This Is a Movie Review: ‘A Star is Born’ is Reborn Eternally

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CREDIT: Warner Bros.

This review was originally published on News Cult in October 2018.

Starring: Lady Gaga, Bradley Cooper, Andrew Dice Clay, Sam Elliott, Anthony Ramos, Dave Chappelle

Director: Bradley Cooper

Running Time: 135 Minutes

Rating: R for Mumbled Profanity, Intense Alcoholism, and a Few Intimate Moments

Release Date: October 5, 2018

Bradley Cooper’s dialogue is often difficult to understand throughout A Star is Born, and I think that is part and parcel of the sort of storytelling he is presenting here in his directorial debut. This isn’t a film that is meant to be processed perfectly concretely, in which you hang on to every last word and every frame is a piece in the puzzle. Instead, it is about the overall experience, in which you let all wash over you. Logic and slavish accounting of details are beside the point. Does it make sense that someone could so suddenly become so famous and beloved on the basis of talent alone? And how come we never know how much time has passed? These are often worthwhile questions, but A Star is Born is more concerned about emotional and aesthetic truth within its improbable framework.

This is the fourth Star is Born film, with each of them telling the story of an unknown female entertainer discovered by a famous male performer who is on a bit of a decline. In this case, country-blues-rocker Jackson Maine (Cooper) stumbles across Ally (Lady Gaga) at a drag queen bar after one of his concerts. Immediately enthralled, he brings her onstage during his show the very next night, and thus begins a massively successful career and a whirlwind romance. This edition does not introduce anything particularly groundbreaking to the Star is Born template, but it is in the retelling that it derives its power. By emerging once again into the popular consciousness, it reaches the level of myth, as the rise-fall-endure narrative is how we continue to understand and process the fame narrative.

A myth story tends to work best when it is timeless. The fact that A Star is Born is set in the present day thus makes things a little tricky. Whenever specific markers of this day and age (Ally signing to Interscope Records, Ally performing on SNL with Alec Baldwin hosting, Halsey appearing as herself as a Grammy presenter) appear, it’s a little jarring. But these moments could be even more unsettling; instead, they go along with a dreamlike quality in which everything is woven into the timeless fabric. The details could be specific, as when Ally’s first duet with Jackson goes viral and her father (Andrew Dice Clay) marvels at how many views the video has gotten online, without ever mentioning the actual number of views. But that’s the thing about a star being born: it’s not a specific number of viewers that determine it, but when enough people are watching, you can feel that the birth has happened.

A Star is Born is Recommended If You Like: Creation and Rebirth myths, Lady Gaga as person and entertainer, Actors really flexing their directorial muscles

Grade: 3.5 out of 5 Discoveries

 

This is a Movie Review: Of Course Sam Elliott is ‘The Hero’ We Need Now and Forever

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This review was originally posted on News Cult in June 2017.

Starring: Sam Elliott, Laura Prepon, Nick Offerman, Krysten Ritter, Katharine Ross

Director: Brett Haley

Running Time: 93 Minutes

Rating: R for Never Being Too Old for Drugs and Sex

Release Date: June 9, 2017 (Limited)

If you hear the logline “legendary cowboy actor who gets confused when an awards show clip featuring him goes viral” and do not immediately cast Sam Elliott, well then, I am glad you are not one of the people who made The Hero. The role of Western icon Lee Hayden is as tailor made for the famously drawling, silver-mustachioed Elliott as any role as ever been for anyone. He might not be as confused by modern media or as melancholy as his character is, but I do not know all the details of his personal life, and we all have our moments.

In the midst of Lee’s renewed burst of notoriety, he spends his days smoking weed with his buddy/dealer (Nick Offerman), attempting to reconnect with his estranged daughter (Krysten Ritter), and striking up some sort of an affair with a stand-up comedian a few decades younger than him (Laura Prepon). It is the latter relationship that gets the most narrative weight. May-December romances with big shot men can be a formula for a ton of tired creepiness, but Prepon holds her own in terms of self-assuredness and Elliott plays Lee as ambivalent as any viewer might be. What we see of Prepon’s stand-up is much more questionable.

All that this type of singularly focused character study requires to work are a compelling central performance and at least one resonant idea. We have already established that the former is met (it would be a shock if it weren’t). As for the latter, Lee utters the line, “Movies are other people’s dreams,” and this acts as the driving principle for much of the film. A series of dream sequences feature him at the edge of the ocean, waves lightly breaking in. Nothing much happens, but the mundanity is transcended by the beauty of simply living.

The Hero is Recommended If You Like: Being a Sam Elliott Fanboy

Grade: 3.5 out of 5 Weed Strains