‘Kinds of Kindness’ is Kind of Out There

2 Comments

What a racket! (CREDIT: Searchlight Pictures)

Starring: Jesse Plemons, Emma Stone, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, Hunter Schafer, Yorgos Stefanakos, Merah Benoit

Director: Yorgos Lanthimos

Running Time: 165 Minutes

Rating: R for Sexual Nudity, Ritual Nudity, Limb Removal, Petty Animal Cruelty, Etc.

Release Date: June 21, 2024 (Theaters)

What’s It About?: A man tries to break free from the grasp of the controlling boss who micromanages his entire life. Another man who looks just like that man suspects that the woman claiming to be his wife returning from a disappearance isn’t who she claims to be. Members of a cultish group are on a quest to find someone with the power of resurrection. It’s an anthology! And it’s called Kinds of Kindness, but I sure didn’t detect a whole lot of kindness in these vignettes. Maybe writer/director Yorgos Lanthimos and his co-writer Efthimis Filippou have a different conception of what that word means. Anyway, this movie is a real head-scratcher, in the sense that it produces the same sensation as sticking your finger up your nose and poking around in your brain tissue.

What Made an Impression?: O R.M.F., Where Art Thou?: Most of the main Kinds of Kindness cast members have a role in each of the three segments. Their respective roles have vaguely similar personalities, though it’s not clear if that’s how they were directed or if it just happens to be that way because they’re played by the same actors. If you squint, you can probably pick up on some Cloud Atlas vibes in the sense of the same souls existing within different beings. But since each Kinds of Kindness segment appears to take place in the present day, it comes across more as just alternative realities or hypothetical do-overs. The one constant is a guy known only by the initials “R.M.F.,” who serves as the namesake for each chapter despite not doing much of anything. Although, in the last part, entitled “R.M.F. Eats a Sandwich,” he does indeed eat a sandwich, so at least one promise is kept.
In the Mood for Vexation: Good movies often teach you how to watch them, but Kinds of Kindness seems intent on doing just the opposite. That doesn’t make it a bad movie per se, but if you don’t want to get frustrated, then you’ll have to adjust your calibrations and accept that you will almost certainly get frustrated. After releasing the most accessible film of his career last year in the form of Poor Things, Lanthimos has returned to the more impenetrable territory of The Lobster and The Killing of a Sacred Deer. (I haven’t seen his earlier Greek-language flicks, but they have a similar reputation.) I wasn’t expecting a satisfying ending, and I did not get a satisfying ending. I wasn’t expecting a legible message, and I did not get a legible message. There were moments here and there that brought a smile to my face (particularly a world run by dogs set to the tune of Dio’s heavy metal banger “Rainbow in the Dark”), but otherwise, this was a, shall we say, vacation into a land that claims to be speak the languages of English and cinema, and yet it’s not any form of communication that I recognize.

Kinds of Kindness is Recommended If You Like: Constantly opening one of those fake cans of nuts that’s actually a prank snake even though you know it’s going to be the snake every time

Grade: 3.5 out of 5 Changelings

I’m Feeling ‘Elemental’

Leave a comment

Like Water for Fire (CREDIT: Pixar/Screenshot)

Starring: Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McClendon-Covey, Catherine O’Hara

Director: Peter Sohn

Running Time: 109 Minutes

Rating: PG

Release Date: June 16, 2023 (Theaters)

For someone who often reviews movies by asking, “Do I want to be/do what’s in the movie?,” Elemental is a dream come true! A love story between a Fire Person and a Water Creature? Yes, please! Personally, I always feel like I’ve got flames and waterfalls swirling around inside myself. So maybe what I really want is a love story between two fire-water hybrids? In the meantime, though, this works perfectly well enough.

P.S.: Fern Joe Pera talks with us about bureaucracy.

Grade: 4 Conflagrations out of 5 Cascades/4 Monsoons out of 5 Blazes

‘Jurassic World: Dominion’ Takes it Worldwide

1 Comment

Jurassic World Dominion (CREDIT: John Wilson/Universal Pictures and Amblin Entertainment)

Starring: Chris Pratt, Bryce Dallas Howard, Laura Dern, Jeff Goldblum, Sam Neill, DeWanda Wise, Mamoudou Athie, BD Wong, Omar Sy, Isabella Sermon, Campbell Scott, Justice Smith

Director: Colin Trevorrow

Running Time: 146 Minutes

Rating: PG-13 for Intense Dino Chomps

Release Date: June 10, 2022

What would happen if dinosaurs came back to life and then spread out all over the world? Dr. Ian Malcolm would crack jokes about it, you can be sure of that! Of course, that’s what always happens whenever Jeff Goldblum is in a Jurassic Park/World movie, even when the dino habitat is more contained. And that really illuminates how Dominion is just like any other movie in this series. It contains all the typical narrow escapes from T-Rexes and velociraptors, just with some Indiana Jones-style globetrotting thrown in. There’s at least a hint at first that things will be different this time around, as an opening news report seems to indicate that we’re in store for a probing examination about the global consequences of Arrogant Science Run Amok. But instead we mostly get everyone chasing after a MacGuffin. That’s understandable, because the MacGuffin is also one of the main characters. But still, the appeal of Dominion can be boiled down to: A Bigger Scale, But Also Everything is the Same.

More

‘Underwater’ Delivers Deep-Sea Monsters, While Merely Hinting at Something More Insidious

Leave a comment

CREDIT: Alan Markfield/Twentieth Century Fox

Starring: Kristen Stewart, Vincent Cassel, T.J. Miller, Mamoudou Athie, Jessica Henwick, John Gallagher Jr.

Director: William Eubank

Running Time: 95 Minutes

Rating: PG-13 for Attacks On and From Sci-Fi Horror Monsters

Release Date: January 10, 2020

The opening of Underwater promises intense pressure and pitch black scenarios, but honestly? It could’ve had even more pressure and been even more pitch black. That’s not to say that those prone to extreme claustrophobia should give this one a chance. It is, after all, about deep-sea researchers who have to walk to safety across the ocean floor after their vessel becomes damaged by an apparent earthquake. But it’s almost a little too bright, a little too out in the open. The creepy-crawlies that turn out to be lurking in their path are effectively monstrous, but the point of escape appears clearly within reach such that I was never fully worried. Maybe not everyone would make it through alive, but surely some of them would. The ingenuity and grit devised for getting around the beasts are fairly satisfying, but I found myself craving, or at least anticipating, more danger and mystery.

Going right along with the vibe of shining more light than expected, both the opening and end credits inform us that this misadventure will remain very much classified when all is said and done. But the thing is, we’re seeing the classified story. This whole movie is a peak behind the redaction! So why let us know that there is a cover-up when we’re already within the covers? Perhaps there is meant to be an implication, in thoroughly true blue X-Files spirit, that in the real world there are actually terrors in the deep running amok that most folks have no idea about because certain people have decided we’re not supposed to know about any of that. Alas, all that conspiracy flavor is merely the thinnest spread of icing. But by golly, if you’re going to tease us about what your monster is really all about, then please follow through with it.

Underwater is Recommended If You Like: Overlord, Godzilla: King of the Monsters, The X-Files but compressed

Grade: 2.5 out of 5 Stuff Bunnies

This Is a Movie Review: The Front Runner

Leave a comment

CREDIT: Frank Masi/Sony Pictures

The Front Runner raises a lot of valid points about the propriety, or lack thereof, of prying into politicians’ personal lives, but it is liable to leave you more confused than ever, even if you have strong opinions about all the issues it raises. As the narrative goes, the coverage of Gary Hart’s supposed indiscretions during the 1988 Democratic primary completely derailed his campaign and led to the overall coarsening of the political media landscape that we have today. That may be an accurate narrative, but is it a bad thing that we know more about the personal lives of those who govern us? The fact that it all remained secret for so long is one reason why powerful people have gotten away with terrible behavior.

But as for how it affected Gary Hart specifically, did he deserve what happened to him? The way the movie presents it, it seems like he had been unfaithful in his marriage, but not necessarily in this case. And the Miami Herald, which originally reported on the story, did not appear to do their duest diligence to verify their implications. At least I can unequivocally say it is a good thing that Donna Rice, Hart’s alleged mistress, gets to have her side of the story presented. But otherwise, The Front Runner is a bit of a mess. Although, it could be a portrait of a mess.

I give The Front Runner 2.5 (Million) Accusations out of 5 (Possible) Indiscretions.

This Is a Movie Review: ‘Patti Cake$’ Makes Tasty North Jersey Hip Hop Cake as Fast as It Can

Leave a comment

Photo courtesy of Jeong Park. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

This review was originally posted on News Cult in August 2017.

Starring: Danielle Macdonald, Bridget Everett, Siddharth Dhananjay, Mamoudou Athie, Cathy Moriarty

Director: Geremy Jasper

Running Time: 108 Minutes

Rating: R for Three Generations of Women Spouting Profanity, Showing Off Cleavage at Job Interviews

Release Date: August 18, 2017 (Limited)

Most rappers are still black and male, but the genre is such a permanent fixture in the culture at large that any deviation from the demographic norm is hardly surprising. So I appreciate that Patti Cake$ treats the race and gender of its protagonist as generally no big deal one way or the other. After all, she does live in the “Dirty Jersey” melting pot of Bergen County (right across Manhattan along the George Washington Bridge). Alas, while Patti Cake$ does spit to its own rhythm, it hews pretty closely to the beats of the struggling artist narrative. But what it lacks in structural ingenuity, it makes up for with the variety of seemingly disparate parts that complement each other in its collage.

Patricia Dombrowski (Australian newcomer Danielle Macdonald) is feisty enough on her own, but it is thanks to her collaborators that she really shines. The group they form is christened “PBNJ,” wherein P is Patti, J is her longtime best friend on the hooks Jheri (Siddharth Dhananjay), B is disaffected but sensitive anarchist beat-mixer Basterd, and N is Patti’s Nana (Cathy Moriarty), whose chainsmoke-ravaged rasp is adorably sampled and looped into the chorus. As far as rap goes, their tracks aren’t exactly mind-blowing, or game-changing, or groundbreaking, and the movie concedes as much. Still, they are plenty rousing. That relative lack of prowess holds it back from being an all-time great in the genre, but it is powerful enough, and the modesty is appreciated.

If Patti Cake$ sticks with you, it will most likely be because of how generously it lets you into Patti’s life. She is an upstanding young adult, putting just as much effort into into the money-making aspect of her hustle as she does the rhyming side. Her relationship with her mother Barb (Bridget Everett) is as affecting as it ought to be. Barb is not exactly supportive of Patti’s hip-hop ambitions, but it is not because she is unsupportive in general, far from it. Nor is it because she does not understand the life of an artist – in fact, she had a bit of a musical career herself as the lead singer of a lady metal band that was cut short just as they were on the edge of big-time success. It’s just that she’s old school, set in her own way, and just hasn’t seen any evidence that rap is a genre worth pursuing. That is why the final performance scene at an amateur showcase concert is so crucial. It wraps everything up thematically and unites every member of Patti’s family, putting her story squarely in the file of “crowd-pleaser.”

Patti Cake$ is Recommended If You Like: 8 Mile, Affectionately making fun of North Jersey, Mother-Daughter Bonding

Grade: 3 out of 5 Acronym Band Names