If You Were Promised Robots and Got ‘After Yang,’ What Would You Think?

March 1, 2022

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After Yang (CREDIT: A24)

Starring: Colin Farrell, Jodie Turner-Smith, Justin H. Min, Malea Emma Tjandrawidjaja, Haley Lu Richardson, Sarita Choudhury, Clifton Collins Jr., Ava DeMary, Brett Dier

Director: Kogonada

Running Time: 96 Minutes

Rating: PG for A Mortality-Tinged Milieu

Release Date: March 4, 2022 (Theaters and Showtime)

After Yang opens with a really rousing dance number that establishes an initial joyous note, although the rest of the film quickly settles into a much more reflective and melancholy mood. This is a near-future vision in which “techno-sapiens”serve as live-in babysitters, although the particular techno-sapien we get to know is really more of a big brother. For those of you who are so excited by the potential of robotics that you just can’t keep still, After Yang‘s opening choreography is for you. This dance session is an opportunity for the whole family – dad Jake (Colin Farrell), mom Kyra (Jodie Turner-Smith), young daughter Mika (Malea Emma Tjandrawidjaja), and android Yang (Justin H. Min) – to get up and really get moving. It also appears to be some sort of worldwide tradition that other families of four are participating in. It’s a delightfully colorful good time, and quite frankly, I wanted it to last forever.

I like to think that Yang’s family is also chasing that dancing high for the rest of the film, if only metaphorically. (Or perhaps literally as well.) The trouble is, Yang starts to break down, and he’s an older model, so it’s difficult to find a place that will get him back to his old self. That sends Mika into a funk, as she can’t find the strength to go to school without Yang to rely on. I know how she’s feeling. It’s like trying to shake your sillies out the way you’ve always done, but then you discover that your shins have suddenly become massively inflamed. Indeed, the entire family starts behaving like they’ve lost a limb.

But maybe they can grow a new one back? In Jake’s efforts to figure out what to do with Yang, he ends up on a sort of spiritual quest, as he examines Yang’s memories and seems to be traversing new planes of existence. He discovers that Yang may have somehow developed a fully human romantic relationship, but the real kicker is the alternate perspective it provides to his family history. After Yang is pondering the big questions that science fiction has been pondering for decades, centuries even. That examination can be sublime, but it can also be frustrating, because definitive answers never really come. Sometimes it’s best to just devote your energy to dancing it all off, but the journey you take when you can’t do that is likely to stick in your craw.

After Yang is Recommended If You Like: Just Dance, Home movies, Contemplation

Grade: 3.5 out of 5 Memories

Wow, ‘The Green Knight’ Sure Might Knock Your Head Loose

July 28, 2021

jmunney Cinema, Movie Reviews , , , , , , , , , , , 1 Comment

The Green Knight (CREDIT: Eric Zachanowich/A24)

Starring: Dev Patel, Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, Kate Dickie, Barry Keoghan, Ralph Ineson, Erin Kellyman

Director: David Lowery

Running Time: 130 Minutes

Rating: R for Violence and a Little Bit of Sex Within a Fantastical Swirl

Release Date: July 30, 2021 (Theaters)

My experience of watching The Green Knight was just moment after moment that had me going, “I was not expecting THAT.” It starts off pretty quickly that way: Sir Gawain (Dev Patel) beheads the Green Knight (Ralph Ineson), but the Green Knight keeps right on talking. I don’t know what I was expecting, but it wasn’t that. If you’re familiar with the source material, this inciting incident won’t be surprising at all, but for the rest of us, it won’t exactly feel telegraphed. Then there’s the fact that this tale takes place around Christmas, which certainly surprised me as well. Although perhaps it shouldn’t have, considering that “green” is in the title and much of the poster is bright red. But other than that, this movie doesn’t feel very Christmas-y. Though I suppose that centuries ago the holiday was celebrated differently. (“Why not have a release date in December instead of July?,” I wonder out loud.)

The poem Sir Gawain and the Green Knight sits at a weird place in terms of cultural recognizability. It’s part of Arthurian legend, which is among the most enduringly popular mythologies in the English language. But this particular tale isn’t typically told in the most well-known adaptations. If you’re a fan of the likes of Camelot, The Sword in the Stone, or Monty Python and the Holy Grail, you might be familiar with the name “Gawain,” but his encounter with a tricky tree-man hybrid could be totally undiscovered. It’s a trip to first encounter it via David Lowery’s highly stylized and uncompromising vision.

I’m willing to bet my sword that anyone who has read Sir Gawain and the Green Knight before seeing this movie also found themselves saying multiple times, “I was not expecting THAT.” (But they would have been saying it while reading.) There’s no way in Camelot that Lowery can take all the credit for every fantastical twist of gamesmanship and illogic. What is the Green Knight’s deal anyway? When he gets beheaded, he insists that Gawain must come find him one year hence to meet a similar fate. Is this a test of honor, and if so, how? I was not expecting that much confusion.

But it kept coming! Was Alicia Vikander playing two different characters? She must have been, as her personalities were so vastly different. I was not expecting such vagueness with her identity. Nor was I expecting an up-close shot of a very intimate moment. The mature themes and capriciousness in a medieval fantasy aren’t surprises in and of themselves, but their presentation in this version were a lot more surreal than I was prepared for. I’m still processing what I’ve witnessed, and I’m not sure that process will ever be complete, but I appreciate the singularity of the vision.

The Green Knight is Recommended If You Like: Embracing the weirdest and most inscrutable elements of mythology

Grade: 3.5 out of 5 Beheadings