‘One Life’ Review: Anthony Hopkins Plays One of the Most Notable Humanitarians of the 20th Century

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How to Live One Life (CREDIT: Bleecker Street)

Starring: Anthony Hopkins, Lena Olin, Johnny Flynn, Romola Garai, Alex Sharp, Marthe Keller, Jonathan Pryce, Helena Bonham Carter

Director: James Hawes

Running Time: 110 Minutes

Rating: PG for The Looming Threat of Nazism

Release Date: March 15, 2024 (Theaters)

What’s It About?: In 1988 England, Nicholas Winton (Anthony Hopkins) spends most of his days at home while his wife Grete (Lena Olin) insists that he clean up all the clutter in his office before their family comes over to visit. But there are some important documents in there, particularly records of the time he spent in Czechoslovakia right before World War II, during which he helped German and Austrian Jewish refugees secure passports to escape the clutches of the Nazis. One Life flashes back to that time in the life of the young Winton (Johnny Flynn), which ends all too abruptly. He’s haunted by those he couldn’t save, though he did manage to get more than 600 children to safety. For decades, his story remains untold, but once he starts sharing his records, it suddenly becomes clear how much of a difference he’s made in the world.

What Made an Impression?: The National Tidiness: You don’t feel a ton of urgency in the 1930s portion of One Life, despite the clear crisis at hand. Surely that can be chalked up to the reserved national character of England. Furthermore, there’s a sense that nobody knows who is responsible for these refugees. Winton’s connection to them is tenuous, but striking. His parents were German Jewish immigrants who changed their last names and converted to Christianity, but he still feels enough of a kinship to do something. And while he’s far from emotionless, that feels like more of a logical calculation than anything. In that same vein, while the job is obviously dangerous, the audience never quite feels that danger viscerally.
Small But Effective: But that small-scale suddenness is kind of the point. Winton surely would have liked to have been in Czechoslovakia longer, but it just wasn’t in the cards. If you asked him point blank, he probably would have apologized for saving too few souls. And while those 600 or so may pale in comparison to the millions who were killed in concentration camps, they’re not nothing. When Winton’s story gets out, he’s booked on the BBC current affairs program That’s Life, which he and Grete initially dismiss as a silly little show. But when he’s reunited with some of the now-grown survivors, he realizes the deep and lasting value of the life he’s lived.
Suddenly Overwhelming: One Life culminates by recreating a moment from the real Winton’s appearance on That’s Life, and the effect is profoundly overwhelming. If you don’t know the story, I won’t describe it too specifically, but let’s just say that Winton is given a gift in the form of a tangible representation of the impact of his humanitarian work. It reminded me of the transcendent ending of Places in the Heart, which features a reunion in a church that effectively dramatizes a vision of heaven on Earth. Like the man at its center, One Life is a mostly unassuming movie, with a sublime conclusion.

One Life is Recommended If You Like: Places in the Heart, Holocaust documentaries, British chat shows

Grade: 3.5 out of 5 Passports

This Is a Movie Review: The Man Who Killed Don Quixote

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CREDIT: Amazon Studios

As the movie with perhaps the most tortured backstory in the history of cinema, it is unsurprising that The Man Who Killed Don Quixote incorporates plenty of elements about the difficulty of mounting a massive production. Of course, as it revolves around a man who is convinced that he is actually Cervantes’ title adventurer after starring in an adaptation of the novel, it was always going to be somewhat meta. I don’t think Terry Gilliam taps into anything especially uniquely profound in this regard, but it does feel like he is facing the plain truth right in its face. I have made a few short films myself, and I have a brother and plenty of friends who have worked in film and TV, so I understand the instinct to incorporate what’s going in your life into the films you make. Thus, in the end, this whole quixotic endeavor feels oddly comforting to me.

I give The Man Who Killed Don Quixote A Hug and a Lullaby.

This Is a Movie Review: ‘The Man Who Invented Christmas’ Fails Utterly at Its Supposed Purpose, But is Somewhat Entertaining in Other Ways

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CREDIT: Kerry Brown/Bleecker Street

This review was originally posted on News Cult in November 2017.

Starring: Dan Stevens, Christopher Plummer, Jonathan Pryce, Simon Callow, Morfydd Clark, Anna Murphy

Director: Bharat Nalluri

Running Time: 104 Minutes

Rating: PG for Intense Childhood Poverty Memories

Release Date: November 22, 2017 (Limited)

Did you know that Charles Dickens is the man to thank for Christmas in its current form? I am sure that many of you are aware how his novel A Christmas Carol has had an outsize impact on yuletide-celebrating cultures, but apparently his influence goes so much further. It turns out that his tale of Ebenezer Scrooge singlehandedly changed December 25 from a recognized, but inconsequential blip on the calendar into the biggest day of the year. Or so The Man Who Invented Christmas would have us believe…

Here’s the thing, though: beside its title and epilogue, The Man Who Invented Christmas does essentially nothing to support its supposed thesis. When reviewing cinema, I ask, “What is this movie trying to be, and is it successful?” This is a distinct question from “What is the director (or any of the other filmmakers) trying to do?” because sometimes a great film can be made accidentally. (Cult favorite The Room is the perfect such example.) But when a movie states its purpose so directly and then completely fails to even attempt to live up to that purpose, it is hard not to get frustrated.

All that being said, it is not as if The Man Who Invented Christmas is an hour and a half of nothing happening. In fact, much of it is actually a fairly fascinating examination of the creative process. Dickens (a fleet-witted, buzzy Dan Stevens) promises his publishers that he can complete his new Christmas-themed book in a grueling six weeks in time for a holiday release. As he writes, he is visited by what appear to be actual physical manifestations of the characters he is currently conjuring up: the Cratchits, Jacob Marley, and of course, Ebenezer Scrooge (Christopher Plummer, quite naturally slotting into all that humbug).

The parts of this film that are essentially a two-hander between Stevens and Plummer (with a few supporting Carol-ers) work quite well, and I think I would have really liked it if that had been the whole movie. But there’s also a fair amount of business to do with Dickens’ tumultuous personal life, much of it regarding his destitute father John (Jonathan Pryce), whom Charles alternately regards as a leech and a kindly old man. There is enough complicated psychology here to render a more straightforward biopic that could be a tough but rewarding watch. But as these moments are mostly there just to provide context, they do not go much deeper than surface level.

The Man Who Invented Christmas is Recommended If You Like: A Christmas Carol completism, Anything with Dan Stevens and/or Christopher Plummer

Grade: 2.5 out of 5 Deadlines