CREDIT: Twentieth Century Fox

Starring: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson, Michelle Rodriguez, Eiza González, Lana Condor, Jorge Lendeborg Jr., Idara Victor

Director: Robert Rodriguez

Running Time: 122 Minutes

Rating: PG-13 for Cyborg Limbs Flying All Over the Place

Release Date: February 14, 2019

Can slightly-larger-than-normal human eyes in a motion capture performance exist anywhere other than the Uncanny Valley? That is the conundrum at the heart of Alita: Battle Angel‘s box office prospects, but from where I’m sitting, they’re clearly the best part of the film. Yeah, those peepers might be creepy, but they are also a deep wellspring of an infectious personality. Rosa Salazar may have given her performance while dressed up in a bodysuit with a camera mounted on her head, but her enthusiasm to be part of groundbreaking cinema is consistently palpable.

Based on the manga series Gunnm, Alita: Battle Angel was co-written and co-produced by James Cameron, but presumably because he’s busy with all those Avatar sequels, directing duties fell to Robert Rodriguez. This could have been a clash of auteurs, as both men are enamored with creating digitally rendered, visually rich fantasy worlds, but Rodriguez has never really worked on the same scale as Cameron. (To be fair, nobody works on quite the same scale as Cameron.) But the steampunk metropolis of Iron City in 2563 is a sight to behold, and its array of cyborg citizens are correspondingly fascinating. Rodriguez has mostly realized Cameron’s vision without putting his own unique stamp on the project, but even so, on a technical level, this is the best James Cameron movie that Cameron never directed.

Too bad the plot is incomprehensible. A bunch of sci-fi tropes about the dangers of creating and living alongside artificial life are thrown out there, but none of them amount to anything. There is some talk about how Alita resembles the deceased daughter of her scientist caretaker (Christoph Waltz), but that does not lead to any of the expected emotional confusion. Alita is also being hunted down by other cyborgs, but it is never clear what threat she actually poses to anyone. Also, she is centuries old and the last of her kind, which could mean that she is a sort of Rosetta stone to the past, and people treat her that way, but nobody ever clearly explains why that matters. With all the empty dialogue in Alita, it makes me wish that someone in 2019 would be bold enough to make a $200 million sci-fi extravaganza as a silent film.

Alita: Battle Angel is Recommended If You Like: James Cameron’s Brand of 3D Visual Effects, Overly Busy Impenetrable Screenplays

Grade: 2.5 out of 5 Big Eyes

Advertisements