Treat Your ‘Companion’ Right

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The Face of Companionship (CREDIT: Warner Bros. Pictures/Screenshot)

Starring: Sophie Thatcher, Jack Quaid, Lukas Gage, Megan Suri, Harvey Guillén, Rupert Friend

Director: Drew Hancock

Running Time: 97 Minutes

Rating: R

Release Date: January 31, 2025 (Theaters)

We all need a companion (or several), but what if our real-life companions were like the companions in the 2025 movie Companion? Alternatively, what if we were the companions? I suspect the world would have a lot more empathy if everybody had to spend at least a year working a companion job. (I’m playing a little coy in this review in an effort to avoid spoilers.) Anyway, now that I’ve seen Companion, I promise to follow best practices in how I treat my companions. I hope I was doing this adequately already, but now I’ll make sure to audit myself.

Grade: 12 Mods out of 15 Warranties

‘Smile 2’ Repeats the Hits While Also Going on Hallucinatory Overdrive

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TFW you’re not smiling… (CREDIT: Paramount Pictures)

Starring: Naomi Scott, Rosemarie DeWitt, Lukas Gage, Miles Gutierrez-Riley, Peter Jacobson, Ray Nicholson, Dylan Gelula, Raúl Castillo, Kyle Gallner, and Drew Barrymore as Herself

Director: Parker Finn

Running Time: 127 Minutes

Rating: R for Disturbingly Creative Self-Mutilation, Some White Powder, and a Lot of F-Bombs

Release Date: October 18, 2024 (Theaters)

What’s It About?: The cursed entity from the first Smile is back at it again! Its latest victim is pop star Skye Riley (Naomi Scott), who’s about to embark on a world tour one year after being seriously injured in a car accident that killed a dear friend. She’s mostly recovered, but she still has some gnarly scars and terrible back pain. Alas, nobody will prescribe her anything stronger than over-the-counter painkillers, thanks to her history of substance abuse. So she turns to an old classmate (Lukas Gage) for some Vicodin, but as luck would have it, he’s under the sway of the Smile Demon, and his sudden graphic demise passes it onto her. Soon enough, she’s seeing the creepy upturned lips among her fans, handlers, and most traumatic memories. Her demise feels as inevitable as that of everyone else who’s been infected, although a mysterious stranger might have some ideas about how to break the curse.

What Made an Impression?: Curses Are Gross: When I looked up my take on the original Smile, I recalled how frustrating I found that initial go-round due to the profound inability of the main characters to fight against the evil. With Parker Finn returning as writer and director, the sequel doesn’t do much to deviate from the already well-established formula. Like Sosie Bacon’s overworked therapist in the original, Skye is too psychologically vulnerable to fight back in any meaningful way (although the dynamism of a showbiz career does allow for a little more chaos). But a shot in the arm to mix things up does arrive in the form of Dylan Gelula as Skye’s estranged best friend Gemma. Ever since her breakout performance on Unbreakable Kimmy Schmidt, she’s been a reliable avatar of disaffected youth, which allows her to convincingly react to the horrors that Skye is going through with lines like, “Ew, oh my god, what?” Sometimes evil just needs to be called out for being lame and disgusting.
Symphony of Blood: Horror movies can be satisfying whether or not the monster is defeated at the end. But it’s hard to remain engaged if evil’s triumph feels inevitable. Smile 2 proposes a solution that could potentially end the Smile Demon, though it also resorts to a series of fakeouts that dash any sense of hope. That’s not exactly a problem, as the hallucinations are consistently tantalizing. On the other hand, at a certain point you can’t help but wonder: is anything that Skye experiences after being possessed real in any way? While it might be nice to have a little more clarity on that point, Finn papers over that concern with a more playful and daring approach than he utilized before, with disorienting upside-down cityscape shots and a bravura final set piece that may not conclude every plot point but does wrap things up emotionally with quite a bit of finesse. He’s an orchestra conductor directing his mayhem with devilishly perfected timing. The final note will leave you screaming, in pain and/or excitement, about the possibility of this story never ending.

Smile 2 is Recommended If You Liked: The First Smile But Thought It Should’ve Been More Like Beyond the Lights

Grade: 3.5 out of 5 Donut Weights

2-for-1 Movie Review: How to Paint a Pipeline

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CREDIT: IFC Films; NEON

How to Blow Up a Pipeline

Starring: Ariela Barer, Kristine Froseth, Lukas Gage, Forrest Goodluck, Sasha Lane, Jayme Lawson, Marcus Scribner, Jake Weary, Irene Bedard, Olive Jane Lorraine

Director: Daniel Goldhaber

Running Time: 100 Minutes

Rating: R for Nights of Debauchery Amidst the Activism

Release Date: April 7, 2023 (Theaters)

Paint

Starring: Owen Wilson, Michaela Watkins, Stephen Root, Wendi McLendon-Covey, Ciara Renée, Luisa Strus

Director: Brit McAdams

Running Time: 96 Minutes

Rating: PG-13 for Weird Sexiness and Pipe Smoking

Release Date: April 7, 2023 (Theaters)

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‘The Way Back’ Allows Ben Affleck to Meet His Fate as a Washed-Up High School Basketball Coach

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CREDIT: Warner Bros.

Starring: Ben Affleck, Al Madrigal, Janina Gavankar, Michaela Watkins, Brandon Wilson, Lukas Gage, Melvin Gregg

Director: Gavin O’Connor

Running Time: 108 Minutes

Rating: R for Basketball Coaches and Players Struggling to Adhere to a Catholic School Code of Conduct

Release Date: March 6, 2020

Ben Affleck is now at the point in his career where he can play a washed-up, middle-aged high school basketball coach and it is the most natural thing in the world. Honestly, his lead role in The Way Back feels like what he was destined for his whole career. Chip-on-his-shoulder energy has always been a major part of his persona, and now he’s at the age at which it fits most comfortably. He’s taken plenty of lumps, and he’s retreated a bit, but he’s got some loved ones who want him to get back in the game and give it another go. The character of Jack Cunningham is basically the Sad Affleck meme writ large with an even more tragic backstory. He was once the most heralded high school basketball player in the state, but now he spends most of his days in a drunken haze, with his refrigerator stocked entirely with rows of (neatly arranged) beer cans. But then he’s offered the suddenly vacant head coaching job at Bishop Hayes, his Catholic alma mater, and he’s finally motivated to do something he cares about besides wallow around in his misery.

The current state of the Bishop Hayes team is a sick joke compared to what it was in Jack’s heyday. Back then, about a hundred guys tried out for the team, but now, they need to pull up a few guys from the junior varsity squad to even be able to have ten players to run a practice. They’re not without some bright spots, but they’re undersized and outclassed by most of their opponents. They lose their first game with Jack coaching by an unceremonious 36 points, and at that point, it is not clear if this movie will actually be an inspirational story in which they turn it around and start winning. Frankly, it might start to strain credulity a bit too much if they do start challenging for a championship. But The Way Back gratifies viewers who know how basketball works by demonstrating how opportunities open up when you can get past the intimidation factor. Bishop Hayes does indeed start winning, pulling off upsets against ostensibly more talented teams with pressure-filled defense that neutralizes their opponents’ strongest players and by operating offenses that amplify their own strengths. So when that last-second shot in the big game does go through the hoop, the triumph feels legitimate.

But just as The Way Back looks like it is going to wrap up like any other inspirational sports drama, it follows a different, messier strain. Getting back into the game has helped Jack come a long way with his personal rehabilitation, but it hasn’t really addressed what’s eating away at his soul. He and his ex-wife (Janina Gavankar) share a deep trauma that he’s nowhere near close to getting over. At a crucial moment, he says, “I never stopped being angry,” and that’s clear enough in every frame without him saying it, but it’s nonetheless powerful to hear it said. The Way Back packs a lot of redemption into an hour and fifty minutes, and I do wonder if these turnarounds will be permanent based on the work we get to see. But the raw, vulnerable energy on display is a blessing to witness.

After one game filled with some profanity-laced tirades, the team’s chaplain gently reminds Jack of the school’s code of conduct, to which Jack replies, considering all the terrible things in this world, does God really give a (not-safe-for-work four-letter word) what he and the boys say? That’s the crux of the matter, that in fact it really does matter how we personally conduct ourselves despite everything awful we’ve been through, and it’s undeniably affecting to witness our fellow humans opening themselves up to that challenge.

The Way Back is Recommended If You Like: Hoosiers, Redemption, Smart coaching

Grade: 3.5 out of 5 Comebacks