This post was originally published on News Cult in July 2017.

Starring: Tom Holland, Michael Keaton, Jacob Batalon, Jon Favreau, Robert Downey Jr., Laura Harrier, Marisa Tomei, Zendaya, Tony Revolori, Martin Starr

Director: Jon Watts

Running Time: 133 Minutes

Rating: PG-13 for the Usual Superhero Action

Release Date: July 7, 2017

The problem with the two Spider-Man movies with Amazing in the title (as opposed to the Spider-Man movies that could be accurately described as “amazing”) is that they hewed too closely to what had already been told in recent cinematic history. Spider-Man: Homecoming (the first Spidey flick to take place in the Marvel Cinematic Universe) avoids that issue by crafting a Peter Parker (here played by 21-year-old Tom Holland, who easily passes for 15) that is markedly different than any classic conception. Rather than bounding himself by the code of “with great power comes great responsibility,” this Spider-Man bounds into any crisis with reckless abandon. As a big proponent of not being beholden to source material, I admire this decision, but I wish that director Jon Watts and his team of co-screenwriters had a stronger handle on what exactly this conception means.

This is very much a high school movie, with its emphasis on episodic, almost sitcom-esque structure. But it is also a superhero action flick, so the threats are just as deadly and just as adult as they are in any other Spider-Man or any Avengers film. The tonal bridge between these two halves is plentifully whiplash-inducing. It is absolutely fine to awaken a hero to the dangers of the world, because the hero’s journey has been fruitful for centuries of storytelling, and it is a valuable representation of real-life maturation. Even switching back to scenes of high school shenanigans after fights with the most wanted criminals is theoretically acceptable, because mundanity does exist right alongside evil. But it requires a deft hand to make that balancing act entertaining and palatable, a feat whose difficulty Homecoming vastly underestimates.

What Homecoming succeeds at most is its skillfulness at making fun of itself, or the MCU more generally. I often find blockbuster stabs at humor to be glib and obvious, but it helps when you have comedy heavyweights like Hannibal Buress, Martha Kelly, and Martin Starr (whom Community fans will note is essentially reviving his performance as Professor Cligoris). Still, as funny as it is, it feels out of place. After all, it is essentially window-dressing to the fight that Peter takes up against arms dealing Adrian Toomes (a controlled, but thoroughly sniveling Michael Keaton), who eventually takes flight as a mechanized version of classic comics baddie the Vulture. We’ve previously seen Spidey get into predicaments as stressful as what he gets into here (a rescue atop the Washington Monument, holding together the two halves of a fissured Staten Island Ferry), but never against the context of a Spider-Man who actually looks like a teenager.

Robert Downey Jr.’s Tony Stark stops by for several scenes to lend a hand in some of these most dangerous moments. Holland does not need RDJ’s help to make his first big starring vehicle work, but Peter Parker does need Iron Man’s help to avoid killing himself. It is that alarming realization that makes it clear that this ostensibly light and fluffy actioner has maybe taken on more weight than it can bear. Still, it is enjoyable when it allows itself to be kid’s stuff.

Spider-Man: Homecoming is Recommended If You Like: The Other Spider-Man Movies But Wish That Peter Parker Actually Looked Like a Teenager and That Everyone Was Hitting on Aunt May

Grade: 3.5 out 5 Best Sandwiches in Queens

 

Advertisements