CREDIT: Gunpowder & Sky

This review was originally posted on News Cult in June 2018.

Starring: Nick Offerman, Kiersey Clemons, Toni Collette, Ted Danson, Sasha Lane, Blythe Danner

Director: Brett Haley

Running Time: 97 Minutes

Rating: PG-13 for A Little Drinking Here, a Little Smooching There, and a Few Outbursts

Release Date: June 8, 2018 (Limited)

There is a certain strain of indie film of the past decade that has turned to stars of recent NBC comedies for its talent pool. I’m talking about flicks like The To Do List with Aubrey Plaza, or Sleeping With Other People with Alison Brie and Jason Sudeikis, or The Skeleton Twins with Kristen Wiig and Bill Hader, or Friends With Kids with Kristen Wiig and Adam Scott, or Girl Most Likely with Kristen Wiig (a mini Kristen Wiig subgenre has kind of emerged, in case you hadn’t noticed). These tend to be more low-key than the zippy antics on the likes of Parks & Rec, Community, and SNL, but the stars are talented actors who definitely have it in themselves to stretch and show off. But there is still often a sitcom-y hangout vibe at play that makes these parts not that big of a departure. The latest example, Hearts Beat Loud, certainly has that low-key style as well, but it transcends it a bit by starring Nick Offerman, one of the more idiosyncratic of the NBC comedy vets.

Offerman plays Frank Fisher, a sometime musician and owner of the struggling Red Hook Records. The resolutely hirsute Offerman has established himself as the man’s man of comedy, both in his work and personal life. He is known for his woodworking, and his most famous character, Parks and Rec’s Ron Swanson, is a staunch libertarian who has codified his rules for proper living. But his gruffness is usually tempered by a mischievous silliness. In Hearts Beat Loud, that takes the form of Frank not being the most diligent with his responsibilities and holding onto a dream of being a rock star. He tries to convince his daughter Sam (Kiersey Clemons) to spend more time making music with him and less time obsessing over preparing for her pre-med college regimen, while she wants him to do a better job of keeping the family’s finances in order.

After a few blowouts, Frank and Sam eventually come to a compromise in which they are able to live and revel in the moment of what is a major transitional time for both of them. They get a little taste of success that might lead to something further, but there is also a sense of accepting and holding onto what is definitely real. The biggest charm of Hearts Beat Loud is perhaps its lived-in quality in Red Hook, an old shipping neighborhood in Brooklyn that is not so easily accessible available by public transport. As such, it has an out-in-the-boondocks feel even though it is not too far from away from more bustling areas. That there-but-not-there geographical situation is fitting for Frank and Sam’s life situation, and accordingly, Hearts Beat Loud, is a comfortingly empathetic viewing experience for anyone reckoning with major scholarly or professional transitions themselves.

Hearts Beat Loud is Recommended If You Like: Parks and Recreation, Record Stores

Grade: 3 out of 5 SoundClouds