Cinematic Holiday 2023 Catch-Up Roundup

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CREDIT: NEON

Heading into the Christmas break, it seemed like I had a lot more new movies to catch up on than usual. Or maybe it was actually a normal amount, and I was just cataloging my filmgoing plans a little more closely than I typically do. Either way, it took me about a month, but I’ve finally checked off everything that was on my to-watch list. So let’s run down some quick thoughts on all of them!

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‘Dumb Money’ is Smart Storytelling

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So Dumb (CREDIT: Sony Pictures/Screenshot)

Starring: Paul Dano, Pete Davidson, Seth Rogen, Shailene Woodley, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Dane DeHaan, Myha’la Harold, Rushi Kota, Talia Ryder

Director: Craig Gillespie

Running Time: 104 Minutes

Rating: R for Dumb Profanity and Cheeky Nudity

Release Date: September 15, 2023 (Limited Theaters)/September 29, 2023 (Expands Wide)

What’s It About?: STONKS! I could attempt to continue to write the rest of this review of Dumb Money in the lingua franca of the r/WallStreetBets subreddit, but alas, I’m probably not well-versed in it enough to produce something coherent. So I’ll instead keep it generally prosaic. Back in 2020 and early 2021, r/WallStreetBets was the social media hub for something rather strange happening in the stock market. Based on the advice of a chicken tender-obsessed financial analyst named Keith Gill (Paul Dano), a whole cadre of amateur traders decide to go all in on the retail chain GameStop. Meanwhile, Wall Street types like Gabe Plotkin (Seth Rogen) and Kenneth Griffin (Nick Offerman) are fairly confident that they should do exactly the opposite by short selling GameStop stock, what with the general decline of in-person retail video game sales. But the meme-fueled enthusiasm of working class folks like a nurse (America Ferrera), a couple of college classmates (Myha’la Harold and Talia Ryder), and even a GameStop cashier (Anthony Ramos) ensures that Opposite Day will be arriving very soon.

What Made an Impression?: Cutting Through the Malarkey: If you feel that the financial markets are a rigged game, it’s probably because their rules are too intricate and incomprehensible to anyone who can’t afford to spend hours poring over them every day. So it’s a bit of a minor miracle that Dumb Money is so easy to understand despite all that. It certainly helps that it’s based on a story that was widely covered by the media. And the underlying concepts are straightforward enough that you don’t have to sweat the details. But maybe we’ve also become more financially literate as a society since the days of Occupy Wall Street and the other populist movements that followed in its wake, along with the democratizing rise of the Robinhood stock trading app, which plays a major role in this story. But also, it comes down to simple storytelling skills: the characters are compelling, so it’s easier to pay attention to what’s going on.
A Busy Pandemic: Recent history is a major part of popular cinema, and if that trend is going to continue, then we can’t ignore the COVID-19 of it all. As this story takes place during the height of the pre-vaccinated pandemic, there are a lot of face masks. That was a time of heightened anxiety, but it was also a time of doing whatever the hell else was part of your life, whether that meant surreptitiously texting in class, trying not to curse in front of your kids, or even trying to run that sub-4:00 mile you could never quite pull off in college. Buying stocks that become worth millions of dollars isn’t cool, you know what is cool? Making billion dollars’ worth of memories that you’ll cherish forever.
What’s Behind the Screen?: Context is king. Dumb Money relies on a fair amount of pre-existing news footage, as well as clips of real politicians from Congressional hearings. This mix of documentary and dramatization equals illumination. The events of this story initially played out behind Zoom screens and Internet-speak, and now we get some juicy peeks into how those scenes might have played out in the flesh. They’re filled with the high-stakes foibles of humanity, offering an irresistible mix of voyeurism but also sympathy, as well as savagery but also a dollop of optimism. If the Almighty Dollar remains king, we’ll all remain dumb for it, but hopefully we can still blast through the status quo a bit in the meantime.

Dumb Money is Recommended If You Like: The Social Network, The Big Short, Memes

Grade: 4.5 out of 5 STONKS

‘The Mauritanian’ Gives Guantánamo Bay Detainee Mohamedou Ould Salahi the Legal Thriller Treatment

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The Mauritanian (CREDIT: STX Films)

Starring: Tahar Rahim, Jodie Foster, Shailene Woodley, Benedict Cumberbatch, Zachary Levi, Saamer Usmani

Director: Kevin Macdonald

Running Time: 129 Minutes

Rating: R, Mainly for a Scene of Intense Torture

Release Date: February 12, 2021

In the 2000s and early 2010s, films that grappled with 9/11 and its aftermath tended to be combat thrillers, reaching an apotheosis in terms of cultural impact with 2012’s Zero Dark Thirty. Now the focus has turned toward the War on Terror’s legal repercussions. 2019’s The Report took a deep dive into the massive amount of paperwork detailing the CIA’s use of post-9/11 torture, and now The Mauritanian comes along to narrow its attention on the particular case of Mohamedou Ould Salahi, who was detained at Guantánamo Bay withou charge for more than a decade. His story has been told before via the likes of 60 Minutes and Salahi’s own memoir, but even if you come in to this movie completely cold (as I more or less did), it’s immediately obvious that we are witnessing a miscarriage of justice.

There’s essentially zero doubt at any point in The Mauritanian about Salahi’s innocence. We’re not exactly told this outright, but we might as well be. With the guarded way that Tahar Rahim plays Salahi, there is a sense that he might be susceptible to being tricked into thinking that he has abetted terrorist activity. But these are merely survival tactics, as he mostly keeps his head down and says what is demanded of him when he absolutely has to so as to stay alive and sane enough to get by. The main source of the movie’s tension then is how much our patience is tested: just how long – in real time and movie time – will Salahi be detained? Because if you know anything about Guantánamo Bay, you know it’s probably going to take a while. Luckily, he has a couple of competent lawyers on his case in the form of Nancy Hollander (Jodie Foster) and Teri Duncan (Shailene Woodley), and with Foster giving off Hall of Fame-level tenacity vibes, we can feel confident that there will be a happy ending eventually.

Salahi’s story is undoubtedly compelling, but in terms of how it works as cinema, it’s not an automatic slam dunk. It mostly avoids indulging in the shoutiest excesses of miscarriage-of-justice legal procedurals, but it perhaps swings too far in the opposite direction, opting for a low-key approach that’s content to mostly just hum along. Then there are the torture scenes, which is something I would happily never see re-created on screen ever again. That’s not to say that it’s always absolutely wrong to portray torture; the ethics of doing so are certainly debatable. But aesthetically, it tends to be jarring and unnecessary, very much so in this case. Still, despite my misgivings, I’m glad that movies like The Mauritanian exist. The value they offer by getting these stories out to a wide audience generally outweigh my trepidations.

The Mauritanian is Recommended If You Like: The due process of law, Un-redacting the redactions

Grade: 3 out of 5 Forced Confessions

This Is A Movie Review: Adrift

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CREDIT: Kirsty Griffin/STXfilms

I give Adrift 3 out of 5 Dinghies: https://uinterview.com/reviews/movies/adrift-movie-review-shailene-woodley-learns-how-to-survive-the-gorgeous-but-deadly-ocean/