Best Episode of the Season: Bob’s Burgers Season 1

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“Sacred Cow”

The setup for Bob’s Burgers does not seem too different from any other family sitcom: a dad whose wife is just too good to him and who is overwhelmed by his wacky kids.  But these are not your standard wacky sitcom kids.  The kids of Bob’s Burgers are more akin to Statler and Waldorf of the Muppets than they are to any other wacky sitcom kids, in that their dialogue tends to act as a running commentary on the plot action, as opposed to normal conversation.  They are, though, still in fact ensconced in the world in which they inhabit, but they bring their own wacky perspective to their family’s situation such that the only way to make sense of them is to think of them as inhabiting their own weird worlds through which they observe everyone else.  When a documentary filmmaker pulls the stunt of leaving a cow out in front of Bob’s restaurant, his children react in ways that could in no way be considered supportive.  Louise lambasts him with cries of “Murderer!” and then encourages his disturbing crush on “Moolissa,” Tina believes that Moolissa is sending her messages through her (actually his – Moolissa turns out to be a bull) feces, and I don’t remember exactly what Gene’s reaction was, but I’m sure it was strange and unhelpful.  The children of the Belcher clan are ultimately so lovable because they are so confident about themselves, despite inhabiting their own strange little worlds.

Next up: Family Guy

Best Episode of the Season: The Simpsons Season 22

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“MoneyBART”

“MoneyBART” represents a foreign element in a new environment two times over: Lisa Simpson in the world of baseball and the language of sabermetrics in America’s pastime.  Just as baseball “purists” cried foul when Bill James, Paul DePodesta, and Billy Beane ushered in the era of moneyball, Bart bemoans what happens to his Little League team when Lisa becomes the manager, even though the Isotots move up to the top of the standings.  Lisa knows nothing about baseball until she becomes enamored with sabermetrics.  “It’s a triumph of number crunching over the human spirit!”  Bart wonders what happened to the game he grew up with, and as with real-life baseball traditionalists, it is not clear that he really knows what makes baseball great, bemoaning as he does the “misty ballparks” of corporate-owned Enron Field and “Pac-Bell, then SBC, now AT&T Park.”  There is a good deal of yin and yang to baseball, and the ability of the writers of The Simpsons to recognize all of its diverse elements make “MoneyBART” one of the most joyful episodes in a while.  The Simpsons-specific gags weaved into the baseball moments were on target as well (Milhouse reveals that his parents are brother and sister, he thinks; Nelson reminds Bart that they are no longer cellar dwellers – “well, at least the team isn’t”; and this gem from the baseball announcer – “speaking of Homer, Bart’s father’s name is, you guessed it, not on my fact sheet”).

Next up: Bob’s Burgers

Best Episode of the Season: American Dad! Season 7

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“A Piñata Named Desire”

The great thing about bad acting is when it is presented as such.  It takes talent to be a bad actor on purpose, and when that talent is present, hilarity ensues.  As this is a plain truth, it is fun when it is presented in an unusual way, as was the case in the best episode of this season of American Dad!  Stan is a bad actor, and this has made him a liability when he is undercover for the CIA.  This bad acting manifests itself in – of all things – the way in which he carries a glass of water.  Thus, bad acting is presented in an unusual context and rendered absurd.  As the story develops with Roger helping Stan with his acting, American Dad! becomes further and further involved in its strange little self, which is what the best episodes of this strange little show tend to do.  It is ridiculous that Stan and Roger are playing parts in “Piñata Man” that really do not fit them, let alone the persistently ridiculously fact that Roger is an alien who looks clearly different than the humans he is surrounded by, and the ridiculousness is amped up by Stan and Roger’s one-upmanship game of sexual acts, but that is the world of American Dad! for you.

Next up: The Simpsons

Best Episode of the Season: Saturday Night Live Season 36

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“696 – Miley Cyrus/The Strokes”

The guest host may be the face of any given SNL episode, and he or she may make a big difference in terms of how successful the episode is, but ultimately it is up to the cast and the writers to determine if any particular episode is going to be a classic or not.  Hosts on the level of Jon Hamm and Zach Galifianakis can wring a few laughs out of mediocre premises, but it helps if the material is good in the first place.  Miley Cyrus was not among the very best hosts of the season, but she was perhaps the luckiest, arriving as she did on a week in which the cast and writers were clearly invigorated.  There were essentially no duds in the sketch lineup, and several strong performances were delivered from across the cast: Kenan as apl.de.ap and Raven Symoné, Andy as Taboo, Fred as Richie Inez, Jr., Bobby as Anthony Crispino, Bill as Charlie Sheen, Vanessa as Miley Cyrus, and Taran as Francois.

Next up: American Dad!

Best Episode of the Season: Running Wilde Season 1 (First and Only Season!)

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“The Junior Affair”

The most maddening aspect of the one-season run of Running Wilde was the fact that every episode consisted of a misunderstanding between Steve and Emmy that arose because they would pathologically hide their true motivations.  That their relationship was always in this state was a little hard to accept, either because of its lack of believability or its lack of sense.  But thanks to the talents of Will Arnett and Keri Russell, this was also paradoxically the most consistently funny aspect of the show.  “The Junior Affair” stood out as the best of the series, because it dropped that maddening aspect by making it so that Steve and Emmy’s misunderstandings were not with each other, but with people who did not have confused motivations.  In attempting to help Puddle with a rich classmate who she has a crush on, Steve and Emmy both practice inadvertent seduction, a clueless Steve towards the father of the boy (as played by the always welcome Andy Richter) and an overeager Emmy towards the boy himself.  Ultimately, it turns out that Puddle has been getting in on the motivation-hiding that Steve and Emmy practice so diligently, as it is revealed that she had actually been giving them the runaround to prevent them from getting involved in her love life in the first place, and Running Wilde presented itself as the ultimate metaphor on television for a dog chasing its own tail.

Next up: Saturday Night Live

Best Episode of the Season: Parks and Recreation Season 3

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“Road Trip”

We love relationships on TV when they are in the pre-consummation stage because of the romantic tension inherent in that stage.  Tension makes for great entertainment.  By the time of “Road Trip,” Leslie and Ben both knew their feelings for each other, but a relationship had not yet begun due to a strongly enforced guideline against interoffice romance.  Thus, the tension became even more frustrated.  And when there is a problem, you can count on Leslie Knope to make a spectacle out of dealing with that problem, as she did so marvelously with her anti-romantic mix CD for her road trip with Ben.  Meanwhile, the subplot of Tom testing out his Newlywed Game ripoff, “Know Ya Boo,” provided perhaps the steadiest stream of laughs of the entire season, particularly Tom’s rundown of esoteric cable channels (Boom, Zip, Wow, Slurp, Slurp Latin, Slurp HD).  Donna and Jerry’s success as a couple on “Know Ya Boo” was an old, but often hilarious, sitcom staple: characters who have previously had little interaction together displaying a freakily uncanny knowledge of each other.

Next up: Running Wilde

2011 Mid-Year Report

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2011 is halfway through, and it is time for us to take a breath and get ourselves prepared for what we may very well have to include six months from now in the roundup of the best in entertainment for the whole year.

Best in Movies
The best films I have seen so far this year are Bridesmaids and Midnight in Paris.  I haven’t caught The Tree of Life, so I can’t yet say if it loves up, or down, to the hype.

In Midnight in Paris, Woody Allen pulled out his best directing tricks since those he showed off in Match Point.

Woody’s literacy also earns him accolades for his screenplay, while Kristen Wiig and Annie Mumolo wrote a fascinating look at female friendship with Bridesmaids.

As for acting, the top female leads were Kristen Wiig (Bridesmaids) and Saoirse Ronan (Hanna), while James McAvoy and Michael Fassbender (X-Men: First Class) led the way for the men.  The top supporting ladies were Melissa McCarthy (Bridesmaids) and Lin Shaye (Inisidious).  The Supporting Actor fielded is already crowded, with Kevin Bacon (X-Men: First Class), Bruno Ganz (Unknown), Peter Sarsgaard (Green Lantern), and Corey Stoll as Ernest Hemingway (Midnight in Paris).

Best Trailers
Hanna blew our mind with its wild tonal shifts, X-Men: First Class promised us a visceral period piece, and the wedding invitation in The Twilight Saga: Breaking Dawn: Part 1 marked the ultimate in cheese.

Best in Television
The top shows that I caught that debuted in 2011?  Portlandia, Sports Show with Norm Macdonald, and Bob’s Burgers at number 1.  Honorable mentions go to Perfect Couples and Happy Endings.

Best Songs
At the top is, of course, Adele with “Rolling in the Deep,” while former Tony! Toni! Toné! member Raphael Saadiq brought the funk with “Stone Rollin.'”

Best Music Videos
Guest stars galore has been the name of the game for great music videos for 2011.  First off, two clips from Chris Marrs Piliero: Ke$ha’s “Blow” (featuring James Van Der Beek) and the Black Keys’ faux-trailer in “Howlin’ for You” (featuring Tricia Helfer, Corbin Bernsen, Sean Patrick Flanery, and Todd Bridges).  There were also twisted tales from Katy Perry – “Last Friday Night (T.G.I.F.),” with Darren Criss, Kevin McHale, Rebecca Black, Hanson, Kenny G, Corey Feldman, and Debbie Gibson – and Martin Solveig ft. Dragonette – “Hello,” with tennis stars Novak Djokovic and Gael Monfils and fellow DJ Bob Sinclair.  Meanwhile, sans guest stars, Taylor Swift was at her cutest and wittiest yet in “The Story of Us.”

VH1 Top 20 Countdown – 7/2/11

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The single release cycle is going too fast.

Original Version
1. Taylor Swift – “The Story of Us”
2. Train – “Save Me San Francisco”
3. Bruno Mars – “The Lazy Song”
4. Andy Grammer – “Keep Your Head Up”
5. Jason Derülo – “Don’t Wanna Go Home”
6. Katy Perry – “Last Friday Night (T.G.I.F.)”
7. OneRepublic – “Good Life”
8. Adele – “Rolling in the Deep”
9. Christina Perri – “Arms”
10. David Cook – “The Last Goodbye”
11. Foo Fighters – “Walk”
12. The Civil Wars – “Barton Hollow”
13. Jennifer Lopez ft. Pitbull – “On the Floor”
14. Linkin Park – “Iridescent”
15. Steven Tyler – “(It) Feels So Good”
16. Lady GaGa – “The Edge of Glory”
17. Pitbull ft. Ne-Yo, Afrojack, and Nayer – “Give Me Everything”
18. Britney Spears – “I Wanna Go”
19. Martin Solveig ft. Dragonette – “Hello”
20. Raphael Saadiq – “Stone Rollin'”

Jmunney’s Revision
1. Rolling in the Deep
2. Stone Rollin’
3. Hello
4. Walk
5. The Story of Us
6. Barton Hollow
7. Last Friday Night (T.G.I.F.)
8. The Edge of Glory
9. Good Life
10. I Wanna Go
11. On the Floor
12. Save Me San Francisco
13. Give Me Everything
14. Iridescent
15. (It) Feels So Good
16. Arms
17. Don’t Wanna Go Home
18. Keep Your Head Up
19. The Last Goodbye
20. The Lazy Song

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