
CREDIT: Dua Lipa/YouTube Screenshot
Disco’s So Hot Right Now, Part 2
Jeff "Jmunney" Malone's Self-Styled "Expert" Thoughts on Movies, TV, Music, and the Rest of Pop Culture
March 19, 2020
Music, Music Videos, Watch And/Or Listen to This disco, Don't Start Now, Dua Lipa Leave a comment

CREDIT: Dua Lipa/YouTube Screenshot
Disco’s So Hot Right Now, Part 2
March 18, 2020
Music, Music Videos, Watch And/Or Listen to This disco, Doja Cat, Say So Leave a comment

CREDIT: Doja Cat/YouTube Screenshot
Disco’s So Hot Right Now, Part 1
March 13, 2020
Cinema, Entertainment To-Do List, Music, Television David Simon, Grouplove, Healer, Never Rarely Sometimes Always, The Hunt, The Plot Against America, Westworld Leave a comment

CREDIT: HBO
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–The Hunt (Theatrically Nationwide)
–Never Rarely Sometimes Always (Limited Theatrically)
TV
–Westworld Season 3 Premiere (March 15 on HBO)
–The Plot Against America Series Premiere (March 16 on HBO) – David Simon is at it again on HBO.
Music
-Grouplove, Healer
March 12, 2020
Music, Music Videos, Watch And/Or Listen to This Lauren, Lauren song, Men I Trust Leave a comment

CREDIT: Men I Trust/YouTube Screenshot
Usually YouTube’s algorithm recommends videos to me that I’ve already seen before or that feature the same people from other videos I’ve just watched. They make sense as recommendations, sure, but it’s hardly impressive that they get it right. But then a few days ago, Men I Trust’s “Lauren” popped up. It’s a groovy little bass-driven number that just screams “good vibes.” It’s a balm for anxiety, as is its music video, which is just a girl in a red jumper riding her bike along a mostly empty road.
March 11, 2020
Cinema, Movie Reviews Bloodshot, David S.F. Wilson, Eiza González, Guy Pearce, Lamorne Morris, Sam Heughan, Talulah Riley, Toby Kebbell, Vin Diesel Leave a comment

CREDIT: Sony Pictures
Starring: Vin Diesel, Guy Pearce, Eiza González, Lamorne Morris, Sam Heughan, Toby Kebbell, Talulah Riley
Director: David S.F. Wilson
Running Time: 109 Minutes
Rating: PG-13 for Some Bullets and Explosions Here and There
Release Date: March 13, 2020
Bloodshot strikes me as more of a cinematic experiment moreso than a narrative presentation. That’s not necessarily a bad thing. The medium of film is robust enough that it can accomodate things that aren’t exactly telling a story or not doing so straightforwardly. Bloodshot actually does have some sort of plot, but that’s not the most interesting part about it. Based on a comic book series, it stars Vin Diesel as a Marine named Ray Garrison who gets killed but then is very quickly brought back to life stronger and more deadly. You know, that old saw that we love from the likes of The Six Million Dollar Man and RoboCop. He is bent on revenge against the man who “killed” both him and his wife, although the scientist who brought him back, Dr. Emil Harting (Guy Pearce), has a few missions he would like him to go on, but perhaps their motivations align with each other … or do they?
Ray’s enhancement is fueled by microscopic technology referred to as “nanites,” a word that I will never not find hilarious as I primarily associate it with the creatures of that name from Mystery Science Theater 3000. Basically, the idea is that these little creatures, or tiny robots, or whatever they are, work at an atomic level to repair any injury that Ray sustains thoroughly and immediately. In visual practice, this means that when he gets hit with bullets or other weaponry, fields of blood-red strands shoot off from his body, as his molecules re-assemble in mid-air and then return back into him.
Working alongside that idea of reassembling on the fly, the other major idea fueling Bloodshot is the series of false memories that uploaded into Ray’s head. His revenge mission, it turns out, may just be what he’s been programmed to do. In practice, this generally means that it never feels fully clear exactly what the practical stakes are. But on the plus(-ish) side, it also means we get some visual flourishes that I’ve never quite seen in any other movie, like one moment that virtually recreates the setting that Ray has been trained to remember. It looks like a behind-the-scenes video that shows the rendering of visual effects. I’m not sure that sort of thing belongs in a finished cinematic product, but I’m fascinated by its presence there nonetheless.
That mix of fascination and uncertainty is my general overall reaction to Bloodshot. Pretty much everything about it feels like it was made up on the fly, or meant to be about making it up on the fly. How else to explain the presence of New Girl‘s Lamorne Morris as an English hacker and the fact that he’s the best part of the movie? The second part is easy enough to explain: he’s Lamorne Morris, and he’s awesome. But presumably, he would’ve been just as awesome with his normal speaking voice. Is his character unmistakably English in the comic? Do we Americans just love accents that much? Look, you get your pleasures where you can with a movie that doesn’t seem to have thought through every little detail. Or you turn your brain off and admire the pretty pictures. Or you tap into some part of your brain that you didn’t realize you’d need to access for a movie as surprisingly un-pin-down-able as this one.
Bloodshot is Recommended If You Like: Vin Diesel gradually figuring it out, Lamorne Morris as the comic relief, DVD bonus features about special effects
Grade: 2.5 out of 5 Nanites
March 9, 2020
Cinema, Movie Reviews Eliza Hittman, Never Rarely Sometimes Always, Ryan Eggold, Sharon Van Etten, Sidney Flanigan, Talia Ryder, Théodor Pellerin 1 Comment

CREDIT: Focus Features
Starring: Sidney Flanigan, Talia Ryder, Théodor Pellerin, Ryan Eggold, Sharon Van Etten
Director: Eliza Hittman
Running Time: 101 Minutes
Rating: PG-13 for Having to Be an Adult While You’re Still a Teenager
Release Date: March 13, 2020 (Limited)
Abortion remains one of the most fraught debates in American society, so it’s a bit of a small miracle when a movie about it is able to get produced and released, even when it’s something as small as Never Rarely Sometimes Always. It is reminiscent of the 2014 indie comedy Obvious Child insofar as it matter-of-factly presents the termination of an unplanned pregnancy, but with all the corresponding differences that go along with a protagonist who is a decade younger and lives in a state with more restrictive legislation. Accordingly then, it is a much more somber, exhausting affair. Autumn (Sidney Flanigan) is the one with the unplanned pregnancy, a teenage girl living in sleepy little Northumberland County in central Pennsylvania. Her best option for procuring an abortion is taking a bus to New York City, which is something that she is able to do if she sets her mind to it. Phrasing it that way kind of brushes aside the more difficult parts of this journey, but it’s an attitude that’s needed for Autumn to adopt to survive this experience.
Any major medical procedure is difficult to handle on one’s own both on a practical and psychological level, so luckily for Autumn, her cousin Skylar (Talia Ryder) is available to accompany her. I don’t like imagining how Autumn would’ve handled (or not handled) everything if she didn’t have a travel partner. From the moment she realizes she might be pregnant, her existence is in unending string of stress and indignities. She is forced to watch a graphic video discouraging abortion. She and Skylar encounter a creepy guy (Théodor Pellerin) on the bus who invites them to a show at an abandoned subway. She discovers that she has to stay overnight with no place to sleep because her pregnancy is farther along than she realized. She has to pay for the abortion out of pocket (thus depleting her bus fund) even though she has insurance, as she does not want her parents to be notified of what she’s doing. And then she must endure a series of multiple-choice screening questions (whose possible answers give the film its title) that force her to confront the pain of adolescence she’s been internalizing.
I don’t imagine Never Rarely Sometimes Always will change anyone’s minds on this issue (at least not immediately). I don’t think that’s what it was designed to do anyway. Cinema, famously, is known for its ability to generate empathy, and I hope that that power still applies even when viewers fundamentally disagree with the choices the main character makes. So while I don’t imagine that any needles on this issue will be moved anywhere significantly, I do hope that everyone who witnesses Autumn’s story can understand where she is coming from and appreciate the truth of her situation.
Never Rarely Sometimes Always is Recommended If You Like: Obvious Child but wish it had been a drama
Grade: 3.5 out of 5 Bus Trips
March 8, 2020
Movie Reviews, SNL Weekly Recaps, Television Daniel Craig, Elizabeth Warren, Saturday Night Live, Saturday Night Live Season 45, SNL, SNL Season 45, The Weeknd Leave a comment

CREDIT: Rosalind O’Connor/NBC
History shall remember that on March 7, 2020 (and in the wee hours of March 8), Daniel Craig hosted Saturday Night Live for the second time and The Weeknd performed as the musical guest for the third time. The last time March 7 fell on a Saturday, in 2015, Chris Hemsworth hosted and Zac Brown Band were the musical guest. And the last March 7 Saturday before that was in 2009, during which Dwayne Johnson hosted and Ray LaMontagne was the musical guest. (I was studying abroad in Australia at the time.) An encore presentation of that episode aired in the SNL Vintage time slot last night. Interestingly enough, Dwayne Johnson hosted once again on March 28, 2015, the very next episode after the Hemsworth/Zac Brown one. But right now, we’re here to discuss the Craig/Weeknd show. Let’s get to it!
March 6, 2020
Cinema, Entertainment To-Do List, Music, Television Bacurau, Ceremony, Extra Ordinary, First Cow, Heavy Eyes, Onward, Phantogram, The Way Back, U.S. Girls, Will Forte, Women of Troy Leave a comment

CREDIT: HBO/YouTube Screenshot
Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.
Movies
–Bacurau (Limited Theatrically) – A Brazilian film about weird goings-on.
–Extra Ordinary (Limited Theatrically) – Irish movie with ghosts and Will Forte.
–First Cow (Limited Theatrically) – Delicious!
–Onward (Theatrically Nationwide)
–The Way Back (Theatrically Nationwide)
TV
–Women of Troy (Premieres March 10 on HBO) – Documentary about the 1980s USC women’s basketball team.
Music
-Phantogram, Ceremony
-U.S. Girls, Heavy Eyes
March 4, 2020
Cinema, Movie Reviews Al Madrigal, Ben Affleck, Brandon Wilson, Gavin O'Connor, Janina Gavankar, Lukas Gage, Melvin Gregg, Michaela Watkins, The Way Back 1 Comment

CREDIT: Warner Bros.
Starring: Ben Affleck, Al Madrigal, Janina Gavankar, Michaela Watkins, Brandon Wilson, Lukas Gage, Melvin Gregg
Director: Gavin O’Connor
Running Time: 108 Minutes
Rating: R for Basketball Coaches and Players Struggling to Adhere to a Catholic School Code of Conduct
Release Date: March 6, 2020
Ben Affleck is now at the point in his career where he can play a washed-up, middle-aged high school basketball coach and it is the most natural thing in the world. Honestly, his lead role in The Way Back feels like what he was destined for his whole career. Chip-on-his-shoulder energy has always been a major part of his persona, and now he’s at the age at which it fits most comfortably. He’s taken plenty of lumps, and he’s retreated a bit, but he’s got some loved ones who want him to get back in the game and give it another go. The character of Jack Cunningham is basically the Sad Affleck meme writ large with an even more tragic backstory. He was once the most heralded high school basketball player in the state, but now he spends most of his days in a drunken haze, with his refrigerator stocked entirely with rows of (neatly arranged) beer cans. But then he’s offered the suddenly vacant head coaching job at Bishop Hayes, his Catholic alma mater, and he’s finally motivated to do something he cares about besides wallow around in his misery.
The current state of the Bishop Hayes team is a sick joke compared to what it was in Jack’s heyday. Back then, about a hundred guys tried out for the team, but now, they need to pull up a few guys from the junior varsity squad to even be able to have ten players to run a practice. They’re not without some bright spots, but they’re undersized and outclassed by most of their opponents. They lose their first game with Jack coaching by an unceremonious 36 points, and at that point, it is not clear if this movie will actually be an inspirational story in which they turn it around and start winning. Frankly, it might start to strain credulity a bit too much if they do start challenging for a championship. But The Way Back gratifies viewers who know how basketball works by demonstrating how opportunities open up when you can get past the intimidation factor. Bishop Hayes does indeed start winning, pulling off upsets against ostensibly more talented teams with pressure-filled defense that neutralizes their opponents’ strongest players and by operating offenses that amplify their own strengths. So when that last-second shot in the big game does go through the hoop, the triumph feels legitimate.
But just as The Way Back looks like it is going to wrap up like any other inspirational sports drama, it follows a different, messier strain. Getting back into the game has helped Jack come a long way with his personal rehabilitation, but it hasn’t really addressed what’s eating away at his soul. He and his ex-wife (Janina Gavankar) share a deep trauma that he’s nowhere near close to getting over. At a crucial moment, he says, “I never stopped being angry,” and that’s clear enough in every frame without him saying it, but it’s nonetheless powerful to hear it said. The Way Back packs a lot of redemption into an hour and fifty minutes, and I do wonder if these turnarounds will be permanent based on the work we get to see. But the raw, vulnerable energy on display is a blessing to witness.
After one game filled with some profanity-laced tirades, the team’s chaplain gently reminds Jack of the school’s code of conduct, to which Jack replies, considering all the terrible things in this world, does God really give a (not-safe-for-work four-letter word) what he and the boys say? That’s the crux of the matter, that in fact it really does matter how we personally conduct ourselves despite everything awful we’ve been through, and it’s undeniably affecting to witness our fellow humans opening themselves up to that challenge.
The Way Back is Recommended If You Like: Hoosiers, Redemption, Smart coaching
Grade: 3.5 out of 5 Comebacks