‘Anyone But You’ is a Silly, Sexy, and Self-Aware Riff on Shakespeare

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Sydney (and Glen) in Sydney (CREDIT: Brook Rushton/Sony Pictures Entertainment)

Starring: Sydney Sweeney, Glen Powell, Alexandra Shipp, GaTa, Hadley Robinson, Dermot Mulroney, Rachel Griffiths, Michelle Hurd, Darren Barnet, Bryan Brown, Charlee Fraser, Joe Davidson

Director: Will Gluck

Running Time: 103 Minutes

Rating: R for Naughty Bits and Cheeky Language

Release Date: December 22, 2023 (Theaters)

What’s It About?: After an improbably passionate meet-cute that ends as terribly as possible, Bea (Sydney Sweeney) and Ben (Glen Powell) find themselves inexplicably thrust back into each other’s lives several months later when her sister Halle (Hadley Robinson) and his good friend Claudia (Alexandra Shipp) are getting married at a destination wedding in Sydney, Australia. Their petty sniping threatens to ruin the nuptials, so the brides and a few other guests concoct a scheme to get them to reignite the spark. Bea and Ben quickly catch on to the ruse, but instead of getting upset, they decide that the best way to get everyone off their backs is to just play along. Plus, their respective exes (Darren Barnet, Charlee Fraser) are also both in attendance, so this charade could siphon away some of the awkwardness from those encounters, or maybe even spark some jealousy. Of course, this being a romantic comedy and all, Bea and Ben are probably on a path to discovering that the fake relationship should maybe become the real deal.

What Made an Impression?: Only in Rom-Coms: The typical rom-com formula requires plenty of suspension of disbelief, what with all the unlikely encounters and easily resolvable misunderstandings. Anyone But You kind of pushes the limits of cliché, perhaps even to the point of parody. Bea and Ben’s meet-cute is especially absurd, as she runs into a coffee shop just to find a place to pee, and he buys her a drink so that she can become a paying customer. And this proves to be chivalrous enough for them to spend the night together! Then their big initial misunderstanding is based on the thinnest of circumstances, as she leaves his apartment the morning after before he wakes up, only to turn around just in time to hear him masking his insecurity by lying to a friend that he meant nothing to her. They eventually have ample opportunity to clear the confusion up, but both of them are too petty to do so. But the ridiculousness is kind of the point. The setup had to be that infuriating to really establish Bea and Ben as the ultimate rom-com protagonists.
All the Romance is a Stage: While I was eager to be charmed by Anyone But You‘s friendly cast and sunny harborside exteriors, I found some of the dialogue to be stilted and unnatural. But then I eventually locked into the vibe that it was going for. The story is based on Shakespeare’s Much Ado About Nothing, so it’s all about trickery and subterfuge, and self-awareness about that trickery and subterfuge, and self-awareness about that self-awareness. It’s hard not to occasionally sound like a doofus while diving too deep into this silly game. Considering the source material, I wonder how Anyone But You would’ve worked as a stage production, especially if it had encouraged mass audience participation. As it stands now in its cinematic form, it wisely encourages silliness on the part of all of its cast members, and also smartly decides to have low stakes masquerade as high stakes.
Stripping Down: Romantic movies that feature a lot of skin tend to be of the “erotic” or “gross-out” variety, but Anyone But You bucks that trend by maintaining the sweetness while also dropping trou on more than a few occasions. Part of that is surely attributable to a more liberal attitude towards nudity among Australians compared to Americans. Whatever the full reasoning behind this cheekiness, it helps to bolster the theme of vulnerability being good for the heart. And here’s the thing: with a combination of goofball energy, sunny beaches, and horniness, certain parts are just going to pop out at some point. It’s enough to drive you wild, and help you come to an important epiphany.

Anyone But You is Recommended If You Like: Vicarious traveling, Dermot Mulroney’s Silver Fox Era, Awkward everyday acrobatics

Grade: 4 out of 5 Deceptions

This Is a Movie Review: ‘Peter Rabbit’ is Fun Enough for the Kiddos, But It’s Also Kind of Insane

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CREDIT: Sony Pictures

This review was originally posted on News Cult in February 2018.

Starring: James Corden, Domhnall Gleeson, Rose Byrne, Daisy Ridley, Margot Robbie, Elizabeth Debicki, Matt Lucas, Sia, Sam Neill

Director: Will Gluck

Running Time: 93 Minutes

Rating: PG for Cartoonish, But Quite Dangerous, Violence

Release Date: February 9, 2018

For the most part, Peter Rabbit is just another trifling kids movie with CG-animated animals. It is not the worst of the menagerie, though it is far from the best. But like many movies of this ilk, it also raises some weird metaphysical conundrums that I do not think it ever planned on grappling with but that it cannot avoid entirely. When you have anthropomorphic animals interacting with humans, especially when those humans are played by live-action actors, you have to decide how much the humans can recognize the critters’ extraordinary abilities. When the beasts talk to each other, does it just sound like animal noises to people? Or can they hear it perfectly, thus forcing the animals to be discreet? Or maybe there is only Dr. Dolittle-type, going mad over the loneliness of his interspecies communication powers.

In this case, Peter (James Corden), his triplet sisters Mopsy (Elizabeth Debicki), Flopsy (Margot Robbie), and Cottontail (Daisy Ridley), and their cousin Benjamin Bunny (Matt Lucas) are quite sneaky, and as their schemes become more and more elaborate, there is no reason to pretend that they are not fully intelligent creatures. The confirmation that they can in fact talk to humans is a rather sloppy reveal, as it begs the question: how have they hidden this secret for so long? Regardless of what mysterious machinations they have pulled off, the narrative requires that they spill the truth, considering that Peter is responsible for extensive property damage, and furthermore, he wants to apologize to Bea (Rose Byrne), the human that he loves, and make peace with Thomas McGregor (Domhnall Gleeson), the human that he has been torturing. This all makes for a resolution that is sweet but with disturbing subtext.

But beyond that, this is a fairly typical entry for this genre, as typified by its soundtrack of the pop hits of the past twenty years. Len’s “Steal My Sunshine,” Basement Jaxx’s “Do Your Thing,” and Portugal. The Man’s “Feel It Still” will keep the kids bouncing in their chairs without challenging their soundscapes. Lady Bird can take note that Peter’s use of Dave Matthews Band’s “Crash Into Me” is not similarly profound. Elsewhere, the film’s raison d’être is excessively painful physical gags, including a truly worrying number of electrocutions (this is nowhere near as gentle as Beatrix Potter’s source material). There is a rake gag that I must admit I chuckled at, though I am concerned that the target audience will not realize how heavily indebted it is to The Simpsons. And that is indicative of the whole: a satisfying diversion, but with some worrisome implications.

Peter Rabbit is Recommended If You Like: MouseHunt, Dr. Dolittle, the Pop Dance Hits of Today!

Grade: 3 out of 5 Winking Rabbits