This One Weird Trick Helped Me Watch ‘Lilo & Stitch’ (2025), ‘Thunderbolts*,’ and ‘Bring Her Back’

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They brought Stitch back! And he brought the Thunder (CREDIT: Ingvar Kenne/A24; Disney/Screenshot; Marvel/Screenshot)

Lilo & Stitch (2025)

Starring: Maia Kealoha, Chris Sanders, Sydney Elizabeth Agudong, Zach Galifianakis, Billy Magnussen, Courtney B. Vance, Hannah Waddingham, Kaipo Dudoit, Tia Carrere, Amy Hill

Director: Dean Fleischer Camp

Running Time: 108 Minutes

Rating: PG

Release Date: May 23, 2025 (Theaters)

Thunderbolts*

Starring: Florence Pugh, Sebastian Stan, Wyatt Russell, Olga Kurylenko, Lewis Pullman, Julia Louis-Dreyfus, David Harbour, Hannah John-Kamen, Geraldine Viswanathan, Chris Bauer, Wendell Pierce

Director: Jake Schreier

Running Time: 126 Minutes

Rating: PG-13

Release Date: May 2, 2025 (Theaters)

Bring Her Back

Starring: Billy Barratt, Sally Hawkins, Sora Wong, Jonah Wren Phillips, Sally-Anne Upton, Stephen Phillips, Mischa Heywood

Directors: Danny and Michael Philippou

Running Time: 104 Minutes

Rating: R

Release Date: May 30, 2025 (Theaters)

Okay, wow, I just noticed something weird. Or maybe not that weird. And maybe millions of other folks have already noticed this before me. But that doesn’t mean it’s not weird!

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The Spirits in ‘Night Swim’ Offer a Devil’s Bargain

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Take a dip? (CREDIT: Universal Pictures)

Starring: Wyatt Russell, Kerry Condon, Amélie Hoeferle, Gavin Warren, Nancy Lenehan, Jodi Long, Rahnuma Panthaky, Eddie Martinez, Elijah J. Roberts

Director: Bryce McGuire

Running Time: 98 Minutes

Rating: PG-13 for Creepy Black Goo and A Few Near-Drownings

Release Date: January 5, 2024 (Theaters)

What’s It About?: Professional baseball player Ray Waller (Wyatt Russell) and his wife Eve (Kerry Condon) are shopping for a new home that will hopefully afford him some space to adjust after a recent multiple sclerosis diagnosis forced him to take time away from the game. They settle on a cozy suburban spot with a backyard swimming pool that has a very unusual feature: it’s connected to the groundwater! Also, it’s haunted. However, when Ray takes a dip, it’s more like a fountain of youth, as his symptoms begin to miraculously fade away. Unfortunately the pool has a bit of a tit-for-tat arrangement with all of its owners: for every person it cures, it must consume someone else. That certainly doesn’t bode well for Ray and Eve’s kids Izzy (Amélie Hoeferle) and Elliot (Gavin Warren).

What Made an Impression?: A New Mythology?: For much of Night Swim, I couldn’t help but ask, “When are we going to discover that this pool was built on an ancient burial ground?” While the premise is certainly Poltergeist-y, the aesthetics are more beholden to turn-of-the-20th century J-horror, especially when the strands of dark black hair of previous victims peek through the pool’s filter. But writer-director Bryce McGuire has ultimately crafted his own unique dark parable. It’s an expansion of the short film he made in 2014 (along with Rod Blackhurst, who has a story credit on the feature), but it also feels like it could be drawing from the mythology of some nation or ethnic group that I’m not terribly familiar with. If that’s the case, I’d love to dig deeper into the real-life inspiration. Although as far as I can tell, this was mostly McGuire’s creation. It’s a creepy enough scenario, although I do wish I had been more viscerally freaked out instead of focusing on all this pondering.
Shifting Moods, Shifting Tones: Each member of the Waller clan besides Ray has their own ghostly experience that convinces them that the pool is not to be trusted. But young Elliot is the only one who responds to that realization with much urgency. His older sister and mom do have flashes of taking the threat seriously, but they’re distracted by more earthbound concerns. (Maybe there’s a point being made about losing touch with the supernatural as you get older?) When it eventually gets to a point that they can’t deny what’s right in front of their eyes, they often remain rather stone-faced. Perhaps this family just isn’t very expressive.
It all builds and falls to a rather matter-of-fact resolution despite a notably tragic climax. I don’t know if McGuire ever fully figured out what tone he was aiming for. Or if he did, I’m not sure he clearly conveyed that to his cast. Still, there’s enough creepy imagery and a solidly unnerving premise to make Night Swim worth a lukewarm recommendation despite all the awkwardness.

Night Swim is Recommended If You: Saw all the gunk trapped in a pool filter and then thought, “Hey, what if that’s haunted?”

Grade: 3 out of 5 Marco Polos

This Is a Movie Review: ‘Overlord’ is Evidence That the Nazi Mad Scientist Genre is Still Relevant

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CREDIT: Paramount Pictures

This review was originally published on News Cult in November 2018.

Starring: Jovan Adepo, Wyatt Russell, Mathilde Ollivier, John Magaro, Pilou Asbæk, Gianny Tauffer, Iain De Caestecker, Jacob Anderson, Bokeem Woodbine

Director: Julius Avery

Running Time: 110 Minutes

Rating: R for Soldier Profanity, War Violence, and Bloody Disturbing Mad Science

Release Date: November 9, 2018

It turns out that Nazism was never fully obliterated from the planet. Indeed, it’s 2018, and there are still people who are willing to self-identify as Nazis out in the open. So why shouldn’t there still be movies about evil Nazi doctors experimenting on people? They could even be set in the present day without straying too far from reality. Overlord, for one, is set during World War II, and the combat setting certainly cranks up the terror, but I cannot help but wonder if it would be even scarier if its characters stumbled upon a still-functioning Nazi mad science bunker in the 21st century.

What is striking about Overlord is its hybrid nature. This isn’t a war movie that turns into a monster movie once the experiments are stumbled upon. Instead, it remains very much a war movie even after the monsters start stalking around. The mission that sets off the action is an American paratrooper squad flying in to destroy a German radio tower in a church on the eve of D-Day. When they discover the experiments taking place within the church’s attic, they are steely enough to not be overwhelmed. They are freaked out, sure, but they still have to complete the mission. If they can manage to blow up the lab and save a little French boy while they’re at it, then all the better!

The experimentation consists of little more than inserting a serum into recently deceased soldiers, but things get really weird when the wounded-but-not-quite-dead start using it as well. The results of these injections manage to be so disturbing because they do not exactly heal any wounds but instead just bypass them. Supersoldiers are created, but they have gaping holes in their bodies and faces, not to mention the side effects of thoroughly oily skin and violently protruding bones. It is a credit to the main characters’ courageousness that they are able to behold affronts to nature and still plow forward with their mission. The message is therefore: the Nazis may be formidable, but we can still defeat them! Monsters exist, and we all need to be prepared

Overlord is Recommended If You Like: Classic mad scientist creature features, with maximum blood and guts and bones

Grade: 3.5 out of 5 Serums

This Is a Movie Review: Aubrey Plaza Stops You Cold in the Instagram Tragicomedy ‘Ingrid Goes West’

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This review was originally posted on News Cult in August 2017.

Starring: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen, Pom Klementieff

Director: Matt Spicer

Running Time: 97 Minutes

Rating: R for Cosplay Hanky-Panky, Surprise Cocaine, and an Amateur Kidnapping

Release Date: August 11, 2017 (Limited)

An early montage of Instagram posts in Ingrid Goes West features Elizabeth Olsen reading out loud the entirety of the captions. This is jarring for a couple of reasons, partly because captions are not designed to be spoken aloud and mainly because the emoji are given concrete descriptions. I would argue that such straightforwardness is antithetical to the spirit of emoji, whose meanings are often implicitly understood but generally maintain a level of fluidity. Similarly, social media posts purport to present a certain specific message, but there are layers of further meaning lurking underneath.

People like Ingrid Thorburn (Aubrey Plaza) interpret public personae with too much unwavering conviction, overly certain that an interaction with a virtual fan is an invitation to become a flesh-and-blood friend. But what Ingrid Goes West suggests is, maybe that is not exactly what she believes. Maybe that rigidity is just a coping mechanism because the alternative is too complicated to handle. Ingrid becomes obsessed with Taylor Sloane (Olsen) not just because her Instagrams of avocado toast represent the height of L.A. cool, but mainly because of the illusion that her life is perfectly put-together. To someone who is obviously mentally ill (and thus whose brain does not allow any stability), that is intoxicating.

Ingrid Goes West is not a condemnation of Instagram, not really. It is just the medium through which some unhealthy behavior that would still exist otherwise happens to be taking place. Still, if you are wrapped up in it, it is an overwhelming medium. What is fascinating about Plaza’s performance is that her excessive social media use does not drive her to make Ingrid excessively fake, but rather unnervingly real. True, she makes “friends” under false pretenses, but her capacity for genuine relationships and deep cavern of pain are what stick with you.

Ingrid Goes West is Recommended If You Like: Crazy Ex-Girlfriend, The Talented Mr. Ripley, The King of Comedy

Grade: 3.5 out of 5 Avocado Toasts