In ‘Landscape with Invisible Hand,’ the Alien and Human Cultures Clash and Collaborate

August 16, 2023

jmunney Cinema, Movie Reviews , , , , , , , , 1 Comment

Which hand is invisible? (CREDIT: Lynsey Weatherspoon/ Metro-Goldwyn-Mayer Pictures)

Starring: Asante Blackk, Kylie Rogers, Tiffany Haddish, Josh Hamilton, Brooklyn MacKinzie, Michael Gandolfini, William Jackson Harper

Director: Cordy Finley

Running Time: 105 Minutes

Rating: R for Some Harsh Language Apparently (This Should Absolutely Be PG-13)

Release Date: August 18, 2023 (Theaters)

What’s It About?: The extraterrestrials have arrived! And they’ve completely transformed society. The aliens of Landscape with Invisible Hand are crustacean-esque creatures known as the Vuvv who like to claim that they’ve instituted a sort of utopia. But really, it’s just their own version of exploitative capitalism. A few humans make out like gangbusters by ingratiating themselves into Vuvv culture, while the majority of Earth’s population struggle to deal. both financially and ethically. Among the hustlers are teenage visual artist Adam Campbell (Asante Blackk), his mom Beth (Tiffany Haddish), and sister Natalie (Brooklyn MacKinzie). At least they still have a roof over their head, which is more than can be said for his classmate Chloe (Kylie Rogers). Sparks immediately fly between the two of them, and he fancies himself a Good Samaritan, so he invites her and her dad (Josh Hamilton) and brother (Michael Gandolfini) to stay at his house until they can find something steady. But this arrangement soon turns awkward, and it only gets weirder once the Vuvv become closely involved.

What Made an Impression?: Getting On to Get On: Landscape with Invisible Hand is a bit of a postmodern alien visitation flick, insofar as the Vuvv are students of Earth culture. They’re mostly fans of classic domestic sitcoms, since they reproduce asexually and concepts like romantic and familial love are generally foreign to them. But you also get the sense that they’re familiar with conquering cinematic ETs and that they’re making a concerted effort to present themselves as a benevolent alternative. But we’ve already heard this story before in Earth history: it’s called colonization.
Even if you recognize the holes in the Vuvv’s telling, this is the new status quo, and there’s only the merest hints of revolution. So in the meantime, pretty much everyone is forced to confront how much of their integrity they’re willing to compromise to get by. And so, we meet a neurosurgeon who gives up his practice for the much more menial and wholly unnecessary – but also much more lucrative – job of Vuvv driver. Plenty of others are forced to sell their own intimacy. Adam and Chloe hit upon a quick moneymaking scheme by broadcasting their budding relationship to the Vuvv, who are fascinated by the rituals of human courtship. And one Vuvv even “marries” Beth so that he can experience what it’s like to be a human father. If this sounds like modern social media and reality TV stardom, you’re not too far off.
You’ll Know ‘Em When You Hear ‘Em: LwIH harkens back to classic mid-century sci-fi with its theremin-heavy score from Michael Abels. It suggests a woozy promise of the future that rings profoundly false. Sure, there are spaceships hanging up in the sky, but most people are stuck on the ground eating faux-meat blocks. That care to the aural design extends to the idiosyncratic sound effects. The Vuvv’s language is communicated by rubbing their fin-like appendages to create an alphabet that resembles scratching sandpaper and scraping pencils. It presents a mundane, but also unforgettable, reshaping of how to perceive the universe.
The Colors Endure: And finally, I would be remiss not to mention the element that lends this movie its title, as we’re treated to a series of shots of Adam’s artwork over the years. He’s been painting and drawing ever since he was a toddler, resulting in a signature, often watercolor-based expressive style. Eventually, his most ambitious project to date captures the attention of a prominent Vuvv art critic, who offers Adam a lucrative position as a human artist-in-residence. There’s a lot thematically in play in Landscape with Invisible Hand, and it handles this conflict of creativity vs. commerce as deftly as everything else.

Landscape with Invisible Hand is Recommended If You Like: Classic sci-fi, Modern social media, YA novels

Grade: 4 out of 5 Vuvvs

‘Beau Is Afraid,’ But Maybe He’ll Be Less Afraid If You Go See His Movie

April 14, 2023

jmunney Cinema, Movie Reviews , , , , , , , , , , , , , 3 Comments

Beau Afraid, Beau Very Afraid (CREDIT: Takashi Seida/A24)

Starring: Joaquin Phoenix, Zoe Lister-Jones, Nathan Lane, Amy Ryan, Patti LuPone, Richard Kind, Parker Posey, Kylie Rogers, Denis Ménochet, Stephen McKinley Henderson, Hayley Squires, Armen Nahapetian

Director: Ari Aster

Running Time: 179 Minutes

Rating: R for Sex, Naked Stabbings, Giant Testicles, Peer Pressure, and Just an All-Around Disturbing Odyssey

Release Date: April 14, 2023(New York and L.A. Theaters)/Expands April 21

What’s It About?: Beau Wasserman (Joaquin Phoenix) is just trying to get home to visit his mom Mona (Zoe Lister-Jones in flashbacks, Patti LuPone in the present day). He’s really, really trying to! But you wouldn’t believe the obstacles in his way! She’s skeptical that he’s making the most honest effort, but we get to see what he has to deal with. He lives in the most outrageously dangerous part of town, which leads to his apartment being broken into and then epically destroyed. Then a series of comically violent misunderstandings concludes with him being plowed down in traffic. Luckily, the people who hit him are a seemingly lovely couple (Amy Ryan, Nathan Lane) who take him into their home while he’s healing. Not so luckily, their teenage daughter (Kylie Rogers) is an absolute nightmare, and their late son’s Army buddy (Denis Ménochet) is seriously disturbed. Beau eventually breaks free enough to go on a spiritual journey of sorts and eventually arrive at his childhood home. But will it be too late for him to get his mother to confess what really happened between them when he was growing up?

What Made an Impression?: When dealing with a 3-hour movie like Beau Is Afraid, we all of course want to know: is it possible to make it through the whole thing without nodding off or losing patience? I can confidently say that writer-director Ari Aster and his totally game cast held my attention the whole time, though your results may vary. There are gonzo left turns around every corner, which some might find profoundly exhausting. But if you can get on the right wavelength, it’ll be quite fulfilling and invigorating.

The whole film dances on the precipice between real and surreal. Just when I think I can come up with a logical explanation for how this could all possibly happen, suddenly a giant phallic monster shows up. It’s biblical, I must say. This might as well have been called Ari Aster’s Old Testament.

I think the skeleton key might lie in the opening scene, as Beau meets with his therapist (Stephen McKinley Henderson) and gets a new, somewhat dangerous prescription. Everything that follows might be a trip through Beau’s subconscious, and not exactly of the most ethical variety. The doc may very well be in cahoots with Mona, and they may have cooked up a fantastical scheme to test Beau’s love. I hope that this isn’t a metaphor for Aster’s relationship with his own mother, but if it is, I pray that it can serve as an opening for them to heal their own wounds. (And that same sentiment holds true for anyone who’s had a rough relationship with a parent!)

Beau Is Afraid is Recommended If You Like: The Game, The Book of Job

Grade: 4 out of 5 Guilt Trips