SNL Review October 13, 2018: Seth Meyers/Paul Simon

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CREDIT: Ava Williams/NBC

This post was originally published on News Cult in October 2018.

Love It

New Cellmate – It’s not impossible to make satisfying, even lighthearted, comedy about the most monstrous subject matter. Portraying an imprisoned Bill Cosby as someone who’s lost touch with reality (or is pretending to) and is clinging to his Cliff Huxtable persona is goofy but also weirdly credible. Plus, Seth Meyers’ new cellmate character is so carefully considered in his reaction to this surreal situation that the sketch manages to also be respectful when it could have easily been sordid. That’s a not-insignificant accomplishment.

The South of Mason Screening starts out as weird as you hope these Q&A sketches would be, but then it gets a little prosaic. But man, what a weird beginning…A Frightening Tale combines horror movie tropes and the worst “aspiring filmmaker” excesses in unforgettable fashion.

Keep It

Kanye-Trump Summit – I watched hardly any of the actual Kanye-Trump summit because I just didn’t have the appetite for it. But as far as I can tell, this is the latest example of SNL‘s cold opening being more or less a recreation of the crazy thing that happened this week. There are a few Kanye cuckoo-isms that I imagine the SNL team came up with (like Chicago’s “negative murder rate”) to render this amusing enough. But when this material is going to be covered more in depth later in the show anyway (on Update and in the case of this episode, even in the monologue), why not break the mold in the opener? I mean, you could do even just ask what happened right before or right after the summit.

Seth Meyers’ Monologue is pretty short, but it’s also pretty valuable for reminding of us this sketch from a time when Kanye was somehow both hilarious and self-aware…beta force is a necessary corrective to those suspect testosterone supplements (and right on for calling out the giant black canisters)…If Leslie Jones and Ego Nwodim want to be thirsty, let ’em be Thirsty Cops, I say…Michael and Colin earn my chuckles for that sick RadioShack burn and Che revealing that every container in his apartment “used to be something else”…The Baskin Johns bit is little more than someone nervously saying “Number 1” over and over, but I’ll give it some enthusiasm because it’s Heidi Gardner and she says “Goop my pants”…Really!?! with Colin, Seth, and Michael is a little unwieldy compared to the classic Seth and Amy flavor but still filled with plenty of valid points…Bayou Benny’s Liberal Lagniappe is a little (or a lot) incoherent (though that’s very much the point), so it makes sense to have Seth in there as himself to be confused…The couple coming back from the Cuban Vacation (“Cooba”) are pretty insufferable, but I do enjoy their interpretation of a “rooster competition”…More than half of the Trees music video got cut off during my broadcast. (Was this true for everyone else?) Luckily, it’s 2018, and all the sketches are online the next day. Anyway, Pete Davidson and Chris Redd have some decent back-and-forth in their spit games.

Leave It

Treece Henderson Trio – The “weird band at a low-rent venue” closing sketch is a proud SNL tradition. Even the ones without a strong central thrust usually still have a few disarmingly out-there details, and that is the case with this trio of Kenan, Seth, and Kyle performing at a Marriott, thanks to the electric piccolo and the phrase “panty crickets.” But by keeping the main idea of piccolo player Seth’s medical diagnosis so vague, we are never quite able to jump full-on into the wackiness.

Seth Meyers

On a scale of “Seth Meyers behind a desk” to “Seth Meyers the sketch player,” it is clear that this former longtime Update anchor and current Late Night host is most comfortable talking directly to us, as evident in his monologue and the rendition of “Really!?!” But that doesn’t mean he’s a bad sketch actor! He does some committed character work as a middle-aged testosterone nutjob and a pretentious vacationer, and his performance in A Frightening Tale is so on point. Maybe there’s a bit of a mental block on his part going on, but he’s nonetheless now the kind of guy I’m always happy to see back.

Paul Simon

More musical guests should perform new arrangements of their old hits on SNL. But alas, most of them probably wouldn’t be as masterful as Paul Simon makes them.

Letter Grades:

Kanye-Trump Summit – C+

Seth Meyers’ Monologue – B

South of Mason Screening – B+

beta force – B-

Thirsty Cops – B-

A Frightening Tale (BEST OF THE NIGHT) – A-

New Cellmate – B+

Paul Simon and yMusic perform “Can’t Run But” – A-

Weekend Update
The Jokes – B-
Baskin Johns – C+
Really!?! – B

Bayou Benny’s Liberal Lagniappe – B-

Paul Simon performs “Bridge Over Troubled Water” – B+

Cuban Vacation – C+

Trees – B-

Treece Henderson Trio – C

SNL Review October 6, 2018: Awkwafina/Travis Scott

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CREDIT: Will Heath/NBC

This post was originally published on News Cult in October 2018.

Love It

Ted Cruz Rally – This little filmed piece is my pick for best of the episode, primarily by dint of some impressively squishy sound design. The plop of confetti, the thud of a bounceless basketball, the distortion of an unruly microphone: all are delightful auditory punchlines. Beck’s take on Ted Cruz is fairly unique (is the senator’s nose really that pointy?), but his string of bad luck as a live performer definitely captures his noted lack of charisma.

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SNL Review September 29, 2018: Adam Driver/Kanye West

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CREDIT: Rosalind O’Connor/NBC

This post was originally published on News Cult in September 2018.

NewsCult’s Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Kyle’s New Look – Considering who was in the building, it looked like we were about to get a sequel to the landmark Kyle vs. Kanye as the latest short from Mr. Mooney began. But while the behind-the-scenes saga takes a different route this time, it is no less welcome. In an episode all about Pete Davidson’s summer, the high point comes via Kyle’s copycat tactic. Wendy Williams as his choice of celebrity boo is inspired, and small details like the way Heidi Gardner eats a banana fill in the scenery nicely. But I am left to wonder how this sketch might have been different if original musical guest choice Ariana Grande had been around to provide her reaction.

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SNL Review May 19, 2018: Tina Fey/Nicki Minaj

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CREDIT: Gianny Matias/NBC

This review was originally published on News Cult in May 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Michael and Colin – With a finale consisting of mostly disappointing sketches, I will take this opportunity to take a deeper dive than usual into Weekend Update. It has been a solid year for Misters Jost and Che, as the two have long settled into an undeniably strong rapport. For their final Season 43 outing, the ostensible centerpiece is their set of jokes that had previously been deemed too sensitive to air, but the real highlight (as usual) is their in-between-joke banter, as when Colin notes that Michael’s take on a racial epithet-based story turned out better than when he gave it a go.

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SNL Review May 12, 2018: Amy Schumer/Kacey Musgraves

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CREDIT: Will Heath/NBC

This review was originally published on News Cult in May 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

James Madison High School Graduation – In a spiritual successor to the St. Joseph’s Christmas Mass Spectacular, Beck Bennett gets into the intense voice-over detailing the foibles and high points of a common American ritual. There are the typical goofs: butchering names, falling off the stage, microphone troubles. And then it goes to another, all-time level with the lasers shooting out of the eyes of the kids looking at different cameras.

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SNL Review May 5, 2018: Donald Glover/Childish Gambino

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CREDIT: Will Heath/NBC

This review was originally published on News Cult in May 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Jurassic Park Courtroom – Is this the first time a Jurassic Park parody has ever centered around the titular land of amusement being sued for wrongful death liability? It seems unlikely that it should take this long, but whatever, I’m not complaining. Maybe a lesser-known previous example exists, but the one we have now is simply incredible. I didn’t used to know that Donald Glover needed to adopt a ridiculously over-the-top Southern affectation to play JP’s lawyer, but now I have seen the light. This is the goofy, nerdy Glover so many of us fell in love with during his Community days, and thank heavens he is still willing to deploy it.

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SNL Review April 14, 2018: John Mulaney/Jack White

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CREDIT: Will Heath/NBC

This review was originally published on News Cult in April 2018.

News Cult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Hollywood Update – Mulaney finds brilliant inspiration from his very own “Family Flix” (aka “Rocket Dog”), one of the greatest sketches he ever wrote during his SNL tenure. This time around, the objectionable material for supposedly family-friendly entertainment is squarely present both in front of and behind the camera. Simply mentioning the uncomfortable sexual ramifications of a parent-child body switch premise would have been enough to make this sketch a winner, but the disturbing details just keep on coming.

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SNL Review April 7, 2018: Chadwick Boseman/Cardi B

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in April 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Black Jeopardy – SNL’s most resilient current recurring sketch is its ghetto take on the answers-and-questions game show, as it just keeps on discovering new spins on the same formula. This time around, the odd man out is Chadwick Boseman as T’Challa, the Black Panther himself. As the formula dictates, his answers are way off from what the judges are looking for, but it is hard to outright say no to the utopian world of respecting your elders and police always living up to the requirements of their job. And on top of that, it is a hoot to hear T’Challa give his own erudite spin on zinging a white woman who does not adequately season her potato salad.

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SNL Review March 17, 2018: Bill Hader/Arcade Fire

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CREDIT: Kailey Fellows/NBC

This review was originally posted on News Cult in March 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Stefon – It is rare that an SNL recurring character gets as satisfying a “final” appearance as Stefon did, which would seem to render any subsequent City Correspondent segments sacrosanct. But when Bill Hader returns to host, are you going to not have him revive one of the greatest bits in comedy history? Stefon just continues to epitomize excellent humor writing, doling out new, fascinating information in perfectly timed, rhythmic fashion.

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SNL Review March 10, 2018: Sterling K. Brown/James Bay

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CREDIT: Will Heath/NBC

This review was originally posted on News Cult in March 2018.

NewsCult Entertainment Editor Jeffrey Malone watches every new episode of Saturday Night Live and then organizes the sketches into the following categories: “Love It” (potentially Best of the Season-worthy), “Keep It” (perfectly adequate), or “Leave It” (in need of a rewrite, to say the least). Then he concludes with assessments of the host and musical guest.

Love It

Dying Mrs. Gomez – So Nickelback was and remains a punchline for many people as the height of 2000s rock music mediocrity. But while they were the most disproportionately successful of their ilk, they weren’t the worst. They actually have a few decent sing-along stompers, and “How You Remind Me” is the best of the bunch. And thanks to this episode, we now know that is the perfect tune to build a sketch about a dying unlikely superfan around.

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