Wow, ‘The Green Knight’ Sure Might Knock Your Head Loose

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The Green Knight (CREDIT: Eric Zachanowich/A24)

Starring: Dev Patel, Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, Kate Dickie, Barry Keoghan, Ralph Ineson, Erin Kellyman

Director: David Lowery

Running Time: 130 Minutes

Rating: R for Violence and a Little Bit of Sex Within a Fantastical Swirl

Release Date: July 30, 2021 (Theaters)

My experience of watching The Green Knight was just moment after moment that had me going, “I was not expecting THAT.” It starts off pretty quickly that way: Sir Gawain (Dev Patel) beheads the Green Knight (Ralph Ineson), but the Green Knight keeps right on talking. I don’t know what I was expecting, but it wasn’t that. If you’re familiar with the source material, this inciting incident won’t be surprising at all, but for the rest of us, it won’t exactly feel telegraphed. Then there’s the fact that this tale takes place around Christmas, which certainly surprised me as well. Although perhaps it shouldn’t have, considering that “green” is in the title and much of the poster is bright red. But other than that, this movie doesn’t feel very Christmas-y. Though I suppose that centuries ago the holiday was celebrated differently. (“Why not have a release date in December instead of July?,” I wonder out loud.)

The poem Sir Gawain and the Green Knight sits at a weird place in terms of cultural recognizability. It’s part of Arthurian legend, which is among the most enduringly popular mythologies in the English language. But this particular tale isn’t typically told in the most well-known adaptations. If you’re a fan of the likes of Camelot, The Sword in the Stone, or Monty Python and the Holy Grail, you might be familiar with the name “Gawain,” but his encounter with a tricky tree-man hybrid could be totally undiscovered. It’s a trip to first encounter it via David Lowery’s highly stylized and uncompromising vision.

I’m willing to bet my sword that anyone who has read Sir Gawain and the Green Knight before seeing this movie also found themselves saying multiple times, “I was not expecting THAT.” (But they would have been saying it while reading.) There’s no way in Camelot that Lowery can take all the credit for every fantastical twist of gamesmanship and illogic. What is the Green Knight’s deal anyway? When he gets beheaded, he insists that Gawain must come find him one year hence to meet a similar fate. Is this a test of honor, and if so, how? I was not expecting that much confusion.

But it kept coming! Was Alicia Vikander playing two different characters? She must have been, as her personalities were so vastly different. I was not expecting such vagueness with her identity. Nor was I expecting an up-close shot of a very intimate moment. The mature themes and capriciousness in a medieval fantasy aren’t surprises in and of themselves, but their presentation in this version were a lot more surreal than I was prepared for. I’m still processing what I’ve witnessed, and I’m not sure that process will ever be complete, but I appreciate the singularity of the vision.

The Green Knight is Recommended If You Like: Embracing the weirdest and most inscrutable elements of mythology

Grade: 3.5 out of 5 Beheadings

This Is a Movie Review: Prevenge

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This review was originally published on News Cult in March 2017.

Starring: Alice Lowe, Gemma Whelan, Kate Dickie, Jo Hartley

Director: Alice Lowe

Running Time: 88 Minutes

Rating: Not Rated, But Note That It Has Plentiful Gleeful Stabbings

Release Date: March 24, 2017 (Limited)/Also Streaming on Shudder

From writer-director-star Alice Lowe, Prevenge follows Ruth (Lowe), a pregnant woman hunting down one-by-one those who have done her wrong. If you are into seeking out uncompromising horror films off the beaten path, then you know what you are in store for. Prevenge is all about forcefully setting the world aright with a feminist edge, in the vein of Teeth’s dark coming-of-age or The Loved Ones’ prom-gone-very-wrong. Lowe’s entry is an especially principled addition to the genre. There are so many ways that pregnancy can drain away independence, and Ruth’s experience very much leans into all of them. Sometimes supposedly following the kill commands of your unborn child is the only thing to hold on to when seeking anything resembling sense.

The other major piece of catnip for horror hounds here is the synth-heavy score, placing Prevenge in the long line of John Carpenter’s descendants. It is not so much the sounds themselves that stand out, but the way they are played: a particular phrase comes on multiple times and stops without warning. It lends a sense of the same terror being repeated over and over in a sort of Möbius strip. Ruth’s whole world is on edge, and there is no indication that will change after she accomplishes her goal or reaches her due date.

Prevenge is Recommended If You LikeThe Loved OnesTeeth, John Carpenter’s Scores

Grade: 3.5 out of 5 Unwelcome Drunken Kisses

This Is a Movie Review: The Witch

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The climax of The Witch is a lot like that of The Crucible, in which rampant paranoia fatally tears apart a New England colonial community. But in this case, there unequivocally is an actual witch. And it is perhaps even more tragic because the community is just a single nuclear family. With parent turning against child, and sibling targeting sibling, the witch almost feels superfluous. The extent of her powers suggests that she could wipe out the whole family in one fell swoop if she wanted to. However, there is also a hint that she must take advantage of familial betrayal to get herself into fighting shape. But perhaps the witch, like the audience watching her, loves a good horror film, and the 17th century equivalent of that is a tree-side view of the gradual dissolution of foolhardy settlers. In that sense her taste is beautifully freaky, with plenty of unforgettable moments (creepy twins relentlessly chanting about their prize goat, a raven pecking at a bloody breast, a cow’s udder squirting blood) proving to be fun for everyone!