CREDIT: Jonathan Hession/Focus Features

Starring: Chloë Grace Moretz, Isabelle Huppert, Maika Monroe, Colm Feore, Stephen Rea

Director: Neil Jordan

Running Time: 98 Minutes

Rating: R for Psychological and Physical Torture From a Spry Sixtysomething Woman

Release Date: March 1, 2019

Is it better to know going in to a nonsensical movie that it doesn’t make sense, or to put it all together afterwards? Or perhaps thinking in terms of a binary between “sense” and “nonsense” is not really the best way to approach a juicy horror flick about obsession. That is certainly the case with Greta, in which director Neil Jordan sets Isabelle Huppert loose on Chloë Grace Moretz, turning a budding intergenerational friendship into a deranged domestic fantasy. There are moments when I wonder how a character can get away with so much bad behavior, or when I am taken back at how big a role coincidence plays in all the machinations. But there are so many twisted pleasures along the way that I cannot be too mad.

CREDIT: Shane Mahood/Focus Features

Frances McCullen (Moretz) has recently moved to New York City, and she is somehow still trusting enough to return a handbag she finds on the subway to the home of the person who lost it. That person is Greta (Huppert), a French piano teacher who lives alone and who it turns out has been leaving behind a whole series of bags to lure unsuspecting kind young women into her clutches. But before we peel back all the layers on Greta, we get to spend some quality time with Frances and her roommate Erica (Maika Monroe). Erica is the much more cautious yin to Frances’ yang, immediately pegging Greta for the creep that she is. But that does not mean she isn’t also an advocate for alternative gut health treatments, which means that we get a surprising amount of dialogue about the wonders of colonics. Seriously, I would have been happy if this movie were just an hour and a half of Monroe discussing the joy of fluids getting shot up her butthole.

As for why Greta enjoys torturing Frances and others like her, her motivations remain vague, to the film’s advantages although perhaps to some viewers’ frustrations. Through reveals about Greta’s strained relationship with her daughter, Jordan hints at some clear explanation that never really comes. But if you calibrate your expectations to accepting that that explanation is unnecessary, then you should be good to go. There are also some implications that Frances is drawn to Greta because she sees her as a replacement for her own recently deceased mother. But all this mother business is just a framework to build the shenanigans around. Don’t worry about all that – just sit back and enjoy Huppert dancing psychotically and ignore any concerns about “logic” and “motivation.”

Greta is Recommended If You Like: Audition, Misery, The Visit

Grade: 3.5 out of 5 Colonics

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