‘Black Phone 2’ Review: The Grabber Goes to Camp

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The lines are back open! (CREDIT: Robin Cymbaly/Universal Pictures and Blumhouse)

Starring: Mason Thames, Madeleine McGraw, Ethan Hawke, Demián Bichir, Jeremy Davies, Miguel Mora, Arianna Rivas, Anna Lore, Graham Abbey, Maev Beaty

Director: Scott Derrickson

Running Time: 114 Minutes

Rating: R for Creative Gore, Fascinatingly Disturbing Images, and Teenage Potty Mouths

Release Date: October 17, 2025 (Theaters)

What’s It About?: After defeating the serial killer known as the Grabber (Ethan Hawke), young Finney (Mason Thames) is adjusting to the new status quo in 1982 Colorado. But even with the Grabber in Hell, all is not so calm in the Centennial State, especially when his younger sister Gwen (Madeleine McGraw) starts sleepwalking while having some gnarly nightmares. It turns out that her psychic powers are kicking into high gear as she has visions of burned and mutilated children while receiving out-of-time phone calls from someone very close to her. These foreboding messages lead the siblings to investigate a sleepaway camp to discover the truth, but alas, a certain handsy villain may have figured out how to reach out beyond the grave while laying in wait on their quest.

What Made an Impression?: Good Thing They Hit Record: You can always tell when we’re watching one of Gwen’s dreams based on the graininess of the picture. It’s like her subconscious is being recorded on an old Super 8 tape. I wish my dreams were retro-cool like that!
Snow Camp is Better Than No Camp?: One thing I didn’t mention in my little synopsis is that Finney and Gwen immediately become snowed in when they arrive at the camp, thanks to one of the biggest blizzards the area has ever seen. Which leads me to the question: aren’t most camps like this open in the summer? You know, when the weather is nice and kids are off from school. Maybe there are in fact getaways like this in the real world during winter breaks, despite the obvious weather-related risks. But even if this were a totally fictional creation, I could accept it, thanks to the feeling of otherworldliness that being snowed in can create.
Keepin’ It Rough and Latchkey: I didn’t re-watch the first Black Phone to prep for the sequel, but one thing that stuck with me that is still very much present in Number 2 is just how gritty life is for these young protagonists (even when a killer isn’t lurking nearby). This outing opens with Finney beating one of his classmates to a bloody pulp, for which he faces absolutely zero consequences. The adults are a little bit more present and helpful this time around, including Finney and Gwen’s father Terrence (Jeremy Davies) and a thoughtful Demián Bichir as the camp’s supervisor. But they also let them get away with a lot, despite some feints towards authority. Although considering everything that the kids have been through, that might actually be fair and sensible. Which brings me to my last point…
Chill Out!: Since surviving the Grabber’s clutches, Finney has developed a habit of indulging in the devil’s lettuce, and Gwen eventually calls him out for that as a way to avoid his pain. To which I have to say: come on, let him relax! Now, I know attitudes about marijuana weren’t exactly as progressive 40 years ago as they are now. But this movie is being released in 2025, so we can retroactively acknowledge that as long as you don’t overdo it, it’s a relatively safe way to deal with trauma, especially compared to Terrence’s habit of hitting the bottle since his wife died. In conclusion, Black Phone 2 is just as arrestingly grimy as the original, with the supernatural factor turned way up, while Ethan Hawke is enjoying a free rein to go as wild as usual.

Black Phone 2 is Recommended If You Like: A Nightmare on Elm Street, Camp-y 80s Slashers, The Shining and its descendants

Grade: 3.5 out of 5 Bad Dreams

‘The Black Phone’ is Calling: Do You Answer It, or Take the Call From ‘Elvis’?

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CREDIT: Fred Norris/Universal Pictures; Warner Bros. Pictures/Screenshot

The Black Phone:

Starring: Mason Thames, Ethan Hawke, Madeleine McGraw, Jeremy Davies, E. Roger Mitchell, Troy Rudeseal, James Ransone

Director: Scott Derrickson

Running Time: 102 Minutes

Rating: R for Brutal Home Lives and Bloody Escapes

Release Date: June 24, 2022 (Theaters)

Elvis:

Starring: Austin Butler, Tom Hanks, Helen Thomson, Richard Roxburgh, Olivia DeJonge

Director: Baz Luhrmann

Running Time: 159 Minutes

Rating: PG-13 for Rock Star Excess and Rock Fan Excess

Release Date: June 24, 2022 (Theaters)

I recently saw The Black Phone and Elvis on consecutive days, so it’s time for another two-for-one movie review! Do these two flicks have anything in common besides opening in theaters on the same day? Well, they’re both kind of overwhelming in their own particular ways. If you’re like me and enjoy any and every cinematic genre, you might be struggling to figure out which of these to prioritize this weekend, or maybe you’re planning to make time for both of them. So I’ll go ahead and let you know what I think while throwing in a bit of comparing/contrasting, and hopefully that’ll give you a bit of a confidence boost.

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This Is a Movie Review: Doctor Strange

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doctor-strange-close-up-with-buildings-in-background

This review was originally published on News Cult in October 2016.

Starring: Benedict Cumberbatch, Chiwetel Ejiofor, Tilda Swinton, Mads Mikkelsen, Rachel McAdams

Directors: Scott Derrickson

Running Time: 115 Minutes

Rating: PG-13 for fantastical bumps and bruises and a gruesome accident

Release Date: November 4, 2016

Now at 14 films strong, the Marvel Cinematic Universe shows no signs of abandoning its (consistently profitable) template: initial humbling, transformative origin, world-threatening climax. Doctor Strange is not interested in (or prohibited from) straying from that template, but it does mess with the rules in ways that do right by its protagonist.

That transgressive attitude is there right from the start. Stephen Strange is a highly respected and highly arrogant neurosurgeon whose superheroic path is catalyzed by a car wreck that is as horrific and as indulgent as a PG-13 rating allows. The comic book model often begins with these intense powder kegs, but they are rarely this visceral, unless they are making a show of being “adult,” which is not what this entry is all about.

With his hands left stubbornly tremorous, Strange is enticed by the promise of an alternative treatment in the mountains of Nepal. While initially prone to skepticism about the sorcery he encounters, he hears out the pitch, perhaps because all characters played by Chiwetel Ejiofor or Tilda Swinton exude confidence. Convincing Strange could have been drawn out, but that likely would have been tiresome, so instead he is soundly convinced by a cosmic trip that achieves cinematic psychedelia unheard of for decades.

Of course, this all leads to a grand climactic battle – this time, a traitorous rebellion led by a former pupil (Mads Mikkelsen). As usual, the entire planet is at threat, but Dr. Strange is sly about how this comes to pass. With much of the action taking place in the “Mirror Dimension” or “astral planes,” the world at large generally has no idea what is going on.

Basically, while Doctor Strange must work within constraints, it has no intention of dialing back the pizzazz. And why should it, considering that so many of its characters can bend the very nature of reality? The film’s most striking visuals – rolling skyscrapers, warped cityscapes – are obviously reminiscent of Inception. That earlier dreamscape flick famously utilized primarily practical effects, while Strange quite obviously employs CGI. That is not a knock – this is perhaps the most artful use of impractical effects of all time. As Stephen Strange learns in his hero’s journey, it’s all about playing to your strengths.

Doctor Strange is Recommended If You Like: Inception But Wish It Had Been More Maniacal, 2001, a Healthy Helping of Looney Tunes

Grade: 4 out of 5 Astral Bodies