P.S. ‘Benedetta,’ I Love You

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Benedetta (CREDIT: IFC Films/Screenshot)

Starring: Virginie Efira, Daphne Patakia, Charlotte Rampling, Lambert Wilson

Director: Paul Verhoeven

Running Time: 131 Minutes

Rating: Unrated

Release Date: December 3, 2021 (Theaters)

What do you do when you have a crush on a nun? If you’re like me, you write a review about her movie. I don’t know if Benedetta’s visions of the Messiah are genuine, but I’m pretty sure that this particular bride of Christ does indeed have superpower. If she says something’s gonna happen, then it’s gonna happen! Definitely be careful around her. She’s quite dangerous, and a bit more wrathful than I would recommend. But oh boy, if she’s on your side, you know you’ve got something special in store.

Grade: Bullseye in the Stigmata

‘National Champions’ Presents Its Melodramatic Case for Student-Athlete Compensation

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National Champions (CREDIT: Scott Garfield/Courtesy of STX Films)

Starring: Stephan James, J.K. Simmons, Alexander Ludwig, Lil Rel Howery, Tim Blake Nelson, Andrew Bachelor, Jeffrey Donovan, David Koechner, Kristin Chenoweth, Timothy Olyphant, Uzo Aduba

Director: Ric Roman Waugh

Running Time: 116 Minutes

Rating: R for Big Boy Executive Language

Release Date: December 10, 2021 (Theaters)

National Champions is certainly timely, as the subject of student-athlete compensation has made its way up to the Supreme Court, and players are now permitted to financially benefit from their name, image, and likeness. But I don’t imagine that this conflict will play out in real life anywhere near as operatically it does in this movie. That’s not a criticism! I’m in the theater to be entertained, not to confirm that they get all the facts straight. And for the most part, I was thrilled, amused, and riveted.

Stephan James is at the center of it all as star quarterback LeMarcus James. James (the actor) played Jesse Owens in his breakthrough role, so he’s building up a bit of a resume of athletes who take a historical stand. LeMarcus is a senior playing his last college game in the looming title bout who’s also the presumptive number one pick in the upcoming NFL draft. But he’s calling an audible, as he announces that he’s boycotting the game unless and until the NCAA agrees to recognize varsity athletes as employees and pay them accordingly. He’s got about three days to convince his teammates and his opponents to join him, while also ducking out of the way of his coach (J.K. Simmons), various college football administrators and executives, and the NCAA’s ruthless outside counsel representative (Uzo Aduba).

Director Ric Roman Waugh and screenwriter Adam Mervis (adapting his own play of the same name) have painted a massively cynical portrait of the state of college athletics. Some of their tsk-tsking is well-founded, but my god, is it breathtakingly overwrought. It kinda has to be, considering that pretty much every line of dialogue frames everyone’s decision in life-or-death stakes. This could be a formula for unbearable soul crushing, but thankfully the premise has to allow at least a hint of optimism to poke its way in throughout. That lightness helps us realize that the ridiculousness of all the melodrama is a plus, as laughing at the moral righteousness of this exploitative system is a healthy reaction.

One other noteworthy observation before I go: several real-life athletes and sportscasters appear as themselves, which would add some authenticity, but that’s undercut by the lack of real-life branding. The teams in the championship game are from fictional schools, and ESPN (or any other sports network for that matter) is never once mentioned. I’d argue that the fakeness is weirdly the right choice (though I imagine it actually wasn’t a choice at all); this isn’t the real world after all, but a slightly heightened version of it.

National Champions is Recommended If You Like: Over-the-top line deliveries, Sports movies without any sports, Kristen Chenoweth performances without any singing

Grade: 3.5 out of 5 Salaries

‘Red Rocket’ Puts It All on Display, and To That I Say: ‘Okay!’

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Red Rocket (CREDIT: A24)

Starring: Simon Rex, Suzanna Son, Bree Elrod, Brenda Deiss, Judy Hill, Brittany Rodriguez, Ethan Darbone, Shih-Ching Tsou, Marlon Lambert

Director: Sean Baker

Running Time: 128 Minutes

Rating: R for Getting Physical

Release Date: December 10, 2021 (Theaters)

Adult entertainment – or “pornography,” if you will – has become much more democratized and much less stigmatized in this here 21st century. And overall, I think as a society we’re better off for these developments. Greater openness means that the people who have been involved in the industry are much less likely to find their livelihoods ruined by alienation and/or abuse. Instead, they’re more likely to be seen as the human beings that they are. And that’s certainly the truth in Red Rocket, the latest from the very humanistic writer-director Sean Baker.

This is the down-and-out saga of Mikey Saber (Simon Rex), a formerly bigshot porn star who’s squandered whatever fortune he once had, so he takes the bus back to his sleepy Texas hometown and tries to weasel his way back into living with his estranged wife Lexi (Bree Elrod) and mother-in-law Lil (Brenda Deiss). The ladies initially want nothing to do with him, but he wins them over when he starts to make plenty of bank selling weed. Meanwhile, he’s looking for an angle to get back in front of the camera. The best plan he can come up with for doing that is by romancing the local teenage donut store cashier, who everybody calls by her nickname Strawberry (Suzanna Son). The age of consent in Texas is 17, so Mikey’s in the clear legally, but he’s transgressing pretty much every other ethical consideration. And yet despite everything, I found myself hoping that things would work out for him.

A lot of that has to do with the pitch-perfect casting of Rex, whom you might remember as a 90s MTV VJ or for playing Dorkus Supremes in the Scary Movie flicks. (He also even had his own short-lived pornography career when he was struggling for cash in his much younger days.) His specialty is underdogs who endure the full weight of the cosmos hilariously crashing into them, and yet they hop right back up smiling and ready to take it all again. A lot of Mikey’s tragedy is of his own making, but he still has that same never-say-die Rex-ian energy.

Objectively, I can’t approve of about 75% of what Mikey does in Red Rocket. Indeed, I can’t approve of how close he gets to Strawberry, even if she is genuinely charmed by him. Nor can I approve of the way he yanks Lexi hither and thither; she’s hardly perfect herself, but nobody deserves a runaround like that from their spouse, estranged or otherwise. And I certainly can’t approve of the way he abandons his neighbor in one crucial climactic moment that blows up the whole story. And yet, I still want to know: what’s next for Mikey Saber?

Red Rocket is Recommended If You Like: “Bye Bye Bye,” Pop culture footnotes, The underdog

Grade: 4.5 out of 5 Strawberries

‘Being the Ricardos’ Has Some ‘Splainin’ to Do

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Being the Ricardos (CREDIT: Glen Wilson/Amazon Content Services LLC)

Starring: Nicole Kidman, Javier Bardem, J.K. Simmons, Nina Arianda, Tony Hale, Alia Shawkat, Jake Lacy, John Rubinstein, Linda Lavin, Clark Gregg, Nelson Franklin, Robert Pine, Christopher Denham

Director: Aaron Sorkin

Running Time: 125 Minutes

Rating: R for Language That the Censors Usually Don’t Allow You to Say

Release Date: December 10, 2021 (Theaters)/December 21, 2021 (Amazon Prime Video)

What is Being the Ricardos all about? I mean that both in terms of this movie’s plot and in the ontological sense. If Aaron Sorkin is to be believed, it’s a combination of kinda-sorta being exposed as a Communist, marital strife, and a fight to control the creative direction of I Love Lucy. Any one of those topics would be enough to center a movie around. But in the movie that we’ve got, they’re all kind of fighting for attention. I suppose these matters can all co-exist, but they don’t do so particularly gracefully in this case. The relationship and professional conflicts feel genuine but standard-issue, while the red scare pretty much fizzles out immediately. (Maybe that was the point?)

It must be said that Nicole Kidman and Javier Bardem really don’t look or sound anything like Lucy and Desi. This did not bother me at all! In fact, I think I prefer this anti-accuracy approach in a biopic. These aren’t the real people after all, but representations of those real people. So why not make them characters of their own that can stand outside the historical document? Alas, I suspect that Kidman and Bardem actually were trying to achieve something close to mimicry. It all kind of gets stuck in the unremarkable middle.

One thing about this movie that I did kind of like is the series of interviews from some unspecified future date that serve to frame the 1950s scenes. Tony Hale, Jake Lacy, and Alia Shawkat play a few of the Lucy writers, while their older versions are filled in by John Rubinstein, Ronny Cox, and Linda Lavin, respectively. The check-ins with the senior crew are a little surreal (probably accidentally [or perhaps not?]), thanks to how little is explained about their circumstances. Like, where are these people? What year is it supposed to be? (None of the real-life versions are still alive anymore.) Is this supposed to be for some sort of documentary? Are they being held hostage? I DON’T want to know the answers to any of these questions!

Being the Ricardos is Recommended If You Like: Studio 60 on the Sunset Strip

Grade: 2.5 out of 5 Wahhhhs

Did I Wolf Down ‘Wolf’?

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Wolf (CREDIT: Focus Features)

Starring: George MacKay, Lily-Rose Depp, Paddy Considine, Eileen Walsh

Director: Nathalie Biancheri

Running Time: 98 Minutes

Rating: R

Release Date: December 3, 2021 (Theaters)

Wolf is basically what I’ve been waiting for ever since I started reviewing movies by asking myself if I wanted to do what’s being offered in the title. This is a movie about a human man who believes that he’s a wolf! Do I also want to be a wolf, even if only for a little while? That might be fun, but that’s not exactly what this movie is really about … or is it? Jacob (George MacKay) sure looks like a Homo sapien, as do all of his fellow patients at the facility where they’re being treated for species identity disorder. But there are moments that really make you wonder if a lupine soul somehow did find its way into a human vessel. Alas, the abusive tactics reminiscent of troubled youth programs practiced by the facility’s director aren’t likely to help us find any answers. Anyway, I quite enjoyed Wolf introducing me to a whole new world and would have liked to have been able to explore it even more (the ending’s a little abrupt).

Grade: 7 Howls out of 10 Whiskers

Thank You, ‘Resident Evil,’ I Do Feel Welcomed to Raccoon City

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CREDIT: Sony Pictures/Screenshot

Starring: Kaya Scodelario, Hannah John-Kamen, Robbie Amell, Tom Hopper, Avan Jogia, Donal Logue, Neal McDonough

Director: Johannes Roberts

Running Time: 107 Minutes

Rating: R

Release Date: November 24, 2021 (Theaters)

As far as Resident Evil: Welcome to Raccoon City goes, I’d really like to talk about the acting. Particularly, the performances of the “With” guy and the “And” guy. I’m talking Donal Logue and Neal McDonough, baby!

When you have an unabashed genre flick like this one, you need guys who can deliver exactly what’s asked of them without any winking or second-guessing. And that’s precisely what they provide. Also, let’s talk about McDonough’s hair. He usually keeps it pretty cropped, but when he first shows up, he’s got quite the set of locks. I was like, “Who is that? I know I recognize that face and that voice.” When I realized who it was, I was more than a little blown away.

All the other main players held my attention well enough. I don’t have any strong attachment to the Resident Evil franchise, but somehow I have a soft spot for its cinematic efforts.

Grade: Occasional Zombie Dog Eyes

An Animated Documentary About a Refugee? Thank You, ‘Flee’!

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Flee (CREDIT: NEON)

Starring: Amin Nawabi

Director: Jonas Poher Rasmussen

Running Time: 90 Minutes

Rating: PG-13 for Disturbing Corruption and Poor Living Conditions

Release Date: December 3, 2021 (Theaters)

In the days leading up to my viewing of Flee, it was always the Red Hot Chili Peppers that popped into my head whenever I said the title to myself. But of course, this movie has nothing to do with a certain rock ‘n’ roll bassist, so this information is kind of irrelevant, but I like my readers to know where my mind was at when they’re reading my reviews. And Flee had that mind captivated to the point that Flea no longer occupied my headspace pretty much immediately.

Instead, this Flee refers to the act of fleeing, which a man by the name of Amin Nawabi has had to do quite a bit over the course of his life. He’s an Afghan living in Denmark by way of Russia, with a few other bumpy stops along the way. We meet him at a point in his life when he’s finally able to stay in place much more than in his younger on-the-run days. This stability has helped him to open up and tell his story to his friend Jonas Poher Rasmussen, who went ahead and directed this film. Most of Amin’s journey was unrecorded at the time (save for a few fortuitous pieces of security footage), so Rasmussen resorts to animating the tale along with a soundtrack of Amin recounting his memories. The end result is basically a vibrant and heart-tugging artistic therapy session.

Like countless other refugees, Amin and his family are just trying to escape the threat of violence in their homeland. And then like just about everyone else in post-Soviet Russia, they have to make their way through the muck of chaos and corruption (which is of course more suffocating for outsiders). And on top of all that, Amin is coming to terms with his queer identity after growing up in a country that doesn’t even have a word for “gay.”

But Flee is far from an unrelenting horror show. There are moments of sheer joy, particularly through Amin’s pop culture touchstones. He’s enamored with a certain musclebound Belgian action star, and whenever he gets to watch some kickboxing on TV, it’s fully infectious. There are also a couple of lovely music-fueled bookending scenes, as a young Amin listens to a-ha’s “Take on Me” on his Walkman, while towards the end his first trip to a gay club is soundtracked by Daft Punk’s “Veridis Quo.” He made it through, I’m glad I got to hear his story, and I bet you will be, too.

Flee is Recommended If You Like: 80s synth pop, Queer acceptance, Jean-Claude Van Damme

Grade: 4 out of 5 Fake Passports

‘King Richard’ Teaches Me Tennis

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King Richard (CREDIT: Warner Bros. Pictures/Screenshot)

Starring: Will Smith, Saniyya Sidney, Demi Singleton, Aunjanue Ellis, Tony Goldwyn, Jon Bernthal

Director: Reinaldo Marcus Green

Running Time: 145 Minutes

Rating: PG-13

Release Date: November 19, 2021 (Theaters and HBO Max)

At the beginning of the 2021 film King Richard, Richard Williams (not the actual Richard Williams, but the version of him played by Will Smith) is listening in his car about how the proper way to hit a tennis serve involves making a high-five gesture while striking the ball. This prompted me to immediately move my butt and try that technique out while sitting in the theater. I love watching tennis, and I’ve been meaning to get around to playing the game myself. (I guess I’m just looking for the right doubles partner.)

So anyway, that bit of “practice” immediately had me hyped, and that excitement lasted for the entire two hour-plus runtime. I probably would’ve been excited anyway, as sports biopics tend to inspire that reaction. But it was pretty essential that it happened right away, so that Richard’s stubbornness didn’t wear me down. In conclusion, I really loved ALL the instructional moments of this movie.

Grade: 4 Open Stances out of 1 Closed Stance

I Went to See ‘Encanto,’ and Well, Here’s What Happened

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Encanto (CREDIT:
Walt Disney Animation Studios/Screenshot)

Starring: Stephanie Beatriz, John Leguizamo, María Cecilia Botero, Diane Guerrero, Jessica Darrow, Angie Cepeda, Wilmer Valderrama, Carolina Gaitán

Directors: Jared Bush and Byron Howard

Running Time: 109 Minutes

Rating: PG

Release Date: November 24, 2021

When I went to see Encanto, I was all ready to stay awake and enjoy a movie, but then … I started nodding off. And it kept happening throughout most of the movie! (This is becoming a bit of a pattern for me when it comes to animated Thanksgiving Disney releases.) I thought I would be able to make it all the way through just fine! The showtime wasn’t that late, and it wasn’t a particularly tiring day! But movie theaters just always make me sleepy now that I’m the age that I am. I’m pretty sure I wasn’t fully unconscious for any prolonged stretches, but it still felt like I missed something, although my viewing companion assured me that I got the gist. I wish I had more to say about the actual content, but my drive for shuteye was undeniably the biggest force of this cinematic experience. Oh, well. I hope Stephanie Beatriz shows up in more movies soon enough.

Grade: Tres Maribels out of Cinco Madrigals

‘Licorice Pizza’ Invites Us to Come of Age, P.T. Anderson-Style

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Licorice Pizza (CREDIT: Paul Thomas Anderson/Metro-Goldwyn-Mayer Pictures)

Starring: Alana Haim, Cooper Hoffman, Mary Elizabeth Ellis, John Michael Higgins, Skyler Gisondo, Este Haim, Danielle Haim, Moti Haim, Donna Haim, Christine Ebersole, Sean Penn, Tom Waits, Bradley Cooper, Benny Safdie, Joseph Cross, Maya Rudolph

Director: Paul Thomas Anderson

Running Time: 133 Minutes

Rating: R for Some Indelicate Language

Release Date: November 26, 2021 (Theaters)/Expands December 25, 2021

When I hear the title “Licorice Pizza,” it makes me think of that classic Mary-Kate and Ashley Olsen song about putting every conceivable topping you can think of on the top of the crust. I can’t help but shout, “Licorice? Put it on the pizza!” But as it turns out, the directorial approach of Paul Thomas Anderson vis-a-vis Licorice Pizza has basically nothing in common with the Olsen twins. That’s okay, though!

Instead, this movie has me feeling like Linda Richman, which is to say, “Licorice Pizza is neither licorice, nor pizza: discuss.” So discuss I will! A couple of kiddos named Alana (Alana Haim) and Gary (Cooper Hoffman) cross paths in 1973 in the San Fernando Valley and then strike up a sorta-friendship, maybe-romance, partnership-in-hustling. Gary’s an accomplished child actor, but when he meets up with Alana, they switch their focus to selling waterbeds. They eventually splinter off into their own interests, as they get involved with the likes of politics and pinball legalization, contend with a gas crisis, and meet a bunch of memorable characters along the way. It feels like Anderson wanted to make a movie about some of the touchstone moments of his youth (or toddlerhood – he was born in 1970) and created a couple of central characters who could Forrest Gump their way through it all. Not a bad idea if you have a knack for populating an ensemble cast full of an endless stream of oddballs and eccentrics.

One question I had throughout watching Licorice Pizza was:just how old are Alana and Gary really? She says she’s 25, and he says he’s 15, which sounds perfectly plausible at first. But it’s of course more than a little concerning that a twentysomething would be hanging out so much with a teenager. Although it doesn’t come across as creepy as it could, mostly because Gary feels a lot older than he ostensibly is. I suppose that’s the lot of the child actor, to mature faster than everyone else (in some ways). Furthermore, when you consider all the various business ventures that are launched and folded over the course of the runtime, it feels like multiple years must be passing. So I started to surmise that maybe Gary was a little older by the end of it all anyway. But actually, I’m pretty sure all this action somehow takes place within one year (or less!). Latchkey kids apparently could get away with a lot way back when. Or in Gary’s case, teenage adults could do pretty much whatever they wanted in the 70s. These are the discombobulating thoughts I had while watching this movie!

In conclusion, Licorice Pizza is more or less a series of chuckle-inducing zesty vignettes with a bent-but-bighearted emotional throughline. Worth checking out!

Licorice Pizza is Recommended If You Like: Old sitcom bits and other pop culture ephemera, Rosencrantz and Guildenstern Are Dead, Sisters yelling at each other

Grade: 3.5 out of 5 Waterbeds

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