VH1 Top 20 Countdown 9/11/10

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“Tighten Up” is off the list, so it’s time for a new number 1.

Original Version
1. Katy Perry – “Teenage Dream”
2. Eminem ft. Rihanna – “Love the Way You Lie”
3. Train – “If It’s Love”
4. Paramore – “The Only Exception”
5. Kris Allen ft. Pat Monahan – “The Truth”
6. Sara Bareilles – “King of Anything”
7. Daughtry – “September”
8. Taylor Swift – “Mine”
9. John Mayer – “Half of My Heart”
10. Usher ft. Pitbull – “DJ Got Us Fallin’ in Love”
11. B.o.B ft. Rivers Cuomo – “Magic”
12. Mumford & Sons – “Little Lion Man”
13. Ke$ha – “Take It Off”
14. Mike Posner – “Cooler Than Me”
15. The Script – “The Man Who Can’t Be Moved”
16. Plain White T’s – “Rhythm of Love”
17. Adam Lambert – “If I Had You”
18. Goo Goo Dolls – “Home”
19. Maroon 5 – “Misery”
20. Linkin Park – “The Catalyst”

Jmunney’s Revision
1. The Only Exception
2. King of Anything
3. Teenage Dream
4. Take It Off
5. The Catalyst
6. Cooler Than Me
7. Love the Way You Lie
8. Misery
9. Magic
10. Little Lion Man
11. If I Had You
12. Half of My Heart
13. The Man Who Can’t Be Moved
14. Rhythm of Love
15. Home
16. If It’s Love
17. DJ Got Us Fallin’ in Love
18. Mine
19. The Truth
20. September

VH1 Top 20 Countdown

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Every week, I watch VH1’s Top 20 Video Countdown, to keep up with the latest videos and check out what songs are supposedly currently popular.  And then I inevitably conclude that the voters on VH1.com screwed up the correct order of these songs and I start reordering them in my head.  So, starting this week, I will post the top 20 as it appeared on the program, followed by my own revision.

9/4/10 Original Version
1. Eminem ft. Rihanna – “Love the Way You Lie”
2. Katy Perry – “Teenage Dream”
3. Paramore – “The Only Exception”
4. Train – “If It’s Love”
5. Sara Bareilles – “King of Anything”
6. Daughtry – “September”
7. John Mayer – “Half of My Heart”
8. Mumford & Sons – “Little Lion Man”
9. Mike Posner – “Cooler Than Me”
10. Usher – “There Goes My Baby”
11. Taylor Swift – “Mine”
12. Kris Allen ft. Pat Monahan – “The Truth”
13. Goo Goo Dolls – “Home”
14. Ke$ha – “Take It Off”
15. Adam Lambert – “If I Had You”
16. The Script – “The Man Who Can’t Be Moved”
17. Lady Antebellum – “I Run to You”
18. Plain White T’s – “Rhythm of Love”
19. John Legend & the Roots ft. Common and Melanie Fiona – “Wake Up Everybody”
20. The Black Keys – “Tighten Up”

Jmunney’s Revision
1. Tighten Up
2. The Only Exception
3. King of Anything
4. Teenage Dream
5. Take It Off
6. Cooler Than Me
7. Love the Way You Lie
8. Little Lion Man
9. If I Had You
10. Half of My Heart
11. The Man Who Can’t Be Moved
12. There Goes My Baby
13. If It’s Love
14. Rhythm of Love
15. I Run to You
16. Home
17. Mine
18. Wake Up Everybody
19. The Truth
20. September

Now That Aaron Paul is an Emmy Winner, Let’s Get “Weird” a Theatrical Release

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Aaron Paul won an Emmy last night for Breaking Bad, so it should now only be a matter of not much time before Weird makes it into theatres.

The 20 Greatest Classic Rock Singers (According to Jmunney)

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1. Freddie Mercury
Song That Really Shows Off His Chops: “Another One Bites the Dust”

2. Robert Plant
Song That Really Shows Off His Chops: “Immigrant Song”

3. Roger Daltrey
Song That Really Shows Off His Chops: “Won’t Get Fooled Again” (featuring the most iconic rock ‘n’ roll scream of all time)

4. Ann Wilson
Song That Really Shows Off Her Chops: “Crazy on You”

5. Paul McCartney
Song That Really Shows Off His Chops: “Hey Jude”

6. Geddy Lee
Song That Really Shows Off His Chops: “Closer to the Heart”

7. Jon Anderson
Song That Really Shows Off His Chops: “I’ve Seen All Good People”

8. Jim Morrisson
Song That Really Shows Off His Chops: “Break on Through (to the Other Side)”

9. Pat Benatar
Song That Really Shows Off Her Chops: “Heartbreaker”

10. Paul Rodgers
Song That Really Shows Off His Chops: “All Right Now”

11. Brad Delp
Song That Really Shows Off His Chops: “Peace of Mind”

12. Grace Slick
Song That Really Shows Off Her Chops: “White Rabbit”

13. Greg Lake
Song That Really Shows Off His Chops: “Lucky Man”

14. David Bowie
Song That Really Shows Off His Chops: “Fame”

15. Steven Tyler
Song That Really Shows Off His Chops: “Dream On”

16. Bruce Springsteen
Song That Really Shows Off His Chops: “Spirit in the Night”

17. Janis Joplin
Song That Really Shows Off Here Chops: “Piece of My Heart”

18. Tom Petty
Song That Really Shows Off His Chops: “Refugee”

19. John Fogerty
Song That Really Shows Off His Chops: “Born on the Bayou”

20. Steve Perry
Song That Really Shows Off His Chops: “Don’t Stop Believing” (But if you can’t stand the cheese, go with “Lovin’ Touchin’ Squeezin’”)

It should not be construed that anyone I have excluded does not deserve to be mentioned among great classic rock singers.   The nature of keeping a list to a certain number means that some deserving people will be left out.  With that in mind, here are some
Honorable Mentions:
Lou Gramm, Bon Scott/Brian Johnson, Van Morrisson, Justin Heyward, The Guy from Scorpions

The Greatest Classic Rock Singers of All Time

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102.9 WMGK, Philadelphia’s classic rock station, recently unveiled its list of the twenty greatest classic rock singers of all time.  The list was determined by the votes of MGK’s At-Work Network members.  I am a member of the At-Work Network, but I did not pay close attention to the voting deadline.  So I forgot to vote.  But I still have some thoughts on the selections!

1. Freddie Mercury
The At-Work Network got this one right.  With a voice that would have been equally at home in opera, Freddie transcended the arena of rock vocals while simultaneously being firmly planted in it.

2. Paul McCartney
Sir Paul is the epitome of the pop-rock vocalist.  His voice is pretty enough to be accessible in the pop world, but there is also an edge to it that makes him deserving of a spot on this list.

3. Robert Plant
The banshee wail of Robert Plant is what many rock singers aspire to, and rightfully so.  But he is also versatile such that his vocal oeuvre shows off Zeppelin’s blues roots and his own folk-style tendencies.

4. Bruce Springsteen
The gravelly character of Bruce’s voice appears to be a matter of choice (much more so than in the cases of Petty or Dylan).  One gets the sense that his voice could be cleaner, but he made the right choice to fit his music.

5. Roger Daltrey
He employs a scream that can melt your face just as much as any Pete Townshend guitar solo.

6. Paul Rodgers
A surprisingly (though not undeservedly) high showing from Rodgers, considering that a cynical viewpoint could view him as a poor man’s Daltrey.  But he does distinguish himself, particularly with his knack for solidly controlled trilling.  The only entrant in this list to have fronted two successful bands (Free and Bad Company). 

7. Billy Joel
With music that is too piano-driven to completely belong in the rest of the classic rock world, Billy is too much of a pop vocalist to belong on this list.

8. John Lennon
John would definitely jump in to lend his chops for the Beatles, but he hardly accomplished enough to be considered one of the top ten vocalists of all time.

 9. Jim Morrison
Apparently a lounge-style singing voice has its place in the rock world.  Who knew?  Well, when that voice is as ferocious as Morrison’s, the notion no longer sounds that crazy.

10. Mick Jagger
Mick is the vocalist on this list who most gets away with not having that much natural talent.  His showman style allowed him to get away with many of his shortcomings.  While his singing was not often technically impressive, it was always interesting.

11. Elton John
Of the two classic rock piano men, Elton is the more interesting of the two (and more often rock-driven) but he also is too much of a pop vocalist to belong on this list. 

12. Justin Heyward
The most surprising entrant, the Moody Blues’ Justin Heyward made it in as a write-in vote.  The soaring beauty of his voice is undeniable, but is it rocking enough?

13. Steve Perry
Perry’s skill as a vocalist is undeniable, but it is too often employed for what veers into thick ’80s cheese.  Thankfully, there are enough times when he gets plenty intense on tracks such as “Any Way You Want It.”

14. Brad Delp
Listen to any Boston song and try to find some way to pick apart Delp’s voice.  It is so technically perfect, so clean.

15. Steven Tyler
Silly Aerosmith (“Love in an Elevator,” “Dude Looks Like a Lady”) may obscure Steven Tyler’s talent, but he can pull off screeching, rich high notes, and scat just as well.

16. Don Henley
Don Henley?  Really?  His work with the Eagles is so boring.  Well, okay, “One of These Nights” isn’t too bad.

17. David Bowie
He may be best known for his wild outfits and his general strangeness, but he should also be known for being the most versatile vocalist in classic rock.  He can sing about Ziggy and hold his own against Bing.

18. Ann Wilson
If there had to be only one woman on this list (and there should have been more than one), then it had to be Ann Wilson.  The closest anyone has ever been to a female Robert Plant, Annie Wilson’s overpowering vocals should have driven her higher on this list.

19. Phil Collins
Phil holds the distinction of being the only drummer on this list.  He was always a serviceable vocalist with Genesis and then on his own, but he never established himself as an all-time great until his work for Disney’s Tarzan (which isn’t exactly rock).

20. Bob Seger
There is a certain weariness to Bob Seger’s voice that lent an appreciable depth to his hits, but it is not spectacular enough to earn him a spot on this list. 

And here are the most egregious exclusions:

Jon Anderson
Jon Anderson does not sing falsetto.  His natural singing and speaking voice is above the tenor range.  Also, his normal speaking voice sounds like Grover the Muppet. 

Pat Benatar
She can hold a blistering high note long enough to break plenty of hearts on her own.

Janis Joplin
There is an all-out quality to Janis Joplin’s voice.  She gives her entire heart and soul to every syllable.

Greg Lake
He might sound quite similar to Roger Daltrey, but that is not a bad voice to sound similar to.  And Daltrey never sang about a gypsy queen in a glaze of Vaseline. 

Geddy Lee
Geddy Lee’s idiosyncratic high tenor may not be everyone’s cup of tea, but there can be no denying the difficulty in pulling off a voice as absurd as his.

Grace Slick
It took more than just the presence of a female rock singer to make it known that women could rock; it also took someone with the power of Grace Slick to show that the ladies could not only exist, but thrive alongside the boys.

And tomorrow, my list of the top 20.

All These Magical Ladies are the Same

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I have noticed a trend over the last several years in which just about every film that features a female character with magical powers uses the song “Every Little Thing She Does is Magic” either in the trailer or the film proper (or possibly both).  It has been in the trailers for both Nanny McPhee and Nanny McPhee Returns (just where is she returning from anyway?) and the credits for Bewitched (and possibly at some earlier point in Bewitched – I haven’t seen the whole movie, just the credits).  This list I just came up with does not look too long, actually … can anyone else think of any others?  I feel like there must have been more, or maybe it just started feeling that way when the Police made their third appearance.  The second time was already overkill, so the third time would then naturally give one a sense of ubiquity.  Anyway, are all the little things that Nicole Kidman and Emma Thompson just as magical as everything else they do?  Has this crutch of a song given us the wrong impression, or is there no magical deed too small for magical folk, just as there is no evil deed too small for evil folk?

Inception: Another Piece of the Puzzle

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“Non, je ne regrette rien,” the song used as the cue for when the kick is happening in Inception, was most famously recorded by French songbird Edith Piaf.  Piaf was portrayed in the 2007 biopic La Vie en Rose by Marion Cotillard, who won an Oscar for that performance.  Marion is currently starring in Inception as Mal, the deceased wife of Leonardo Dicaprio’s Cobb.  Does this mean anything regarding the mysterious elements of Inception that have been left open to interpretation?  We can probably only ever know in our subconsciouses.

Best Episode of the Season: Glee

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“Throwdown”

Glee is serial in its format, and therefore the episodes tend to bleed into each other.  Barring a few exceptions (the Madonna and Lady Gaga editions), they do not conspicuously stand out from the other episodes immediately before or after.  Thus, my criterion for picking the best Glee episode of the year was based on which one featured the best Sue Sylvester moment of the year.  The scene in Principal Figgins’ office in which Mr. Schuester took Sue to task over the issue of many of her Cheerios failing Spanish (“Oh, Will, we all know about your devotion to that dying language”) was enough to make “Throwdown” an instant classic in the span of two minutes.

Best Episode of the Season: The Big Bang Theory

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“The Creepy Candy Coating Corollary”

“WHEATONNNNN!!!”
Family Guy has James Woods, and now The Big Bang Theory has Wil Wheaton; to paraphrase Bobby Wheat, what is the deal with actors playing evil versions of themselves in sitcoms?  This is essentially a matter of, “Why not?”  Sitcoms are best when they embrace the fact that they are in the business of silly make-em-up’s.  The make-em-ups do not have to make sense when they are first proposed; the masterfulness will come as long as they are put into action in an entertaining way.  Giving your main character the personal enemy of Ensign Wesley Crusher is going to work if your main character is played by Jim Parsons in the role of a lifetime.  Of course, Sheldon is great on every single episode of BBT, so what pushed “The Creepy Candy Coating Corollary” into best episode of the season territory was the Leonard-Penny storyline, in which Penny set up Howard with Bernadette, a co-worker of hers from the Cheesecake Factory.  The horror stories that Howard and Bernadette shared about their meddling mothers was beautiful television.  Unsurprisingly, though, the one moment most worth mentioning came from Dr. Cooper: flipping through the back issue bin at the comic store, he went through his usual refrain of, “Got it.  Got it…”, and then burst forth a prodigious note of disgust, prompted by his discovery of an issue of Betty and Veronica.

An honorable mention goes to “The Pirate Solution,” in which Raj worked with (or for) Sheldon to avoid deportation.  Their contemplation of a particularly difficult equation was set to the tune of the most hilarious parodic use of “Eye of the Tiger” ever.

Next (and last) up: Glee

Best Episode of the Season: How I Met Your Mother

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“The Playbook”

They are known as static characters.  They are not the main characters (or at least, they should not be).  They do not change over the course of the story, but they do not have to.  Change is only demanded of the protagonist (and maybe of the antagonist).  It would be too much to keep up with if all the supporting characters changed as much as the leads.  Barney Stinson is a static character.  He is a 21st century lothario, and it is expected that he will remain that way for the entire run of How I Met Your Mother.  Even if he does settle into a steady relationship for good, he ought to never give up his “Playbook.”  Following his breakup with Robin, Barney went full force back into the Playbook.  Eventually, he broke down and admitted that relying on the Playbook was his way of coping with the breakup, which he was truly hurt by.  It was interesting to see a version of Barney on the verge of reforming his ways, but it simply did not feel right that that version should last.  Ultimately, the breakdown turned out to be a part of Barney’s most elaborate con ever, and all was right.  Barney was still what we loved him to be.  But somehow in maintaining the status quo, we were given a glimpse behind the master’s work and a peek at a what-if scenario.  And it was all intriguing enough to suggest that maybe it was not all part of the con.

Next up: The Big Bang Theory

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