‘Babylon’ is an Overlong, Overexcited Warping of ‘Singin’ in the Rain’

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Babble on! (CREDIT: Scott Garfield/Paramount Pictures)

Starring: Margot Robbie, Brad Pitt, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, Lukas Haas, Max Minghella, Samara Weaving, Olivia Wilde, Katherine Waterston, Flea, Jeff Garlin, Olivia Hamilton, P.J. Byrne, Rory Scovel, Eric Roberts, Tobey Maguire

Director: Damien Chazelle

Running Time: 188 Minutes

Rating: R for Bacchanalian Partying, Sudden Bloody Ends, and a Few Bumps of the Hard Stuff

Release Date: December 23, 2022 (Theaters)

What’s It About?: It’s the 1920s, and Hollywood is Big Business. And when they’re not making movies, it’s basically a non-stop party. But danger also lurks around every corner. With the talkie era looming, Nellie LaRoy (Margot Robbie) is ready to be a supernova, Jack Conrad (Brad Pitt) is hoping to stay relevant, trumpeter Sidney Palmer (Jovan Adepo) wants to be treated with respect, and dozens of other folks also have their skin in the game. There will be a rise! There will be a fall! There will be an epilogue! You know how it goes.

What Made an Impression?: If you’re thinking that this premise sounds a lot like Singin’ in the Rain, well, writer-director Damien Chazelle doesn’t make any effort to hide that influence. Babylon is essentially the answer to the question, “What if Singin’ in the Rain had ten more storylines and a hundred more exposed private parts?” If that sounds like overkill to you, I would advise you to trust your instincts. The jazz is great, though. Chazelle absolutely knows how to assemble a musical montage.

Babylon‘s next biggest influence, weirdly enough, appears to be the grossest of gross-out comedies in the vein of the Farrelly brothers, as mass quantities of bodily fluids spurt out unexpectedly in all directions on multiple occasions. Within the first five minutes, an elephant excretes what appears to be an entire week’s worth of its meals. A little later, the fanciest of fancy parties is ruined by a heaping helping of projectile vomit. Chazelle’s timing when it comes to yukking it up aren’t on quite the same level as his musical skills. I’m not sure if these moments are meant to be hilarious, tragic, or just plain matter-of-fact.

There are also a lot of deaths in Babylon, and most of them are given exactly zero seconds to investigate the consequences. I’m not surprised that movie set workplace safety wasn’t exactly a top priority a hundred years ago, but it can only work as a punchline so often in this sort of overstimulated movie. After a certain point, it’s just alarming without examining what happens afterward. Babylon is filled with inexplicable decisions, is what I’m trying to say.

Babylon is Recommended If You Like: Being Overstimulated

Grade: 2.5 out of 5 Parties

This Is a Movie Review: ‘Overlord’ is Evidence That the Nazi Mad Scientist Genre is Still Relevant

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CREDIT: Paramount Pictures

This review was originally published on News Cult in November 2018.

Starring: Jovan Adepo, Wyatt Russell, Mathilde Ollivier, John Magaro, Pilou Asbæk, Gianny Tauffer, Iain De Caestecker, Jacob Anderson, Bokeem Woodbine

Director: Julius Avery

Running Time: 110 Minutes

Rating: R for Soldier Profanity, War Violence, and Bloody Disturbing Mad Science

Release Date: November 9, 2018

It turns out that Nazism was never fully obliterated from the planet. Indeed, it’s 2018, and there are still people who are willing to self-identify as Nazis out in the open. So why shouldn’t there still be movies about evil Nazi doctors experimenting on people? They could even be set in the present day without straying too far from reality. Overlord, for one, is set during World War II, and the combat setting certainly cranks up the terror, but I cannot help but wonder if it would be even scarier if its characters stumbled upon a still-functioning Nazi mad science bunker in the 21st century.

What is striking about Overlord is its hybrid nature. This isn’t a war movie that turns into a monster movie once the experiments are stumbled upon. Instead, it remains very much a war movie even after the monsters start stalking around. The mission that sets off the action is an American paratrooper squad flying in to destroy a German radio tower in a church on the eve of D-Day. When they discover the experiments taking place within the church’s attic, they are steely enough to not be overwhelmed. They are freaked out, sure, but they still have to complete the mission. If they can manage to blow up the lab and save a little French boy while they’re at it, then all the better!

The experimentation consists of little more than inserting a serum into recently deceased soldiers, but things get really weird when the wounded-but-not-quite-dead start using it as well. The results of these injections manage to be so disturbing because they do not exactly heal any wounds but instead just bypass them. Supersoldiers are created, but they have gaping holes in their bodies and faces, not to mention the side effects of thoroughly oily skin and violently protruding bones. It is a credit to the main characters’ courageousness that they are able to behold affronts to nature and still plow forward with their mission. The message is therefore: the Nazis may be formidable, but we can still defeat them! Monsters exist, and we all need to be prepared

Overlord is Recommended If You Like: Classic mad scientist creature features, with maximum blood and guts and bones

Grade: 3.5 out of 5 Serums