SNL Love It/Keep It/Leave It: Kit Harington/Sara Bareilles

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CREDIT: Will Heath/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Terry Fink – One successful formula for a hilarious Update guest segment is a character who has a habit or personality quirk that justifies a bunch of wacky dialogue. And we have an excellent new example from Alex Moffat as film critic Terry Fink, who makes sure to be tripping on plenty of LSD whenever he sees a new flick (or just its poster in the subway or the middle of Times Square). Thanks to him, I now know about Dumbo‘s “touching jihadi message.”

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SNL Love It/Keep It/Leave It: Sandra Oh/Tame Impala

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CREDIT: Megan Krause/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Discover Card – There’s a current ad campaign about people reaching their doubles at customer service, and there’s a current hit horror movie about people being targeted by their doubles. Somebody at SNL made the connection and astutely decided, “Let’s mash ’em up!” And lo and behold, we have this hilarious commercial parody in which it turns out that the you’s of Discover Card are actually the Tethered of Us, and Ego Nwodim finally gets a showcase performance.

It’s good to know that everyone can be so wonderfully, specifically overwrought in the Test Prep sketch.

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SNL Love It/Keep It/Leave It: Idris Elba/Khalid

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CREDIT: Will Heath/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Can I Play That? – The push to avoid having actors of one identity group play characters of any other identity group is, I believe, generally well-intentioned, and it has done real good in terms of achieving better representation in the entertainment industry. But it can also be taken to ridiculous lengths that forget that the point of acting is to (typically) play someone other than yourself. But at least the tying-oneself-in-knots and constriction that result from that ridiculousness are, we now know, a great formula for an SNL game show parody. This could make for a decent recurring sketch, considering that, even though the joke has already been fully established, these controversies and conundrums tend to keep cropping up.

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SNL Love It/Keep It/Leave It: John Mulaney/Thomas Rhett

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CREDIT: Will Heath/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Toilet Death Ejector – I’m going to say it, folks. I’m walking on hallowed ground here, but I believe it’s warranted: Toilet Death Ejector is on the same level as Old Glory Insurance. It took nearly 25 years, but SNL finally innovated another bona fide solution for what ails today’s seniors. There is a strong chance that this fake product will enter the cultural lexicon as shorthand for the embarrassing death that we all want to avoid.

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SNL Love It/Keep It/Leave It: Don Cheadle/Gary Clark Jr.

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CREDIT: Will Heath/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Roach-Ex – Man, maybe all SNL sketches should be under three minutes long. Perhaps every once in a while, you can bust out a ten-minute behemoth, but there is plenty to be said in favor of economical storytelling. The twist of how visceral the fight against the roaches is just hits so hard with this approach.

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Best TV Episodes of 2018

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CREDIT: Guy D’Alema/FX/FX Networks

If you’re still catching up on the best TV of 2018, the following playlist would be a great way to go about it.

1. Atlanta, “Teddy Perkins”
2. Saturday Night Live, Donald Glover/Childish Gambino
3. Atlanta, “Barbershop”
4. Mystery Science Theater 3000, “Mac and Me”
5. Big Mouth, “The Planned Parenthood Show”
6. BoJack Horseman, “The Showstopper”
7. It’s Always Sunny in Philadelphia, “The Gang Solves the Bathroom Problem”
8. The Assassination of Gianni Versace, “A Random Killing”
9. Barry, “Chapter Eight: Know Your Truth”
10. Pose, “Giving and Receiving”
11. Joe Pera Talks With You, “Joe Pera Talks to You About the Rat Wars of Alberta, Canada (1950–Present Day)”
12. BoJack Horseman, “Mr. Peanutbutter’s Boos”
13. Murphy Brown, “Thanksgiving and Taking”
14. Atlanta, “Woods”
15. Murphy Brown, “#MurphyToo”
16. Better Call Saul, “Winner”
17. The Last O.G., “Swipe Right”
18. It’s Always Sunny in Philadelphia, “Mac Finds His Pride”
19. South Park, “A Boy and a Priest”
20. Sharp Objects, “Milk”

SNL Love It/Keep It/Leave It: Halsey

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CREDIT: Will Heath/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Virginia State Capitol – If all else fails, write a sketch about a group of people who just don’t get it, and have Kenan react to them with maximum frustration. Although I have a distinct suspicion that there was no “all else” that failed and that this was instead a sketch that someone was mighty inspired to write from the beginning as soon as all the Virginia blackface nonsense was blowing up. All in all, this is an ingenious dramatization of the rationalization people come up with when attempting to minimize explosive behavior.

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SNL Love It/Keep It/Leave It: James McAvoy/Meek Mill

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CREDIT: Will Heath/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

No “Love It” sketches this week, although there are some moments that I love.

Keep It

Air Traffic Control – “Difficult-to-understand air traffic controller” is a fruitful sketch comedy premise, and SNL pulled off perhaps the best example of it ever back in the nineties with the mumbling Suel Forrester, a.k.a. Chris Kattan’s best recurring character. This edition is pretty good, too, and a satisfying utilization of McAvoy’s natural accent. But it would have been even better if there were moments when we could actually understand the Scottish folks. The key to these types of scenes working is that the confused people are given just enough rope to think that they might be able to crack the code of the strange speakers. At least the random detail of the plane’s passengers being Kylie Jenner’s brand integration team (but not Kylie herself) is a nice touch.

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SNL Love It/Keep It/Leave It: Rachel Brosnahan/Greta Van Fleet

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CREDIT: Will Heath/NBC

Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Ken Instagram – This redux is not quite as masterful as the Barbie Instagram bit from the Donald Glover episode, which was my pick for the best sketch of last season. Luckily, it’s different enough to stand on its own and still be quite hilarious, thanks to Pete Davidson and Heidi Gardner’s daffy suggestions and Rachel Brosnahan’s unique darkness. Alas, it is also different in a couple of bad ways, as the timing isn’t always perfect and the ominous piano is unnecessary. But that’s just evidence of how difficult it is to capture magic in a bottle more than once. In this case, I’ll settle for almost-magic.

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SNL Review December 15, 2018: Matt Damon/Mark Ronson and Miley Cyrus

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CREDIT: Will Heath/NBC

This post was originally published on News Cult in December 2018.

Love It

Michael and Colin Swap Jokes – Anchorpersons Che and Jost started out this Update at their standard level, maybe a little better than usual, but they make their way to the top spot thanks to their wondrous finale, in which they recite jokes written by the other that they have not seen until this very moment. They brilliantly play off the personas that they have constructed to rag on each other: Che the Total Freak and Jost the Bland White Bread Racist. If “Uppity Bus Passenger Day” did not already exist to be reclaimed, then Michael Che needed to create it to force Colin Jost to say it.

You know something? The world could use more people who care as much as Matt Damon and Leslie Jones’ characters in the neighbor Christmas dinner sketch care about Weezer.

Keep It

It’s a Wonderful Trump – I thought today was finally going to be the day that I put my foot down and said “Enough’s enough” to a Trump-y cold open. But then there comes an inversion of It’s a Wonderful Life, and I have to admit that it is actually a good premise. The show’s insight into Trump is still not particularly insightful, but there is some amusement to be had here, and Robert De Niro’s cameo isn’t his normal complete disaster. While political SNL is in many ways a lost cause in this era, a few decent ideas do peek through here and there occasionally.

Matt Damon’s Monologue is a sweet paean to letting your kids stay up late enough to watch SNL live for the first time…The Westminster Daddy Show looks like it is a fan of daddies, but then it oddly mostly throws shade at them. Luckily it ends with the triumphant Broadcast Daddy joyously taking Best in Show…The Christmas Ornaments sketch presents a memorable microcosmic dystopia of personal and cultural detritus…The Jingle Bells performance at the Carnegie Lounge is a fair enough offbeat showcase for Cecily Strong…The Where’s Wes? gag would probably hit harder if it had a more interminable setup…Matt Damon’s appearance as Angel‘s boxer boyfriend is all well and good, but I’m mostly here for her Madea impression…The Cop Christmas at Frankie’s Ale House has plenty of welcome bonhomie amidst the ribbing and dark backstories…Happy Christmas, Britain! is a delightfully spot-on seasonal treat about how the current prime minister is being gifted with feces, but then due to bad time management, it gets cut off halfway through.

Leave It

Oscar Host AuditionsSNL has an addiction to behind-the-scenes impression showcase sketches, and understandably so, because the granddaddy of them all, the Star Wars 20th Anniversary auditions, are a stone cold classic. But since then, they have fallen into a trap of diminishing returns. This edition mixes things up a bit by transferring the setup from BTS of a movie to the search for a new awards show emcee. Alas, it does not breathe much fresh air the proceedings. The impressions are all decent, but none are transcendent, and the whole affair does not offer much insight into the Oscars. Although Aidy’s take on Hannah Gadsby does demonstrate that the actual Gadsby would be an ingenious actual choice.

Best Christmas Ever is both too tame and too over-the-top with its peaceful/hectic juxtaposition.

Matt Damon

On a scale of Christmastime hosts, Matt Damon sure is willing and able to jump right into the holiday spirit. And he absolutely had to be, as it appeared like a greater number of sketches than usual for the Christmas episode were seasonally themed. It’s a little hard to believe that it’s taken 16 years for Damon to have his second hosting stint. He really feels like he’s part of the extended SNL family.

Mark Ronson and Miley Cyrus

On a scale of SNL musical team-ups, I’m afraid that Mark and Miley are somewhere in the middle. “Nothing Breaks Like a Heart” is perfectly agreeable, and their version of “(Happy Xmas) War Is Over” hits the spot about as well as it can, but I don’t feel any of it sticking with me. On the other hand, Miley’s unzipped jacket is certainly striking and I do appreciate the lyrics flashing on the back screen. Anyway, I guess that is to say, this combo is only disappointing if you’re holding them to a very high standard.

Letter Grades:

It’s a Wonderful Trump – B-

Matt Damon’s Monologue – B

Westminster Daddy Show – B

Best Christmas Ever – C-

Christmas Ornaments – B

Oscar Host Auditions – C

Jingle Bells – B-

Mark Ronson and Miley Cyrus perform “Nothing Breaks Like a Heart” – B

Weekend Update
The Jokes (BEST OF THE NIGHT) – B+
Where’s Wes? – C+
Angel – B

Weezer Argument – B+

Cop Christmas – B

Mark Ronson and Miley Cyrus and Sean Lennon perform “(Happy XMas) War Is Over)” – B-

Happy Christmas, Britain – B

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