‘Ballerina’ Review: Ana de Armas Dances Her Way to Vengeance – Will You Be Cheering Her On?

June 4, 2025

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I must have seen her (CREDIT: Murray Close//Lionsgate)

Starring: Ana de Armas, Anjelica Huston, Gabriel Byrne, Lance Reddick, Catalina Sandino Moreno, Norman Reedus, Ava Mccarthy, Ian McShane, Keanu Reeves

Director: Len Wiseman

Running Time: 125 Minutes

Rating: R for ALL of the Violence

Release Date: June 6, 2025 (Theaters)

What’s It About?: When Eve Macarro was just a little girl, she witnessed her father being brutally murdered right in front of her. So as you might suspect, she’s spent the rest of her life planning her revenge. In the meantime, she’s been training in the art of ballet (you might even call her the titular Ballerina) as part of the traditions of the assassin group known as the Ruska Roma. Since this all takes place in the world of John Wick, she stops by the Continental Hotel to track down those who were responsible for her father’s demise, which leads her to a centuries-old cult seemingly motivated purely by bloodshed. But if she’s not careful (or even if she is careful), her quest for vengeance could blow up an uneasy peace within the assassin underworld. And maybe if we’re lucky, John Wick himself might just show up to help her out, or stop her in her tracks.

What Made an Impression?: A New-Ish Kind of Revenge: The first John Wick movie did revenge a little differently, mainly by having the protagonist be motivated by a dead dog instead of a dead family member. Ballerina at first appears to be going the much more straightforward route. But ultimately, the climax paints a somewhat more complicated and intriguing picture. It’s far from the most groundbreaking portrait of vengeance ever, but it’s sufficient enough to hold your attention.
Backstory Schmackstory: Ballerina spins off primarily from John Wick: Chapter 3, which is my least favorite of the Wick series, mainly because it dived so deeply into lore that I just didn’t care one hoot about. Ballerina isn’t quite as lore-heavy, mostly operating in broad strokes about the rituals and truces of these assassin groups. It’s enough to set the tone without becoming impenetrable.
You Got to Be Versatile: Eve Macarro is no John Wick. Few action heroes are, though! To be fair to Ana de Armas, she’s at least a confident enough action hero to get the job done. She may not be getting inducted into the Fictional Assassin Hall of Fame anytime, but she does at least wield a flamethrower unforgettably. Also, she dispatches someone in a moment very reminiscent of the swordsman scene from Raiders of the Lost Ark, and I definitely enjoyed that moment.

Ballerina is Recommended If You: Wanted a John Wick movie without John Wick (but not entirely)

Grade: 3 out of 5 Broken Plates

‘The Bikeriders’ Review: Looking for Whatever Comes Their Way

June 18, 2024

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Going whole hog (CREDIT: Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.)

Starring: Jodie Comer, Austin Butler, Tom Hardy, Mike Faist, Michael Shannon, Norman Reedus, Boyd Holbrook, Damon Herriman, Beau Knapp, Emory Cohen, Karl Glusman, Happy Anderson

Director: Jeff Nichols

Running Time: 116 Minutes

Rating: R for Fist Fights, Knife Fights, and a Few Guns

Release Date: June 14, 2024 (Theaters)

What’s It About?: In 1960s Chicago, a man named Johnny (Tom Hardy) starts hearing the Call of the Hog. He then founds the Vandals MC motorcycle club, and pretty soon his motley crew are devoting their entire social lives to the open road and brawl-filled picnics. Threatening to upend it all is a hothead named Benny (Austin Butler), who holds an irresistible pull over the outsider Kathy (Jodie Comer). Everyone tried to warn Kathy away from Benny, but they just can’t help but marry each other. The Bikeriders was inspired by a book of the same name by photojournalist Danny Lyon, so the movie is framed by Mike Faist as Danny interviewing the major players in this subculture.

What Made an Impression?: Just Something to Do: Strangely enough, Johnny never appears to be particularly enthralled by motorcycles. Instead, he seems to have been attracted by what they represent, and even that motivation is rather haphazard. One day, he just happened to be watching the 1953 biker flick The Wild One, which features Marlon Brando infamously uttering “Whaddya got?” when someone asks him what he’s rebelling against. Johnny doesn’t seem particularly constrained by his suburban life as a husband and father (from what little we see of him in that role), but he’s nevertheless inexplicably and unmistakably drawn to the siren song of rebellion. Meanwhile, Benny at least clearly relishes his time cruising down the street, but that love is surely too elemental for him to ever explain where it comes from. At least Michael Shannon as Zipco offers some sort of life philosophy in the form of resenting his “pinko” brother. But that characterization is just as mystifying when you realize that “pinko” to him doesn’t mean “Communist” so much as “attends college” and “doesn’t do enough hard labor.”
No Way to Fathom It: The contrast between Johnny and Benny had me thinking of the yin-yang dynamic between the Salvatore Brothers on The Vampire Diaries. If you’ve never seen that CW bloodsucker series, here’s what you need to know: Damon Salvatore is the dangerous Benny, while Stefan Salvatore is the less frightening Johnny. Eventually, though, in both TVD and The Bikeriders, our initial assumptions get flipped on our head. The analogue is far from a perfect one-to-one match, but the point is that The Bikeriders left me flummoxed by the seeming randomness of its characters’ fates. Some of the Vandals who are perpetually in Death’s crosshairs somehow survive, while others who are ostensibly impenetrable bite the dust, and yet others reform themselves out of nowhere or at least disappear. It’s all fairly believable, but too thoroughly matter-of-fact to leave much of an impression.

The Bikeriders is Recommended If You Like: Laconic conversations, Wild accent swings, Impulsiveness

Grade: 3 out of 5 Motorcycles