‘Zombieland: Double Tap’ is at Its Best When It Fully Embraces Its Possible Irrelevance

1 Comment

CREDIT: Sony/Columbia Pictures

Starring: Jesse Eisenberg, Woody Harrelson, Emma Stone, Abigail Breslin, Zoey Deutch, Rosario Dawson, Luke Wilson, Thomas Middleditch, Avan Jogia

Director: Ruben Fleischer

Running Time: 93 Minutes

Rating: R for All the Fluids That Spew Out in the Zombie Apocalypse

Release Date: October 18, 2019

There’s a running gag throughout Zombieland: Double Tap in which Tallahassee (Woody Harrelson) attempts to secure the title of “Zombie Kill of the Year.” He can never seem to quite pull it off, as his companion Columbus (Jesse Eisenberg) is on hand to helpfully inform us of some other recent dispatch of the undead that was just a little more impressive. This begs the question, in a post-apocalyptic world in which all mass communication has been decimated, how is word about these kills spreading so quickly and seamlessly? By Columbus providing this info via voiceover narration, there is an implication, perhaps unintentional, that he is somehow omniscient. Or maybe the conceit is that he is telling us this story years later, although that does not appear to be the case, what with the sense of immediacy to his dictation.

This is not the most worrisome concern to have, but it does stand in contrast to the original Zombieland, in which everything clicked into place just so, both comedically and logically. Double Tap has several elements like this that feel important but ultimately aren’t terribly so. The jokes are given greater emphasis, but even more essential is an investigation into a nagging sense of malaise. How do you go on living in a world overrun by zombies when killing zombies has become second nature? In addressing this question, the ten years that have passed since the first Zombieland are actually an advantage.

While people do die and new zombies are turned in this world, we are never worried that the makeshift family of Columbus, Tallahassee, Wichita (Emma Stone), and Little Rock (Abigail Breslin) will fall victim to the carnage. And they seem to know it. They’re living it up in the White House, treating every day like it’s Christmas, but that sense of security is only engendering mid-life, or quarter-life, crises. Columbus and Wichita especially are struggling with the realization that they have already accomplished all they need to in life by their thirties. I wish that the script had dug into these neuroses a little more deeply, but this movie works as well as it does because this malaise is the foundational conflict.

Now, to fully enjoy Double Tap, you’ll have to have a pretty big appetite for the same self-aware self-deprecating jokes being told over and over and a full embrace of certain stereotypes that have already been thoroughly deconstructed. But there’s a lot more melancholy than you might expect from a past-it-sell-by-date carnage-filled zom-com. If that’s not quite a Zombie Endorsement of the Year, it’s at least enough to assure us that our undead imaginations haven’t been fully depleted yet.

Zombieland: Double Tap is Recommended If You Like: Staring into the void, while repeating your favorite jokes over and over again

Grade: 3 out of 5 Rules

Movie Review: The Newest ‘Shaft’ is Not the Baddest Mother. Shut Your Eyes.

Leave a comment

CREDIT: Warner Bros./YouTube

Starring: Jessie T. Usher, Samuel L. Jackson, Richard Roundtree, Alexandra Shipp, Regina Hall, Avan Jogia, Titus Welliver, Method Man, Matt Lauria, Robbie Jones, Luna Lauren Vélez

Director: Tim Story

Running Time: 111 Minutes

Rating: R for Shameless Ladies Man Behavior and a Fair Amount of Gunfire

Release Date: June 14, 2019

Private investigator John Shaft has been the epitome of cinematic cool ever since his debut nearly fifty years ago. In the 2000 reboot, Samuel L. Jackson was an obvious choice to continue Richard Roundtree’s legacy as John II, the original Shaft’s nephew. But in the latest iteration, Jessie T. Usher is about as far from badass as he can possibly be as John II’s estranged son JJ. That is meant as both objective fact and damning criticism. He’s supposed to be out of step with the men in his family. He’s working for The Man as an FBI data analyst, and while he’s got some sweet chemistry with a longtime friend (Alexandra Shipp), he’s hardly a sex machine to all the chicks. The idea is that when JJ teams up with his dad to solve a case of wide-ranging corruption, he’ll finally be able to live up to the Shaft legacy, but the concept of cool on display here is too outrageous and unchill to actually be cool.

If you’re expecting a blaxploitation throwback, you’ll need to recalibrate right quickly. This is much more of a culture clash buddy comedy, solidly in the vein of director Tim Story’s work in the Ride Along series. The central conflict is between Sam Jackson Shaft pushing a toxic form of big dog masculinity and Jessie Usher Shaft being a reasonable human being. It’s nice that JJ pushes back against his dad’s bullheaded ideas of how to be a man, but it doesn’t help that every Jackson delivery of emotional immaturity and gay panic is meant to be a laugh line. Overall, this Shaft is confused and vastly out of touch, as exemplified by a stunning moment of gun fetishization in which JJ shows off his firearms skills to the tune of a classic Phil Spector Wall of Sound needle drop and then immediately afterward reiterates his distaste of guns. Adding to the confusion is John Sr. and John II acting like they’re now father and son instead of uncle and nephew. Perhaps that’s an effort to distance the original from a potentially legacy-killing sequel, which is an understandable decision.

Shaft is Recommended If You Like: Stomping all over the classics

Grade: 1.5 out of 5 Trench Coats