What to Do When You Find Yourself ‘Here’

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What’s the best way to get Here? (CREDIT: TriStar Pictures/Sony Pictures Entertainment)

Starring: Tom Hanks, Robin Wright, Paul Bettany, Kelly Reilly, Michelle Dockery, Gwilym Lee, Ophelia Lovibond, David Fynn, Leslie Zemeckis, Jonathan Aris, Daniel Betts, Harry Marcus, Lily Aspell, Joel Oulette, Dannie McCallum, Nicholas Pinnock, Nikki Amuka-Bird, Cache Vanderpuye, Anya Marco Harris, Mohammed George, Zsa Zsa Zemeckis, Dexter Sol Ansell, Stuart Bowman, Lauren McQueen, Beau Gadsdon, Albie Salter

Director: Robert Zemeckis

Running Time: 104 Minutes

Rating: PG-13

Release Date: November 1, 2024 (Theaters)

Would I like to live in the house from Here? A lot of people lived there, some for decades, others for just a few years. But what about me? Well, after watching the movie, I kind of feel like I did live there, if only for a little while. I imagine that’s the feeling that Robert Zemeckis & Co. were aiming for, after all. Anyway, I was happy to spend some time there, and in fact, I may actually be in the market for some New Jersey real estate in the not-too-distant future.

What about that La-Z-Boy couple? They were a hoot!

Grade: 4.5 Heres out of 7 Everywheres

July 2024 Double Movie Review Special: One for Them, One for Me (Both for Me?)

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CREDIT: Colm Hogan/IFC Films and Shudder; Marvel Entertainment/Screenshot

Oddity

Starring: Gwilym Lee, Carolyn Bracken, Caroline Menton, Tadhg Murphy, Steve Wall

Director: Damian Mc Carthy

Running Time: 98 Minutes

Rating: R

Release Date: July 19, 2024 (Theaters)

Deadpool & Wolverine

Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew Macfadyen, Morena Baccarin, Rob Delaney, Leslie Uggams

Director: Shawn Levy

Running Time: 128 Minutes

Rating: R

Release Date: July 26, 2024 (Theaters)

I’m going to review the super-duper self-aware blockbuster Deadpool & Wolverine and the indie horror Oddity together right now. Isn’t that odd?! Maybe I’ll uncover some unexpected connection between them.

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This Is a Movie Review: ‘Bohemian Rhapsody’ is a Thoroughly Generic Music Biopic

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CREDIT: Alex Bailey/Twentieth Century Fox

This review was originally published on News Cult in October 2018.

Starring: Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Joseph Mazzello, Aidan Gillen, Tom Hollander, Allen Leech, Mike Myers, Aaron McCusker

Director: Bryan Singer*

Running Time: 134 Minutes

Rating: PG-13 for The Typical, Though Far From the Most Decadent, Rock Star Lifestyle

Release Date: November 2, 2018

About halfway through Bohemian Rhapsody, Mike Myers shows up as a record executive, and I am not sure if this casting was a good or bad idea. He’s got messy curls and patchwork facial hair that makes him look Will Ferrell as Gene Frenkel in the “More cowbell” sketch. He is adamant against Queen releasing the film’s namesake song as a single, certain that its nonsense lyrics and operatic structure will prevent it from ever being something that teenagers will bang their heads along to in the car (thus cheekily referencing the song’s most famous cinematic appearance). This scene is much more directly comedic than the rest of the film, offering an oddball flavor that could easily result in a tonal clash. The trouble is, the tone for just about every other scene can be summed up as “flavorless.” Myers’ committed character work might not truly belong, but it’s too hard to tell, because Bohemian Rhapsody is one of the most generic music biopics ever made.

On the one hand, there are plenty of cookie-cutter entries in this genre, but if anything could break the mold, one would think the story of Queen as directed by Bryan Singer and starring Rami Malek as one of the most electric rock stars of all time would have been a prime candidate. The problem might be with Singer himself, or his lack thereof. The X-Men and Usual Suspects director was failing to show up to set during production (some reports say it was due to a family health matter, while others noted that he was clashing with Malek), and he was replaced by Dexter Fletcher towards the end of principal photography (although per Directors Guild ruling, Singer retains sole directorial credit). The resulting product has an appropriately nameless visual aesthetic, with inexplicable shots of concert footage that rob the band of its dynamism. A few moments show off Singer’s signature kinetic flair (like the marathon recording of “Bohemian Rhapsody”), but overall this one has a real Alan Smithee feel to it.

If you love Queen, you can at least derive some enjoyment out of how thoroughly Malek conjures Freddie Mercury. And with a discography as eclectic and bombastic as Queen’s, it is impossible to not find at least a little positivity out of two hours jam-packed with their songs. But that deep musical lineup only underscores how much of a wasted opportunity Bohemian Rhapsody is.

Bohemian Rhapsody is Recommended If You Like: The Queen songbook

Grade: 2.5 out of 5 Galileo’s

*-Bryan Singer was replaced by Dexter Fletcher towards the end of principal photography, but Singer has retained sole directorial credit, in accordance with Directors Guild of America rules.