What Won TV? – March 24-March 30, 2014

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In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.

Sunday – Bob’s Burgers
Monday – RuPaul’s Drag Race managed to snatch the Monday title away from Rick and Morty.
Tuesday – Brooklyn Nine-Nine wrapping up a solid first season
Wednesday – Everything I watched was solid, so I’ll spotlight Modern Family, which had its best episode in at least two years.
Thursday – Review
Friday – Hannibal (But The Neighbors was also good!)
Saturday – Louis C.K. was reliably great on SNL.

SNL Recap March 29, 2014: Louis C.K./Sam Smith

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HealthCare.Gov Meeting
The joke here seemed to be that the president was reluctant to participate in social media campaigns, which is a huge misread on reality, because Obama obviously loved doing Between Two Ferns and revealing his March Madness bracket.  Kyle as the Pope was interesting, though, despite sounding more Italian than Argentinian. C+

Louis C.K.’s Monologue
This is one of the best monologues of the season basically by virtue of being the only stand-up comedy monologue thus far.  Now, Louie is obviously a living legend, but if there is going to be a stand-up monologue, I would prefer if it had a sort of event feel to it, as in Zach Galifianakis’ appearances.  But that’s enough complaining, because this was great material that was tightly put together.  “I don’t know when God started” and “Maybe your life is your weekend with Dad” were the top lines, and how have I not heard words of wisdom like this on the wifebeater until now? A-

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VH1 Top 20 Countdown – 3/29/14

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Each week, I check out VH1′s Top 20 countdown, and then I rearrange the songs based on my estimation of their quality.

Original Version
1. Lorde – “Team”
2. Pharrell – “Happy”
3. Bastille – “Pompeii”
4. One Direction – “Story of My Life”
5. American Authors – “Best Day of My Life”
6. John Legend – “All of Me”
7. Jason Derulo ft. 2 Chainz – “Talk Dirty”
8. Katy Perry ft. Juicy J – “Dark Horse”
9. Demi Lovato – “Neon Lights”
10. Aloe Blacc – “The Man”
11. Beyoncé ft. Jay-Z – “Drunk in Love”
12. A Great Big World and Christina Aguilera – “Say Something”
13. Fitz and the Tantrums – “The Walker”
14. Paramore – “Ain’t It Fun”
15. “Ellie Goulding” – “Burn”
16. Shakira ft. Rihanna – “Can’t Remember to Forget You”
17. Christina Perri – “Human”
18. Avicii ft. Dan Tyminski – “Hey Brother”
19. Ingrid Michaelson – “Girls Chase Boys”
20. Imagine Dragons – “On Top of the World”

Jmunney’s Revision
1. Dark Horse
2. Happy
3. Team
4. The Man
5. Pompeii
6. Hey Brother
7. Drunk in Love
8. Can’t Remember to Forget You
9. Ain’t It Fun
10. Burn
11. The Walker
12. On Top of the World
13. Talk Dirty
14. Girls Chase Boys
15. Best Day of My Life
16. Say Something
17. Neon Lights
18. All of Me
19. Human
20. Story of My Life

Fuse Top 20 Countdown – 3/25/14

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Each week, I check out FUSE’s Top 20 countdown, and then I rearrange the songs based on my estimation of their quality.

Original Version
1. Pharrell – “Happy”
2. John Legend – “All of Me”
3. Katy Perry ft. Juicy J – “Dark Horse”
4. Jason Derulo ft. 2 Chainz – “Talk Dirty”
5. Aloe Blacc – “The Man”
6. Bastille – “Pompeii”
7. Lorde – “Team”
8. American Authors – “Best Day of My Life”
9. Avicii – “Hey Brother”
10. Pitbull ft. Ke$ha – “Timber”
11. Beyoncé ft. Jay-Z – “Drunk in Love”
12. A Great Big World and Christina Aguilera – “Say Something”
13. OneRepublic – “Counting Stars”
14. Passenger – “Let Her Go”
15. Kid Ink ft. Chris Brown – “Show Me”
16. One Direction – “Story of My Life”
17. Shakira ft. Rihanna – “Can’t Remember to Forget You”
18. Imagine Dragons – “Demons”
19. MKTO – “Classic”
20. Demi Lovato – “Neon Lights”

Jmunney’s Revision
1. Dark Horse
2. Happy
3. Team
4. The Man
5. Demons
6. Pompeii
7. Hey Brother
8. Drunk in Love
9. Can’t Remember to Forget You
10. Timber
11. Counting Stars
12. Let Her Go
13. Talk Dirty
14. Best Day of My Life
15. Say Something
16. All of Me
17. Show Me
18. Neon Lights
19. Classic
20. Story of My Life

This Is A Movie Review: Non-Stop

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Non-Stop-Liam-Neeson
When Liam Neeson entered the action star portion of his acting career, my reaction was, “Yes, of course.”  Actually, I may not really have had any reaction at all because the one-man army role suited him so well that I hardly noticed any difference.  This is partly a way of getting at the fact that Neeson’s action stardom has been more successful than the actual movies have been.  He made Taken work as well as it did by sheer force of will, but I found that movie to be too distressing and overly tidy to be able to embrace it completely.  His subsequent lone hero actioners have for the most part been variations on Taken.  No doubt about it, Non-Stop is Taken on a Plane, but I preferred it to the kidnapping thriller because it was just so insane that I might have had to lose my mind, and I was happy to.

(GENERALLY SPOILER-ISH INFORMATION FROM HERE ON OUT, BECAUSE I FEEL THE NEED TO TALK ABOUT THIS MOVIE IN SPECIFIC TERMS.)  Non-Stop is filled with improbabilities right from the get-go.  Neeson plays Bill Marks, a federal air marshal who has turned to the bottle to deal with his daughter’s death.  The fact that Marks still gets assigned jobs despite obviously being affected by his drinking and the cause of his alcoholism being overly pat strain credulity, but it is actually purposeful to the narrative that his competence is suspect and that information about his troubles could be public knowledge.  Anyway, though, Non-Stop gets away with most or all its implausibility by being upfront about it.  A movie that crosses a classic mad-villain extortion scheme with a cat-and-mouse game at 30,000 feet is not aiming for everyday verisimilitude.

In addition to reveling in its absurdity, Non-Stop excels in its suspense by establishing just about every character as a legitimate suspect.  Julianne Moore, as Marks’ seat neighbor, is overly talkative.  Scoot McNairy, who excels at playing slimy (check him out getting into deep shit in Killing Them Softly) plays a punk who is rather inquisitive about what plane Marks will be getting on.  Certain traps and killing maneuvers suggest action in areas of the plane that only the pilots and flight attendants would have access to.  A second marshal is the only other one who should be on the cellular network that Marks is receiving the threatening texts from.  Corey Stoll is an overly aggressive New York City cop who questions why Marks doesn’t give the Muslim passenger as thorough a shakedown as he gives everyone else.  This seems like a typical moment playing on post-9/11 paranoia, but it may actually be a matter of class or profession bias, as Marks may have overlooked him because he is a doctor.

(THINGS GET EVEN MORE SPOILERY IN THIS PARAGRAPH.)  The nature of the manhunt suddenly changes in the final act when it is revealed that the killings are not just going to be those happening one by one every 20 minutes due to the revelation of a bomb, which had earlier been disguised by cocaine.  This new crisis prompts Marks, who has been backed into a corner by passengers suspicious of him, to reveal everything about his previously secretive investigation.  This sequence sets quite a benchmark for excitement that the rest of the 2014 film slate will have a tough time matching.

If you are worried that too many twists and turns have been spoiled by the promotion of this movie, don’t be.  While the trailer does include a fair amount of footage from the final act – and, admittedly, does feature as its centerpiece the most memorable shot of a pivotal struggle – there is actually a fair amount of misdirection.  The first death in particular does not go down exactly as the previews would lead you to believe.

Non-Stop falters a little bit with its ending, as the motivation for the extortion is revealed – it tries to be straightforward, which is difficult amidst all the insanity.  I did not have a problem with the spirit of the motivation itself, or how it went about being explained, so much as the fact that it was a bit too simplistic.  Still, that does not take away from all the highly pressurized excitement that precedes it. A-

What Won TV? – March 16-March 23, 2014

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In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.

Sunday – Bob’s Burgers
Monday – Rick and Morty, with the best episode of television of 2014 so far
Tuesday – Justified
Wednesday – Billy on the Street, featuring the incredible return of Elena
Thursday – Review, with the 2nd best episode (or THE best?) of television of 2014 so far
Friday – Hannibal, of course, but I’d like to point out that Whose Line is it Anyway? is back and its CW version is really coming into its own.
Saturday – I was busy, so I didn’t have that much time to watch March Madness.

VH1 Top 20 Countdown – 3/22/14

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Each week, I check out VH1′s Top 20 countdown, and then I rearrange the songs based on my estimation of their quality.

Original Version
1. One Direction – “Story of My Life”
2. American Authors – “Best Day of My Life”
3. Lorde – “Team”
4. Pharrell – “Happy”
5. Bastille – “Pompeii”
6. Katy Perry ft. Juicy J – “Dark Horse”
7. John Legend – “All of Me”
8. A Great Big World and Christina Aguilera – “Say Something”
9. Jason Derulo ft. 2 Chainz – “Talk Dirty”
10. Demi Lovato – “Neon Lights”
11. Beyoncé ft. Jay-Z – “Drunk in Love”
12. Ellie Goulding – “Burn”
13. Aloe Blacc – “The Man”
14. Fitz and the Tantrums – “The Walker”
15. Shakira ft. Rihanna – “Can’t Remember to Forget You”
16. John Newman – “Love Me Again”
17. Paramore – “Ain’t It Fun”
18. Christina Perri – “Human”
19. Imagine Dragons – “On Top of the World”
20. Avicii – “Hey Brother”

Jmunney’s Revision
1. Dark Horse
2. Happy
3. Team
4. The Man
5. Pompeii
6. Love Me Again
7. Hey Brother
8. Drunk in Love
9. Can’t Remember to Forget You
10. Ain’t It Fun
11. Burn
12. The Walker
13. On Top of the World
14. Talk Dirty
15. Best Day of My Life
16. Say Something
17. All of Me
18. Neon Lights
19. Human
20. Story of My Life

Community Episode Review: 5.10 “Advanced Advanced Dungeons & Dragons”

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Chang_DavidCross
It may seem like a risky decision for a fifth-season show to focus an episode around a character who was just introduced that season.  But luckily, Buzz Hickey is a great character.  And just as luckily – well, this part might not be so much a matter of luck – his son Hank is played by David Cross, who in addition to being one of the most important people in American comedy, is also just a really great actor.  When he trusts the material, he has a simple presence of just being in the narrative.  He is basically being himself, so his skill doesn’t really show itself off, but that serves the scene effectively.

Because Buzz Hickey is emotionally rough, it is unsurprising that he is at odds with his son.  (Sidebar: it was a nice moment when it was pointed out that this son wasn’t the gay one.  That one, Buzz gets.  I mean, I expect Community to be progressive, but it’s still worth pointing out.)  Since Dan Harmon loves Dungeons & Dragons, he has decided that Hank Hickey is a D&D player.  That explanation may sound a little flip on my part, but I actually meant for it to be matter-of-fact.  Apparently D&D is a major nerdy pursuit, but I don’t personally know anybody who plays it, or if I do, I don’t know that they play it.  I think it might be a generational thing.  Dan Harmon is a bona fide Gen-X’er, and Gen-X nerds are probably more likely to be D&D’ers than other generations.  Fittingly, David Cross is also a Gen-X’er.

This is in part a roundabout way of saying that I am okay with the fact that Community is doing a second Dungeons & Dragons episode more or less just for the hell of it.  The first D&D outing is one of the best the show has ever done; it was unlikely that this episode was ever going to match it, and it wasn’t trying to do the same things anyway.  The original came at a major turning point in the intra-group conflict between Pierce and everyone else, and Neil’s crisis was much more urgent than that of the Hickeys.  (I was a little surprised that Jeff mentioned how they may have prevented a suicide last time.  I mean, I always assumed that was the implication, but I don’t think the show has ever directly acknowledged that, so it was a little heavy to hear it.)

I might actually consider “Advanced Advanced D&D” to be one of – to use Harmon’s terminology – Community‘s “pizza” episodes.  That is to say, an episode that like pizza is not trying anything too fancy or unusual but can still be successful.  Pizza episodes tend to be reliable, as even bad pizza is still pizza.  Dungeons & Dragons, though perhaps not a frequent occurrence, is enough of a part of these people’s lives such that the whole structure of the show does not need to be re-organized to have this episode make sense.  There were some flourishes to make this outing feel like an entry in the fantasy genre, but of course every Community episode has references and they were all very much still in Abed and Annie’s apartment the whole time.

It was interesting how the study group tried to use the fact that they are all in a much better place than they were in Season 2 to help the Hickeys solve their impasse.  Jeff almost immediately offered his experience with daddy issues to nip this conflict away.  The fact that everyone was so eager to help Buzz and Hank speaks to the fact that there wasn’t any legitimate animosity with anyone else besides the Hickeys.  There was some playful animosity, but nothing worse than Jeff shoving Britta’s face in a puddle as one of his game moves.  The Hickey drama was sufficiently detailed, but it was also kind of its own thing.  Unlike Neil, Hank probably will not be showing up again.  I would be happy to see him, but there is no obvious reason why he should be hanging out around Greendale.

As for the lack of development among the regular Greendalians, there actually was some characterization present in, weirdly enough, the tag.  Abed practicing Dungeon Mastering with Annie’s “stuffies” was an inspired peek into the time that he must have spent working on that huge book of game scenarios he pulled out during the main action.  But, more tellingly, this scene also established what places Abed’s need for play take him without a partner like Troy always around.  Annie may be up for an occasional romp in the Dreamatorium, but not as often as Abed is.

Speaking of Annie, I love how attached she is to her stuffed animals.  Hitfix‘s Alan Sepinwall recently had a lengthy interview with Harmon, which covered, among other topics, Annie’s recent maturation.  Now, I am happy that this season has given her plenty to do, but I resent the implication that her dressing in skirts and bright colors, and her purple pens, and her feelings for Jeff have been signs of immaturity in past seasons.  These elements have always struck me as parts of Annie’s personality and never mutually exclusive with her maturity.  So I hope all those colorful aspects of her do not disappear, but if some of them must, at least she is still allowed to have her “stuffies.”

All in all, I enjoyed this episode more than I didn’t.  It may seem like I spent most of this review talking about what I didn’t like, but it’s not like I hated what I didn’t like.  It’s just that it needed to be talked about, while the good stuff wasn’t insisting that it be dissected.

And now, the bullet-point portion of the review:
-The Dean’s behavior towards Jeff got a little too close to harassment territory, but at least a good portion of that was acting as his D&D character.  Also, the father-son angle was a little poignant in light of his moment with Duncan in the “Bondage and Beta Male Sexuality” tag.
-The sound mix was really on fire.
-The “Times Square” joke could have been really hacky, but the editing was perfect, and Ken Jeong’s delivery was spot-on.
-Annie wonders aloud if Hickey’s problem with his son is an “emergency collage situation.”
-“Dingleberry” was Chang’s mom’s nickname for him.
-“If we lose, I’m going to punch each of you in the heart.”  Hickey then continued to discuss his heart-punching experience.
-“I’ll imaginary sleep when I’m imaginary dead.”
-DINGLEBERRY SMASH!

This Is a Movie Review: Winter’s Tale

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winters-tale-russell-crowe-colin-farrell-595x600
Will Smith plays Lucifer.  The story jumps ahead 100 years with no explanation.  Will Smith wears a blazer over a Jimi Hendrix T-shirt – in 1916.  Russell Crowe speaks in an Irish accent with no explanation.  Kevin Corrigan plays Kevin Durand’s grandfather.  There is a horse named “Horse,” but apparently it’s actually a dog, but really it’s a pegasus.  Will Smith reads A Brief History of Time while hanging out under a bridge.  I understand if you now want to run out to go see Winter’s Tale right away, but be forewarned, other than the moments I’ve mentioned, it’s more boring than crazy.  (Also, it probably isn’t even in theatres anymore anyway.)

When I saw the trailer for Winter’s Tale, it initially looked like typical romance goop, albeit goop with a strong cast, but then it started jumping back and forth in time and got all mystical, and I thought, “This could be interestingly crazy.”  And there are parts when it is appreciably interestingly crazy.  When Winter’s Tale is on, it is batshit.  But most of the time, it is plainly underwhelming, and most of the actors don’t really seem to have any idea what they are doing.

There is some message in this film about how the stars and the light shine through and connect everything and make miracles possible, and all that is actually not as annoyingly bullshitty as it sounds.  It doesn’t make much sense, but it doesn’t come off as insulting because it is so nebulous.  It sounds like the ramblings of a crazy person who might actually have some insight but who is operating on a plane of existence so far removed from everyone else.  But it doesn’t sound like it is supposed to be crazy because the dialogue about it is delivered with such conviction by Jessica Brown Findlay.

Supposedly the novel Winter’s Tale is based on, written by Mark Helprin, is something of a modern classic.  I haven’t read it, but I still got the sense that the film chopped off at least half of the book’s narrative and subsequently didn’t bother to explain what was missing.  It’s worth watching Winter’s Tale if only to listen to the episode of the podcast How Did This Get Made? that covers Winter’s Tale, for the sake of hearing Paul Scheer, Jason Mantzoukas, and guest star Andy Daly try to figure out what was missing and for you to try to figure it out along with them.  So ultimately this review is a recommendation of How Did This Get Made?

Fuse Top 20 Countdown – 3/18/14

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Each week, I check out FUSE’s Top 20 countdown, and then I rearrange the songs based on my estimation of their quality.

Original Version
1. Pharrell – “Happy”
2. John Legend – “All of Me”
3. Katy Perry ft. Juicy J – “Dark Horse”
4. Jason Derulo ft. 2 Chainz – “Talk Dirty”
5. Bastille – “Pompeii”
6. Aloe Blacc – “The Man”
7. Lorde – “Team”
8. American Authors – “Best Day of My Life”
9. A Great Big World and Christina Aguilera – “Say Something”
10. Beyoncé ft. Jay-Z – “Drunk in Love”
11. Pitbull ft. Ke$ha – “Timber”
12. Avicii – “Hey Brother”
13. Passenger – “Let Her Go”
14. OneRepublic – “Counting Stars”
15. Kid Ink ft. Chris Brown – “Show Me”
16. One Direction – “Story of My Life”
17. Shakira ft. Rihanna – “Can’t Remember to Forget You”
18. Miley Cyrus – “Adore You”
19. Imagine Dragons – “Demons”
20. Demi Lovato – “Neon Lights”

Jmunney’s Revision
1. Dark Horse
2. Happy
3. Team
4. The Man
5. Demons
6. Pompeii
7. Hey Brother
8. Drunk in Love
9. Can’t Remember to Forget You
10. Timber
11. Counting Stars
12. Let Her Go
13. Adore You
14. Talk Dirty
15. Best Day of My Life
16. Say Something
17. All of Me
18. Show Me
19. Neon Lights
20. Story of My Life

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