Edgar Wright and Glen Powell Team Up for a Blunt and Brisk Re-Do of ‘The Running Man’

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What if his name were Rudolph, though? (CREDIT: Paramount Pictures)

Starring: Glen Powell, Josh Brolin, Colman Domingo, William H. Macy, Lee Pace, Michael Cera, Emilia Jones, Daniel Ezra, Jayme Lawson, Sean Hayes, David Zayas, Katy O’Brian, Martin Herlihy, Karl Glusman

Director: Edgar Wright

Running Time: 133 Minutes

Rating: R for Officially Sanctioned Hardcore Violence and the Profanity That Tends to Accompany It

Release Date: November 14, 2025 (Theaters)

What’s It About?: It’s time for one of those dystopian futures where a select few are fabulously rich while everyone else scrapes and scrounges through daily desperation. Society is pretty much completely controlled by a TV network known simply as “The Network,” whose slate mostly consists of dangerous and demeaning game shows. The crown jewel of their lineup is The Running Man, in which a trio of contestants try to avoid being killed by either a group of professional hunters or ordinary citizens for 30 days in the hopes of winning a billion “New Dollars.” Nobody’s ever made it all the way to the very end, though Killian (Josh Brolin), the show’s producer, believes he may have just found a legitimate contender in the form of Ben Richards (Glen Powell). Ben initially insists that he would rather just make some quick bucks and then get home safely to his wife and sick young daughter. But fae is asking him to not only emerge victorious, but also spark a revolution. That is, unless of course The Network just fully manipulates the narrative to its own specifications.

What Made an Impression?: I’d Buy That for a New Dollar!: This Running Man is the second adaptation of the 1982 novel of the same name by Stephen King (under his pen name Richard Bachman), following the 1987 version starring Arnold Schwarzenegger. Interestingly enough, I wasn’t picking any of the typical King vibes (Save for a reference to Derry, Maine). Instead, this update directed by Edgar Wright feels more like a spiritual sequel to another 1987 movie: i.e., RoboCop. No wonder, as the dystopian-but-cool energy was strong in that era. And now I shall wrap up my initial point, as this paragraph has been a setup for me to say: I don’t want to live in a world in which The Running Man game show actually exists, though I do kind of want to live in the world where the MrBeast version exists.
That’s Ice Cold, Man: The official story propagated by The Network would have us believe that the Running Man contestants are unapologetically violent, depraved criminals, while their executors are true American criminals. But of course that’s a bunch of b.s., as Wright makes sure to show us the stark differences between Ben’s actual behavior and the Network’s fakery. I would like to tell you that the shameless lengths they go to are totally unrealistic, except that I’ve seen some of the propaganda perpetuated on my own TV by my own government. So I’ll instead say that these moments are occasionally a little too blunt for my taste, though I nevertheless appreciated the message.
Capitalism is Unavoidable: Occasionally The Running Man pulled me out of its invented reality with incursions by real life brands and stores. Yes indeed, there’s a lot of product placement in this movie, including a trip to a Shake Shack and a few other examples that I don’t remember specifically, but I can promise you that they were there. These moments are especially striking when juxtaposed with the fake products on display (like “Fun Twinks Cereal”) that feel more fitting in a fictional dystopia. I don’t know if this placement was a way to secure full financing for a perhaps risky blockbuster movie release, or if it was somehow part of the satire, or an attempted combination thereof. This is far from the most egregious example ever of this consumerist practice, but it did make me go “Hmm” much more than it made me go “You got ’em!”
One Last Hurrah: Before I conclude this review, I want to quickly say that overall, the cast is pretty commendable, especially Michael Cera, whose introduction is likely to catch you delightfully off-guard!

The Running Man is Recommended If You Lust For: The Golden Age of Dystopia

Grade: 3.5 Billion out of 5 Billion New Dollars

‘Sinners’ is a Hell of a Time at the Movies

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Sinners! (CREDIT: Warner Bros./Screenshot)

Starring: Michael B. Jordan, Miles Caton, Hailee Steinfeld, Wunmi Mosaku, Jack O’Connell, Jayme Lawson, Delroy Lindo, Omar Benson Miller, Li Jun Li, Yao, Lola Kirke, Helena Hu, Peter Dreimanis, Saul Williams, Andrene Ward-Hammond, David Maldonado, Buddy Guy

Director: Ryan Coogler

Running Time: 137 Minutes

Rating: R for Guns, Nightlife Vices, and Supernatural Mayhem

Release Date: April 18, 2025 (Theaters)

What’s It About?: The boys are back in town! Those boys in question are twin brothers Smoke (Michael B. Jordan) and Stack (also Jordan), while the town is in rural 1930s Mississippi. They were previously sojourning in Chicago, but now they’ve returned with millions in hand (quite possibly attained through criminal pursuits) and plans to open the hoppingest juke joint in town. Joining them in this venture are their cousin Sammie (Miles Caton), a budding blues guitarist virtuoso; Smoke’s old flame Annie (Wunmi Mosaku); Stack’s old flame Mary (Hailee Steinfeld); and seemingly everyone else they grew up with. Their dream quickly comes together, but lurking just outside are a few party crashers with a thirst for blood who are here to ensure that opening night will be even more unforgettable than anybody bargained for.

What Made an Impression?: Get Yourself Excited: A quick note before I really dig into the meat of this review: you all should know that I say this movie’s title with the same cadence that Superintendent Mario Chalmers refers to Principal Seymour Skinner on The Simpsons. (It’s also how I say the last name of a certain Italian tennis player.) That didn’t really affect my enjoyment one way or the other, but I do like to be transparent.
The Bloodiest Good Time: I’ll just go right ahead and get this off my chest: Sinners might just be my favorite vampire movie of all time! That’s not a huge huge surprise, as I’m not a major aficionado of Dracula and the like, so the bar wasn’t particularly high. But there are still plenty of fine examples that now must give up the throne. Perhaps you’re surprised to hear this, considering that the trailers play a little coy with the premise’s true nature. But that patient approach in which writer-director Ryan Coogler waits a little while to show off his full hand is a big reason why it’s so successful.
A Sense of Time and Place: Sinners nails every temptation that’s so tantalizingly cool about its era, but in a way that also makes you realize that America is and also has been like this. The outfits and diction might change, but working folks and the discriminated classes have always been trying to scheme and break free and find their families. There’s a lot more to what makes Sinners cook than that, but that’s a good starting point to let you know why it’s so exhilarating.
Play It Again: There’s a magnificent set piece about halfway through in which Sammie’s singing and strumming is so magical that it summons the spirits of multi-genre past and future musicians into the party. (That power is a big reason why those supernatural baddies have found their way here.) Speaking of music, the rest of the film is soundtracked by frequent Coogler collaborator Ludwig Göransson, who blends an intoxicating stew that both honors and transcends its Delta trappings.
It’s a Beaut!: Sinners‘ cinematographer is Autumn Durald Arkapaw, a name I’m not too familiar with, although she did shoot the second Black Panther and a few other flicks I’ve seen. But man oh man, she outdid herself here. Every frame just pops off the screen and irons itself into your brainstem. I’m sure costume designer Ruth E. Carter (another Coogler regular) appreciated the fine lens work, since it made it undeniably clear how her duds were in no way duds.
Get Comfy: Don’t bolt out of your seat after the credits start rolling, because there’s more to come! If Marvel blockbusters have you feeling cynical about mid-credits and post-credits scenes, well, forget all that, because Sinners offers a couple of codas that deliver a few new flavors while deepening everything that it’s all about.

Sinners is Recommended If You Like: Only Lovers Left Alive, the American blues songbook, BlacKkKlansman

Grade: 5 out of 5 Smokestacks

2-for-1 Movie Review: How to Paint a Pipeline

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CREDIT: IFC Films; NEON

How to Blow Up a Pipeline

Starring: Ariela Barer, Kristine Froseth, Lukas Gage, Forrest Goodluck, Sasha Lane, Jayme Lawson, Marcus Scribner, Jake Weary, Irene Bedard, Olive Jane Lorraine

Director: Daniel Goldhaber

Running Time: 100 Minutes

Rating: R for Nights of Debauchery Amidst the Activism

Release Date: April 7, 2023 (Theaters)

Paint

Starring: Owen Wilson, Michaela Watkins, Stephen Root, Wendi McLendon-Covey, Ciara Renée, Luisa Strus

Director: Brit McAdams

Running Time: 96 Minutes

Rating: PG-13 for Weird Sexiness and Pipe Smoking

Release Date: April 7, 2023 (Theaters)

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