‘Weapons’ and ‘Sketch’ Look Pretty Different on the Surface, But I’m Sure They Have Something in Common, So Let’s Figure That Out

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Sketch-ing out some ideas about Weapons (CREDIT: Warner Bros./Screenshot; Angel Studios/Screenshot)

Weapons

Starring: Julia Garner, Josh Brolin, Cary Christopher, Alden Ehrenreich, Amy Madigan, Austin Abrams, Benedict Wong, Toby Huss, June Diane Raphael, Whitmer Thomas, Callie Schuttera

Director: Zach Cregger

Running Time: 128 Minutes

Rating: R

Release Date: August 8, 2025 (Theaters)

Sketch

Starring: Tony Hale, Bianca Belle, Kue Lawrence, D’Arcy Carden, Kalon Cox

Director: Seth Worley

Running Time: 92 Minutes

Rating: PG

Release Date: August 8, 2025 (Theaters)

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‘Together’ We Can Take Our ‘First Steps’ (And Many More Steps to Come)

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July at the Picture House (CREDIT: Germain McMicking/NEON; Marvel Entertainment/Screenshot)

Together

Starring: Alison Brie, Dave Franco, Damon Herriman

Director: Michael Shanks

Running Time: 102 Minutes

Rating: R

Release Date: July 30, 2025 (Theaters)

The Fantastic Four: First Steps

Starring: Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn, Julia Garner, Ralph Ineson, Sarah Niles, Mark Gatiss, Paul Walter Hauser, Natasha Lyonne

Director: Matt Shakman

Running Time: 114 Minutes

Rating: PG-13

Release Date: July 25, 2025 (Theaters)

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I’ve Heard of the Wolf Man, But the Last Showgirl?

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Couple Goals? (CREDIT: Roadside Attractions; Nicola Dove/Universal Pictures)

Wolf Man

Starring: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger

Director: Leigh Whannell

Running Time: 103 Minutes

Rating: R

Release Date: January 17, 2025 (Theaters)

The Last Showgirl

Starring: Pamela Anderson, Dave Bautista, Jamie Lee Curtis, Kiernan Shipka, Brenda Song, Billie Lourd, Jason Schwartzman

Director: Gia Coppola

Running Time: 89 Minutes

Rating: R

Release Date: December 13, 2024 (Oscar Qualifying)/January 10, 2025 (Wide Theaters)

What’s going on, movie freaks?!😛Well, I’ll tell you what’s up with me: I saw a couple of movies this past weekend that most people probably don’t associate with each other, beyond the fact that they’re both currently playing in theaters. Interestingly enough, they also both feature (opposite) gendered language in their titles.

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‘The Royal Hotel’ Shows What It Takes to Survive in the Outback

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Will they ever be Royals? (CREDIT: Neon/Screenshot)

Starring: Julia Garner, Jessica Henwick, Hugo Weaving, Toby Wallace, Ursula Yovich, Daniel Henshall, James Frecheville

Director: Kitty Green

Running Time: 91 Minutes

Rating: R for Maximum Drunken Boorishness

Release Date: October 6, 2023 (Theaters)

What’s It About?: If there’s one major lesson to be learned from The Royal Hotel, it’s that planning ahead is essential. Hanna (Julia Garner) and Liv (Jessica Henwick) would certainly agree after everything they go through. They’re vacationing in Australia, but then the cash runs out and they need to find a job. Alas, the only gig they can land on such short notice is bartending at the titular watering hole, which is located in the remotest part of the Outback. The owner (an unrecognizable Hugo Weaving) is an alcoholic nightmare, while the patrons have a bit too much of a knack for misogyny and violence. The girls do have at least one ally in the form of Carol (Ursula Yovich), the bar’s gruff second-in-command. But it soon becomes clear that they really only have themselves to rely on if they want to make it out of this place alive.

What Made an Impression?: A Descent Into Hell: The realism of The Royal Hotel can lull you into a false sense of security. The joint isn’t exactly inviting, or even really pleasant at all. But if you’re working there, it feels like any old awful job that you just have to survive, and at least Hanna and Liv can count on a preordained end point. But they’re like those proverbial frogs in burning water. Because soon enough, the folks who seemed friendly have revealed their Hyde-like alter egos, while the run-of-the-mill jerks have turned into psychopaths, and everyone genuinely on their side has disappeared. The normal rules of society don’t apply in a place this isolated. Nothing particularly supernatural happens, but it’s like a waking nightmare that feels like it couldn’t possibly be real when you reckon with it after the fact.
Killer Ending: Downbeat thrillers like this one can be a tough sell if you’re someone who likes to have fun when you go to the movies. I was certainly prepared to leave The Royal Hotel with a pit in my stomach, especially since Kitty Green and Julia Garner’s last collaboration didn’t exactly offer much in the way of relief. But this time around, they opt for a much more cathartic conclusion. It’s outrageous in its own way, and fittingly so considering the taste of hell that the leads have to swallow. The last line is one for the ages, and if you check into The Royal Hotel, chances are you’ll be pumping your fist or raising a toast in solidarity on the way out.

The Royal Hotel is Recommended If You Like: Thelma and Louise, That one GIF from Waiting to Exhale, Discovering resilience that you never knew you had

Grade: 4 out of 5 Broken Glasses

‘The Assistant’ Presents the Banality That Goes Hand-in-Hand with Toxic Abuse

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CREDIT: Ty Johnson/Bleecker Street

Starring: Julia Garner, Noah Robbins, Jon Orsini, Kristine Froseth, Matthew Macfadyen

Director: Kitty Green

Running Time: 85 Minutes

Rating: R for Some Profanity and Implications of So Much Worse

Release Date: January 31, 2020 (Limited)

The Assistant is five minutes short of an hour and a half, and yet is still somehow the most patience-testing movie I have seen in quite some time. I am not sure if I mean that as a criticism or an acknowledgement of a challenge. Every last frame features the drudgery of office work at a film production company. The subtext of a major scandal rotting within is ever-present to the point that it is practically text, but it never comes to the fore. There is one sequence when titular assistant Jane (Julia Garner) attempts to uncover the truth (or some piece of it) by speaking to an HR representative (Matthew Macfadyen), who grinds away at her spirit and convinces her to not throw away the supposedly wonderful opportunity she’s been given by blabbing about something she knows nothing about. But otherwise, she experiences rather mundane workday stressors: a paper jam here, a paper cut there, a botched lunch order here, a missing note in a finance report there. All that isn’t anywhere near enjoyable to watch, even if you support the larger social purpose that this movie can (hopefully) serve.

And yet, as frustrated as I was while watching The Assistant and immediately after, in the days since, my default feelings have become more uniformly positive. Those little details that in the moment felt so pointless now seem like an important part of creating a full picture for generating empathy. The head of the company is never seen, barely heard, and only ever referred to as “he,” but to anyone who has been paying attention to the headlines the past few years, it is clear that he is based on Harvey Weinstein. With that in mind, The Assistant is like an anthropological presentation on what it is like to work day in and day out for a boss who’s a serial abuser. (And in fact, writer-director Kitty Green spent a year researching the subject to create as fully accurate a picture as possible.) To understand how such a dehumanizing culture can flourish, you need to get inside it, and The Assistant places us right in the middle.

The Assistant is Recommended: Even if it sounds like a painful experience

Grade: 3.5 out of 5 Stressors