This Is a Movie Review: Wonder Woman

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Has Wonder Woman always been noted for her blunt honesty? Obviously the truth has been a big part of her mythos from the beginning, what with the Lasso of that particular quality. Anyway, I am glad her debut film leans into that. Gal Gadot is strikingly perfect at playing Diana’s frustration that those in the world of man are often not straightforward or honorable. What really sells it are the moments when the truest explanations are beyond the scope of the Lasso. So good on Chris Pine as Steve Trevor for zeroing in on the motivation she needs to become the superhero this world needs right now. Diana’s not giving up on us, so I won’t give up on DC.

I give Wonder Woman 95 Ricochets out of 100 Bullets.

This Is a Movie Review: The Book of Henry

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The Book of Henry has been hailed by some as the next so-bad-it’s-good classic and by others as just one of the worst movies ever. But as I finished watching it, my reaction was, “What’s the big deal?” As I thought it over, though, I realized that some pretty crazy things did happen – Naomi Watts plays video games and buys a gun, Sarah Silverman kisses an 11-year-old on the mouth, Bobby Moynihan doesn’t debut a new catchphrase – but that lunacy does not really take this film to the realm of The Inexplicable. That is because when it comes to the strangest examples of cinema that truly need to be treasured, it is about tone more than plot – the how, not the what. And Book of Henry’s tone just isn’t that singular. It’s maudlin, bland, middle-of-the-road. All the actors are too traditionally competent and/or understated for the weirdness to really land.

Jacob Tremblay is still adorable, though.

I give The Book of Henry 400 “They Did That’s” out of 1000 “Whatever’s.”

Billboard Hot Rock Songs – Week of July 15, 2017

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Each week, I check out the Billboard Hot Rock Songs chart, and then I rearrange the top 25 based on my estimation of their quality. I used to rank all 25, now I just rank the cream of the crop.

Original Version
1. Imagine Dragons – “Believer”
2. Imagine Dragons – “Thunder”
3. twenty one pilots – “Heathens”
4. Portugal. The Man – “Feel It Still”
5. Imagine Dragons – “Whatever It Takes”
6. Rag’n’Bone Man – “Human”
7. The Revivalists – “Wish I Knew You”
8. Lord Huron – “The Night We Met”
9. Imagine Dragons – “Walking the Wire”
10. Fall Out Boy – “Champion”
11. Foo Fighters – “Run”
12. Imagine Dragons – “I Don’t Know Why”
13. Linkin Park ft. Kiiara – “Heavy”
14. Paramore – “Hard Times”
15. The Killers – “The Man”
16. Imagine Dragons – “Rise Up”
17. Imagine Dragons – “I’ll Make It Up to You”
18. Sir Sly – “High”
19. Imagine Dragons – “Start Over”
20. NEEDTOBREATHE – “Hard Love”
21. Bleachers – “Don’t Take the Money”
22. Electric Light Orchestra – “Mr. Blue Sky”
23. Zach Williams – “Old Church Choir”
24. HAIM – “Little of Your Love”
25. Soundgarden – “Black Hole Sun”

Jmunney’s Revision
1. Human
2. The Man
3. Mr. Blue Sky
4. High
5. Black Hole Sun
6. Run
7. Feel It Still
8. Hard Love
9. Little of Your Love
10. Hard Times

Billboard Hot 20 – Week of July 15, 2017

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Each week, I check out the Billboard Hot 100, and then I rearrange the top 20 based on my estimation of their quality. I used to rank all 20, now I just rank the cream of the crop.

Original Version
1. Luis Fonsi and Daddy Yankee ft. Justin Bieber – “Despacito”
2. DJ Khaled ft. Justin Bieber, Quavo, Chance the Rapper, and Lil Wayne – “I’m the One”
3. DJ Khaled ft. Rihanna and Bryson Tiller – “Wild Thoughts”
4. Bruno Mars – “That’s What I Like”
5. Ed Sheeran – “Shape of You”
6. Imagine Dragons – “Believer”
7. Kendrick Lamar – “Humble.”
8. Post Malone ft. Quavo – “Congratulations”
9. Future – “Mask Off”
10. The Chainsmokers and Coldplay – “Something Just Like This”
11. Zedd and Alessia Cara – “Stay”
12. Sam Hunt – “Body Like a Back Road”
13. French Montana ft. Swae Lee – “Unforgettable”
14. Childish Gambino – “Redbone”
15. Lil Uzi Vert – “XO Tour Llif3”
16. Julia Michaels – “Issues”
17. James Arthur – “Say You Won’t Let Go”
18. Shawn Mendes – “There’s Nothing Holdin’ Me Back”
19. Halsey – “Now or Never”
20. Kygo x Selena Gomez – “It Ain’t Me”

Jmunney’s Revision
1. Redbone
2. Stay
3. Humble.
4. Unforgettable
5. Wild Thoughts
6. Now or Never

This Is a Movie Review: ‘A Ghost Story’ Has Intriguing Metaphysical Ideas But Mostly Just Tests My Patience

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This review was originally posted on News Cult in July 2017.

Starring: Rooney Mara, Casey Affleck

Director: David Lowery

Running Time: 87 Minutes

Rating: R for the Cause of Death (Though Most of the Content is Quite Mild)

Release Date: July 7, 2017 (Limited)

If you have heard of David Lowery’s A Ghost Story in passing, chances are you know one of two things about it: 1) the titular ghost is rendered by someone wearing a bedsheet with cutout eyeholes, and 2) Rooney Mara eats an entire pie for about 10 minutes straight. The former sounds dumb but is actually kind of charming, while the latter sounds like an admirable bit of anti-cinema but is actually representative of everything wrong with this movie.

The setup is notably (perhaps fascinatingly) bare-bones: a young couple, presumably married, listed in the credits as “M” (Rooney Mara) and “C” (Casey Affleck), move into an idyllic suburban house. C dies in a car accident and then awakens in the morgue as the sheet-ghost. He returns home and meets another sheet-ghost next door. He keeps an eye on M and occasionally throws some books off the shelf. She eventually moves out, presumably due to grief or maybe because of the supernatural goings-on (hardly anything is concretely explained). He sticks around and meets the new residents, haunting them a bit but mostly just observing them. Ultimately Lowery makes it clear that his conception of ghosts is not bound by the normal rules of time, as a temporal loop allows C to experience anew his and M’s entire relationship, with a few detours along the way.

A Ghost Story has an interesting metaphysical perspective, with its version of the afterlife steeped in feeling as much as ideas. It offers some rewards if you meditate over it, but actually watching it is a slog. The dialogue is sparse, and the action leads nowhere, which is not necessarily a problem if the aim is to be sensuously experiential. And in fairness, Andrew Droz Palermo’s cinematography is pretty to look at, but not so extraordinary that it can justify a movie that mostly just stands still. A film’s purpose does not need to be obvious, but it is preferable if it feels like something more significant than “we just felt like it.”

A Ghost Story is Recommended If You Like: Endlessly Ruminating

Grade: 2.5 out of 5 Pies

This Is a Movie Review: ‘Spider-Man: Homecoming’ Switches Back and Forth Between Amusingly Diverting and Alarmingly Deadly

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This review was originally published on News Cult in July 2017.

Starring: Tom Holland, Michael Keaton, Jacob Batalon, Jon Favreau, Robert Downey Jr., Laura Harrier, Marisa Tomei, Zendaya, Tony Revolori, Martin Starr

Director: Jon Watts

Running Time: 133 Minutes

Rating: PG-13 for the Usual Superhero Action

Release Date: July 7, 2017

The problem with the two Spider-Man movies with Amazing in the title (as opposed to the Spider-Man movies that could be accurately described as “amazing”) is that they hewed too closely to what had already been told in recent cinematic history. Spider-Man: Homecoming (the first Spidey flick to take place in the Marvel Cinematic Universe) avoids that issue by crafting a Peter Parker (here played by 21-year-old Tom Holland, who easily passes for 15) that is markedly different than any classic conception. Rather than bounding himself by the code of “with great power comes great responsibility,” this Spider-Man bounds into any crisis with reckless abandon. As a big proponent of not being beholden to source material, I admire this decision, but I wish that director Jon Watts and his team of co-screenwriters had a stronger handle on what exactly this conception means.

This is very much a high school movie, with its emphasis on episodic, almost sitcom-esque structure. But it is also a superhero action flick, so the threats are just as deadly and just as adult as they are in any other Spider-Man or any Avengers film. The tonal bridge between these two halves is plentifully whiplash-inducing. It is absolutely fine to awaken a hero to the dangers of the world, because the hero’s journey has been fruitful for centuries of storytelling, and it is a valuable representation of real-life maturation. Even switching back to scenes of high school shenanigans after fights with the most wanted criminals is theoretically acceptable, because mundanity does exist right alongside evil. But it requires a deft hand to make that balancing act entertaining and palatable, a feat whose difficulty Homecoming vastly underestimates.

What Homecoming succeeds at most is its skillfulness at making fun of itself, or the MCU more generally. I often find blockbuster stabs at humor to be glib and obvious, but it helps when you have comedy heavyweights like Hannibal Buress, Martha Kelly, and Martin Starr (whom Community fans will note is essentially reviving his performance as Professor Cligoris). Still, as funny as it is, it feels out of place. After all, it is essentially window-dressing to the fight that Peter takes up against arms dealing Adrian Toomes (a controlled, but thoroughly sniveling Michael Keaton), who eventually takes flight as a mechanized version of classic comics baddie the Vulture. We’ve previously seen Spidey get into predicaments as stressful as what he gets into here (a rescue atop the Washington Monument, holding together the two halves of a fissured Staten Island Ferry), but never against the context of a Spider-Man who actually looks like a teenager.

Robert Downey Jr.’s Tony Stark stops by for several scenes to lend a hand in some of these most dangerous moments. Holland does not need RDJ’s help to make his first big starring vehicle work, but Peter Parker does need Iron Man’s help to avoid killing himself. It is that alarming realization that makes it clear that this ostensibly light and fluffy actioner has maybe taken on more weight than it can bear. Still, it is enjoyable when it allows itself to be kid’s stuff.

Spider-Man: Homecoming is Recommended If You Like: The Other Spider-Man Movies But Wish That Peter Parker Actually Looked Like a Teenager and That Everyone Was Hitting on Aunt May

Grade: 3.5 out 5 Best Sandwiches in Queens

 

What Won TV? – June 25-July 1, 2017

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In this feature, I look back at each day of the past week and determine what shows “won TV” for the night. That is, I consider every episode of television I watched that aired on a particular day and declare which was the best.

Sunday – Twin Peaks … yeah, that’s the shit.
Monday – Jeopardy!
Tuesday – Downward Dog (Downward Decision by ABC cancelling this show)
Wednesday – The Carmichael Show
Thursday – The Gong Show
Friday – VICE
Saturday – Doctor Who

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