Movie Review: ‘Aladdin’ Grants Our Wish for an Illuminating Disney Remake

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CREDIT: Daniel Smith/Disney

Starring: Mena Massoud, Will Smith, Naomi Scott, Marwin Kenzari, Navid Negahban, Nasim Pedrad, Numan Acar, Billy Magnussen

Director: Guy Ritchie

Running Time: 128 Minutes

Rating: PG for Vividly Fantastical Wish Fulfillment

Release Date: May 24, 2019

One of the best possible values of Disney’s recent spate of remakes is something typically associated with theatrical revivals, i.e., the space to illuminate and expand upon the messages of the original. With that in mind, Guy Ritchie’s rendition of Aladdin is one of the best entries in this trend because of how much it emphasizes what worked about the original and how successful it is with its new elements. Both versions are clear, thorough, and simple about explaining their character motivations, which sounds like it should be a basic tenet of storytelling, and it is (except when you want to be ambiguous), but sometimes filmmakers get distracted by the bells and whistles.

While the details are fun and fancy, the main ideas are what keep Aladdin flying along. We know that Aladdin and Jasmine are smitten each other, we know that Genie wants his freedom, we know that Jafar is power-hungry, and we know that the Sultan wants what is best for his kingdom and his daughter. The circumstances that frustrate or reward these desires are understandable and internally consistent, which adds up to a formula for a satisfying story.

So Ritchie and his co-screenwriter John August know what clicks about the meat of what they’ve got here – how about the fresh flavors they add? Casting is key here, and that is a success across the board. Mena Massoud (Aladdin), Naomi Scott (Jasmine), and Marwin Kenzari (Jafar) are mainly playing variations of what came before, while Navid Negahban’s Sultan is much sterner than, though just as lovable as, Douglas Seale’s goofball version. Nasim Pedrad and Billy Magnussen provide a good chunk of the comic relief as a couple of new characters, a saucy handmaiden to Jasmine who can totally get it and a very sweet, but way-of-his-depth, Scandinavian-ish suitor, respectively.

Of course, the question everyone is parroting is: does Genie Will Smith grant audiences their wishes? There were plenty of concerns after trailer footage suggested that a blue Fresh Prince was maybe a little too creepy for comfort. Frankly, though, I have spent this whole time believing that any weirdness is this movie’s biggest asset. And ultimately anyway, I believe that the CGI threads the needle between off-putting and palatable. (Although I’m not sure how necessary his jacked torso is.) Smith is reverent to Robin Williams’ iconic performance, but his Genie is just as unique. He’s operating at the height of Big Willie style, the sort of confidante who knows just how to swag out confidence and perception to everyone’s advantage. We have had a friend like him before, but we could always use another.

Aladdin is Recommended If You Like: Aladdin (1992), Big Willie Style, Willennium, Sitcom episodes with Nasim Pedrad guest appearances

Grade: 3.5 out of 5 Magic Carpets

‘New Girl’ Season 7 Review: The Most Epilogue-y Season of TV Ever, From the Show Perfectly Suited for It

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CREDIT: Ray Mickshaw/FOX

This review  was originally posted on News Cult in May 2018.

Network: FOX

Showrunners: Brett Baer, Dave Finkel, Liz Meriwether

Main Cast: Zooey Deschanel, Jake Johnson, Max Greenfield, Lamorne Morris, Hannah Simone, Nasim Pedrad, Danielle Rockoff, Rhiannon Rockoff

Notable Guest Stars: Damon Wayans, Jr., Brian Huskey, Rob Reiner, Dermot Mulroney, Gillian Vigman, JB Smoove, Sarah Baker, Jamie Lee Curtis, Ralph Ahn, Robert Smigel

Episode Running Time: 22 Minutes

This review contains spoilers, but this isn’t really a spoil-able type of show.

New Girl Season 7 is one of the most inessential seasons in television history. That is not a criticism, but rather, a description of an unnecessary, but very satisfying batch of episodes. All television, and all storytelling more generally, is inessential, insofar as we could survive without it. Life would be much less enriching without entertainment, certainly, but it would be possible. But once a story begins to be told, there is a sense of necessity that it must be concluded. And it could easily be argued that by the end of Season 6, New Girl had reached that conclusion, with all of its main characters having achieved major milestones in personal and professional fulfillment. But this show, at its best, has been about so much more (or so much less, but in a good way) than checking off the major storytelling checkpoints.

Nick and Jess are one of my favorite TV couples of all time, and if the last we saw of them was their kiss in the elevator at the end of “Five Stars for Beezus,” I would have rested easy in the belief that they had a long and happy union together. But I am usually hungry to see what happens when the tension of a potential couple turns into the comfort of an actual couple, and New Girl has shown itself to be the type of show uniquely suited for making that pivot interesting. With a three-year time jump to kick off the season, it seemed like we would be heading into a new status quo, but then we discover … Jess and Nick still aren’t married yet? There’s no need to panic; they are still together and happy, they have just been busy with other things, like Nick’s book tour for The Pepperwood Chronicles. But still, you would think they could find some time to put a ring on it. It turns out that much of the delay is attributable to Nick ensuring that his proposal is absolutely perfect. That obsession could have caused major strife in the past, but it is a mark of maturity for both the characters and the show that it is ultimately no big deal.

While Jess and Nick remain the last two residents of the loft, and perhaps a little bit stuck in neutral, the rest of the main crew has decidedly moved ahead to the next stages of their lives. Schmidt and Cece’s toddler Ruth Bader (Danielle and Rhiannon Rockoff) is genuinely adorable but also filled with the sort of moxie and traces of anxiety you would expect in a child whose parents are a mix of blunt and high-strung. Winston and Aly are expecting their first child; his strange propensities, and her incredible ability to accept them, are still intact, just transferred to the minutiae of pending parenthood. For the most part, the unique ways that this whole group communicates with each other remains just as intact. They are sometimes applied in fascinating new ways, as when Schmidt and Jess hash out who has the best approach for Ruth auditioning to a prestigious pre-school. But that sameness also results in hijinks that probably should not be happening anymore, as when Cece and then Nick get locked out of Ruth’s school and get mistaken for creepy lurkers, and it is like: okay, guys, we’re getting a little too old for these shenanigans.

Season 7 is not completely allergic to big final season moments, but it presents them in the uniquely askew New Girl manner. There is a one-year anniversary memorial service for a close friend who died during the time jump, and that close friend is … Furguson, of course. Winston insists that everything be performed in the Jewish manner, because he always saw his cat as Jewish, and while that does sound ridiculous, it also sounds perfectly logical when Lamorne Morris explains it with such certainty. We also, rest assured, do get that last anticipated bit of matrimony, but it all goes delightfully sideways, with a scratched cornea, an impromptu service in a hospital, and Tran’s first ever spoken line of dialogue.

Naturally unnaturally enough, there is still one more episode left to go. “Engram Pattersky” does at first appear to fit into a classic series finale box, i.e., the pack-up-and-move conclusion. It really is time for for Nick and Jess to get out of that rickety old loft and start a new chapter in their lives, even it takes an eviction notice to get them to that realization. The final reveal that the eviction angle is actually Winston’s greatest prank ever is perfectly in line with the show’s ethos, but also a little stunning. Winston never suggests that he was just trying to give his friends the motivation they needed to move forward. And that really is the New Girl way. If you want to find meaning in this young adult life, then you have to do so amidst all the chaos and indirect communication, as you scream and hopefully laugh along the way.

Best Episodes: “The Curse of the Pirate Bride,” “Engram Pattersky”

How Does It Compare to Previous Seasons? This is definitely an epilogue season, but for this show, that means it has never been more sure of its identity than at any other time during its run. It does not reach its most classic heights, but that is perfectly okay.

New Girl is Recommended If You Like: Happy Endings, Brooklyn Nine-Nine, How I Met Your Mother, Parks and Recreation, Friends

Where to Watch: Season 7 is currently available on Hulu, while Seasons 1-6 are on Netflix.

Grade: 3.8 out of 5 Messarounds

SNL Review April 14, 2018: John Mulaney/Jack White

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CREDIT: Will Heath/NBC

This review was originally published on News Cult in April 2018.

News Cult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Hollywood Update – Mulaney finds brilliant inspiration from his very own “Family Flix” (aka “Rocket Dog”), one of the greatest sketches he ever wrote during his SNL tenure. This time around, the objectionable material for supposedly family-friendly entertainment is squarely present both in front of and behind the camera. Simply mentioning the uncomfortable sexual ramifications of a parent-child body switch premise would have been enough to make this sketch a winner, but the disturbing details just keep on coming.

Horn Removal – The second sketch of the night to take obvious and winning inspiration from a previous SNL bit hearkens back to a pre-Mulaney time, namely the Will Ferrell-starring Bad Doctor. This time around, it is the patients who are more the crazy people, although the biggest laughs come from Mulaney’s plastic surgeon calmly explaining to the horned fellow and his fetishistic girlfriend just how idiotic they are.

It always bodes well for the Monologue when you have a stand-up comedian hosting, and I furthermore appreciate that Mulaney delivered jokes I had never heard from him before. Maybe this was material that he had used on stage previously, but it was new to me…I have to give it up to Big Nick’s Greek Diner, or any comedy sketch past or present, that turns into a full-blown Les Miserables homage.

Keep It

Robert Mueller/Michael Cohen Lie DetectorMeet the Parents came out 18 years ago, which was around the time that my SNL fandom was really starting to bloom. So this Mueller investigation homage to the Fockers is like if Steven Spielberg and Drew Barrymore had cameoed in 2000 for an ET-centric parody about the Monica Lewinsky scandal. Anyway, we certainly don’t need Ben Stiller and Robert de Niro to rehash their “you can milk anything with nipples” routine in 2018, but it is a unique enough entryway into the current scandal du jour.

The Drag Brunch is what we can refer to as precision comedy, and the target is hit…Mulaney’s student leader attempts to hide a boner on National School Walkout Day, and we should all know from Big Mouth how masterful he is at humorizing awkward bodily functions…Ah, a parody of Wild Wild Country, that new Netflix documentary series about a cult that a lot of people are obsessing over but that I have not watched (yet?); this isn’t the first time a sketch has revolved around Kenan’s insatiable appetite for booty, nor is it the best, but it is still fairly amusing (and props to the audience for cheering Nasim Pedrad’s cameo without prompting)…Michael and Colin’s most memorable bits this time around involve bringing the Cleveland Browns’ futility into all this and a zinging follow-up about cream soda…I have never subjected myself to Laura Ingraham, so I have no idea how accurate Kate McKinnon’s impression is, but the list of all her disreputable new sponsors is on-point…Kenan’s Lavar Ball routine is a steady, unwavering formula, but damn if I don’t lose it when he claims that his son Lonzo is certified fresh on Rotten Tomatoes or that he has a long-lost Mexican son named “La Biblioteca.” And “You say ‘tomato,’ I say ‘this tomato costs $500’” might just be the quote of the season…The Real Intros of Reality Hills zeros in on what that genre is all about, doesn’t it?

Leave It

No terrible sketches on John Mulaney’s watch!

John Mulaney

How many former SNL writers who were not also cast members have returned to host? The only other one besides John Mulaney that I can think of is Larry David. Mulaney is certainly well-known enough among comedy nerds to justify booking him as host, but is he famous enough among the general public? The correct answer is: who cares? The episode he is in charge of runs smoothly, and it appears that he had a powerful effect on the writers’ room, what with the plethora of concept-driven sketches. Also, Darrell Hammond twice refers to him (on purpose?) as John “Mulvaney.”

Jack White

On a scale of “absolutely essential” to “playing the hits,” this is hardly a landmark performance from Jack White, but of course his chops are as strong as ever. Are “Over and Over and Over” and “Connected by Love” future classics in his oeuvre? I’m not banking on that legacy, as they do not sound terribly different from his typical garage rock numbers, but maybe after a few more listens, I’ll notice some peculiarities.

Letter Grades

Mueller/Cohen Lie Detector – B-

John Mulaney’s Monologue – B+

Drag Brunch – B

National School Walkout Day – B-

Wild Wild Country – B

Big Nick’s Greek Diner – B+

Jack White performs “Over and Over and Over” – B+

Weekend Update
The Jokes – B-
Laura Ingraham – B-
LaVar Ball – B

Hollywood Update (BEST OF THE NIGHT) – A-

Horn Removal – B+

Jack White performs “Connected by Love” – B+

The Real Intros of Reality Hills – B