleanor is Great (CREDIT: Sony Pictures Classics/Screenshot; Lionsgate)

Eleanor the Great

Starring: June Squibb, Erin Kellyman, Chiwetel Ejiofor, Jessica Hecht, Rita Zohar, Will Price

Director: Scarlett Johansson

Running Time: 98 Minutes

Rating: PG-13

Release Date: September 26, 2025 (Theaters)

The Strangers – Chapter 2

Starring: Madelaine Petsch, Gabriel Basso, Ema Horvath, Rachel Shenton

Director: Renny Harlin

Running Time: 98 Minutes

Rating: R

Release Date: September 26, 2025 (Theaters)

Sometimes when I watch two very different movies in quick succession, I like to ask which one of them feels more like home. First up we have Eleanor the Great, in which June Squibb plays a woman who moves in with her daughter and grandson and then befriends a young journalism student in the course of pretending that her recently deceased friend’s experience of surviving the Holocaust is her own story. Meanwhile, The Strangers – Chapter 2 (which is of course the fourth film in the Strangers franchise) is just the latest misadventure of masked killers delivering their lethal blows to ostensibly random targets.

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Wow, ‘The Green Knight’ Sure Might Knock Your Head Loose

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The Green Knight (CREDIT: Eric Zachanowich/A24)

Starring: Dev Patel, Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, Kate Dickie, Barry Keoghan, Ralph Ineson, Erin Kellyman

Director: David Lowery

Running Time: 130 Minutes

Rating: R for Violence and a Little Bit of Sex Within a Fantastical Swirl

Release Date: July 30, 2021 (Theaters)

My experience of watching The Green Knight was just moment after moment that had me going, “I was not expecting THAT.” It starts off pretty quickly that way: Sir Gawain (Dev Patel) beheads the Green Knight (Ralph Ineson), but the Green Knight keeps right on talking. I don’t know what I was expecting, but it wasn’t that. If you’re familiar with the source material, this inciting incident won’t be surprising at all, but for the rest of us, it won’t exactly feel telegraphed. Then there’s the fact that this tale takes place around Christmas, which certainly surprised me as well. Although perhaps it shouldn’t have, considering that “green” is in the title and much of the poster is bright red. But other than that, this movie doesn’t feel very Christmas-y. Though I suppose that centuries ago the holiday was celebrated differently. (“Why not have a release date in December instead of July?,” I wonder out loud.)

The poem Sir Gawain and the Green Knight sits at a weird place in terms of cultural recognizability. It’s part of Arthurian legend, which is among the most enduringly popular mythologies in the English language. But this particular tale isn’t typically told in the most well-known adaptations. If you’re a fan of the likes of Camelot, The Sword in the Stone, or Monty Python and the Holy Grail, you might be familiar with the name “Gawain,” but his encounter with a tricky tree-man hybrid could be totally undiscovered. It’s a trip to first encounter it via David Lowery’s highly stylized and uncompromising vision.

I’m willing to bet my sword that anyone who has read Sir Gawain and the Green Knight before seeing this movie also found themselves saying multiple times, “I was not expecting THAT.” (But they would have been saying it while reading.) There’s no way in Camelot that Lowery can take all the credit for every fantastical twist of gamesmanship and illogic. What is the Green Knight’s deal anyway? When he gets beheaded, he insists that Gawain must come find him one year hence to meet a similar fate. Is this a test of honor, and if so, how? I was not expecting that much confusion.

But it kept coming! Was Alicia Vikander playing two different characters? She must have been, as her personalities were so vastly different. I was not expecting such vagueness with her identity. Nor was I expecting an up-close shot of a very intimate moment. The mature themes and capriciousness in a medieval fantasy aren’t surprises in and of themselves, but their presentation in this version were a lot more surreal than I was prepared for. I’m still processing what I’ve witnessed, and I’m not sure that process will ever be complete, but I appreciate the singularity of the vision.

The Green Knight is Recommended If You Like: Embracing the weirdest and most inscrutable elements of mythology

Grade: 3.5 out of 5 Beheadings