That’s Auntertaiment Mini-Episode: What’s Jeff Watching? #12

Leave a comment

CREDIT: History/Screenshot

Aunt Beth has a full viewing schedule, while Jeff seeks something fresh.

Entertainment To-Do List: Week of 12/8/23

Leave a comment

Batman smells, yadda yadda yadda (CREDIT: Warner Bros. Entertainment Inc.)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
The Boy and the Heron (Theaters)
Merry Little Batman (December 8 on Amazon Prime)
Poor Things (Theaters)

TV
Doctor Who: The Giggle (December 9 on Disney+) – One more bit of 60th anniversary business.

Music
-Alison Goldfrapp, The Love Reinvention – Remix album.
-HEALTH, Rat Wars – I only just heard of this band, but they look fun.
-Tate McRae, Think Later
-Nicki Minaj, Pink Friday 2
-Neil Young, Before and After

‘Poor Things’ Seeks to Break Free

4 Comments

How POOR are they?! (CREDIT: Atsushi Nishijima/Searchlight Pictures)

Starring: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, Jerrod Carmichael, Margaret Qualley, Kathryn Hunter, Suzy Bemba, Hanna Schygulla

Director: Yorgos Lanthimos

Running Time: 141 Minutes

Rating: R for Weird Science and Lots and Lots of Sex

Release Date: December 8, 2023 (Theaters)

What’s It About?: The case of Bella Baxter (Emma Stone) is a strange one. Dr. Godwin Baxter (Willem Dafoe) discovers her body after she attempts suicide and proceeds to bring her back to life via reanimation and a brain transplant. But because the brain he uses is that of a baby, Bella reverts to a rather infant-like mental state upon her resurrection. Her development back to a fully conscious adult happens remarkably quickly, all things considered, perhaps because that brain recognizes that it’s been encased inside an adult body. Nevertheless, Bella also gets to have the profound experience of being able to rediscover all the sensory pleasures of life on Earth.

Dr. Baxter understandably tries to keep her locked away from the outside world, though he does invite into the fold medical student Max McCandles (Ramy Youssef), who soon finds himself proposing marriage to Bella. But before that wedding can happen, she’s decided to see the outside world alongside hedonistic lawyer Duncan Wedderburn (Mark Ruffalo). As in many a hero’s journey, she will eventually return back to her starting point, having changed. But unlike a lot of other hero’s journeys, Poor Things features an unbound number of ecstatic sex scenes.

What Made an Impression?: A Fresh Set of Eyes: If there’s one lesson to be learned from Bella Baxter above all others, it’s the power of childlike wonder. Most of us have been living within our systems and routines too long to ever be able to fully question if there’s a better way. But Bella is a blank slate blessed with a mature body that can take advantage of her pleasures as much as possible. It’s a big reason why she charms everyone she encounters so much, despite her profoundly off-kilter, often juvenile disposition. It’s also, of course, why she enjoys sex (which she dubs “furious jumping”) as much as she does. However, her lack of inhibitions sometimes lead her astray, such as when she threatens to punch a crying baby, or when she tries to upend the carefully tended business practices at a Parisian brothel. But as her mental capacities lock into focus, she eventually devises compromises that she is uniquely qualified to conceptualize.
A World of Experimental Wonders: Bella is not Dr. Baxter’s only test subject, as we also get to meet some hybrid animal creatures wandering around his property that have been formed by head and body swapping among a goose, pig, and bulldog. The obvious antecedent here is Victor Frankenstein, but I also detected some playfulness in Dafoe’s performance, a la Futurama‘s Professor Farnsworth. Dr. Baxter has plenty in common with his hubristic brethren, particularly his tendency to seem like a deity to his creations. (It’s not for nothing that his first name is abbreviated to “God.”) Despite his tendency to control, he’s not as much of a monster as you might suspect. Instead, he’s one of the titular poor things, considering his history of abuse and experimentation at the hands of his own father. His abode is terrifying, but comfortingly so.
Soaking It All Up: If you somehow can’t engage with any of the characters of Poor Things, you can hopefully at least appreciate all the pretty business that director Yorgos Lanthimos and his crew have assembled. He’s certainly developed a unique visual style over the course of his career, and a movie set in an alternate version of the late Victorian era has allowed him plenty of room to be indelible. Fisheye lenses, purple-pink skies, spiral staircases that hover in the sky, and plenty more design choices make an inimitable visual impression. It’s all lived-in, anachronistic, and surreal, which is to say, an ideal environment for the Bella Baxters of the world to thrive in.

Poor Things is Recommended If You Like: American Pie, Socialist feminism, Steampunk

Grade: 4 out of 5 Transplants

Hayao Miyazaki Swoops In Out of Retirement to Deliver ‘The Boy and the Heron’

2 Comments

Boy? Or Heron? (CREDIT: GKIDS)

Starring: Japanese Cast: Soma Santoki, Masaki Suda, Aimyon, Yoshina Kimura, Takuya Kimura, Shōhei Hino, Ko Shibasaki, Kaoru Kobayashi, Jun Kunimura
English Dubbed Cast: Luca Padovan, Robert Pattinson, Karen Fukuhara, Gemma Chan, Christian Bale, Mark Hamill, Florence Pugh, Willem Dafoe, Dave Bautista

Director: Hayao Miyazaki

Running Time: 124 Minutes

Rating: PG-13 for Lethal Flames and Freaky-Looking Talking Animals

Release Date: December 8, 2023 (Theaters)

What’s It About?: During the middle of World War II, 12-year-old Mahito’s mother Hisako dies in a hospital fire. One year later, his widowed father Shoichi remarries Hisako’s younger sister, Natsuko, and they all move from Tokyo to the countryside. Everyone at the estate is eager to lavish attention on Mahito, including the gaggle of maids, as well as a strange, persistent grey heron. Soon enough, that bird leads Mahiko into an alternate world where parakeets are the size of humans and Mahito’s missing granduncle is a wizard keeping existence in perfect balance. As the boy and the heron make their way through this parallel plane, the entire fate of his family might just rest upon the success of their journey.

What Made an Impression?: A Thin Line Between Reality and Fantasy: If you had no idea before reading this review that The Boy and the Heron was written and directed by Hayao Miyazaki, chances are you would’ve figured it out immediately upon reading that synopsis. In his decades-long career of helming animated classics like Princess Mononoke, Spirited Away, and Ponyo, Miyazsaki has tapped into eternal childlike wonder by having fantastical realms spring up within the confines of real world settings. Mahito’s trip into the alternate reality is so gradual that it almost feels like this sort of thing could happen to anybody who’s watching. It certainly helps that his situation always remains tethered to his starting point. That’s the sort of magic that Miyazaki is famous for, and it’s just as potent as it’s always been.
Seeking Harmony: Mahito’s world is in flux in pretty much every imaginable way on both grand and intimate scales. He’s been displaced by war, he’s lost a parent, and now animals are talking to him! No wonder the ultimate message of The Boy and the Heron is about putting everything back in balance. Mahito’s granduncle faces a mighty foe in this struggle in the form of the king of the parakeets, which feels a bit like avian slander, but in the context of the story, it works appropriately enough. Anyway, by the end of the movie, it’s kind of questionable whether or not full balance has actually been maintained. But perhaps that’s because the story is not really over. Mahito will be an adult soon enough, and this is exactly the sort of formative experience he could use to make sure that he grows up to be a valuable citizen of the world.
Subs vs. Dubs: And finally, I’ll offer a note about whether you should seek out the subtitled or dubbed version of The Boy and the Heron. I saw the former, which I generally prefer when it comes to foreign-language films, because I like to hear the native tongue, and I usually have the captions on anyway even when I’m watching something in English. But in this case I was a little disappointed that I didn’t get to see the dubbed version, because the English voice cast looks so promising. I’ll probably have to check it out eventually just so that I can hear Dave Bautista as the Parakeet King. If you have a choice between one or the other, I think you’ll be fine either way. And if you have the time and the inclination, then go ahead and give both versions a whirl!

The Boy and the Heron is Recommended If You Like: Miyazaki in general, The Chronicles of Narnia, The Aflac Duck

Grade: 4 out of 5 Parakeets

Jeff’s Wacky SNL Review: Emma Stone/Noah Kahan

1 Comment

Oh man, I’m totally Stoned. (CREDIT: NBC/Screenshot)

This here is a review of the December 2, 2023 episode of Saturday Night Live, hosted by Emma Stone with musical guest Noah Kahan. It’s her fifth time, and interestingly enough, a few days ago, I had a dream in which I met her right after she hosted this episode. So I think that’s a good sign!

For this review, I will be transcribing the notes I took while watching the episode, which I’ve done a few times before, and I enjoyed how it worked out, so here we go again!

More

That’s Auntertaiment Mini-Episode: Aunt Beth Tells Jeff to Listen to ‘Eye in the Sky’

Leave a comment

Aunt Beth recommends a progressive rock album from 1982. Therefore we shall call it The Alan Parsons Project.

Entertainment To-Do List: Week of 12/1/23

Leave a comment

(CREDIT: HISTORY/Screenshot)

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies
Eileen (Theaters)
Godzilla Minus One (Theaters)
RENAISSANCE: A FILM BY BEYONCÉ (Theaters)
Silent Night (Theaters)

TV
The UnBelievable with Dan Aykroyd Series Premiere (December 1 on History) – Dan Aykroyd likes weird stuff.
Doctor Who: Wild Blue Yonder (December 2 on Disney+) – Another 60th anniversary special.

Music
-Peter Gabriel, i/o

jmunney’s Top Cinematic Choices for December 2023

Leave a comment

Baa! Baa! (CREDIT: Searchlight Pictures/Screenshot)

They keep making new movies, and some of them are even worth watching. Here’s what’s at the top of the slate for December 2023:

American Fiction: Jeffrey Wright plays a novelist who’s really, really frustrated by racial stereotypes. So he attempts to totally lampoon them, and the results may not be exactly what he was expecting. This looks ferocious.

We’ll be able to check out some American Fiction in select American theaters on December 15 before it expands in the coming weeks.

More

‘Eileen’ Contains Multitudes

1 Comment

Come on, Eileen! (CREDIT: NEON)

Starring: Thomasin McKenzie, Anne Hathaway, Shea Wigham, Marin Ireland, Owen Teague

Director: William Oldroyd

Running Time: 98 Minutes

Rating: R for Masshole Behavior and a Sudden Violent Turn

Release Date: December 1, 2023 (Theaters)

What’s It About?: Eileen Dunlop (Thomasin McKenzie) has a real going-nowhere job as a secretary at a juvenile prison in 1960s coastal Massachusetts. She lives with her alcoholic widowed father, Jim (Shea Wigham), who mostly berates her for not measuring up to her married sister. But her world is suddenly opened up by an exponential order of magnitude when she befriends the prison’s new resident psychologist, Rebecca (Anne Hathaway). There’s an undeniable frisson of romance as well, but Eileen is so enthralled by Rebecca mainly because she’s never encountered anyone so cosmopolitan. Their connection is deep and genuine, but a much darker story is lurking in plain sight

What Made an Impression?: Breaking Free: In the likes of Leave No Trace, Jojo Rabbit, Last Night in Soho, and well, pretty much everything she’s had a starring role in, Thomasin McKenzie has specialized in playing the most delicate of delicate creatures. And Eileen sure looks like she’s just the latest scarred entrant in this distinguished lineup. But she quickly demonstrates that she’s much more complicated than a standard-issue shrinking violet. Her self-assuredness was actually there all along, or at least it was present by the time that we meet her. She just needed the right spark to be set off.
Sapphic Thrills: What a joy it is to luxuriate in endlessly seductive dialogue! While it’s abundantly clear in their conversations just how smitten Eileen is with Rebecca, there’s also a hint that she’s somewhere in the middle of the Kinsey scale, as we also see her fantasizing about a male co-worker. So her romantic struggles thus far haven’t been for lack of bodies, but for want of wit and philosophy. Rebecca is just the right amount of individualistic and unapologetic to activate the same in Eileen. And the dialogue as a whole is just wonderfully ferocious throughout, coming courtesy of co-writers Luke Goebel and Ottessa Moshfegh (the latter of whom is adapting her own novel).
Here Comes the Twist: On Christmas Eve, Rebecca unexpectedly invites Eileen over for the evening. And she eagerly accepts. After all, her next best option is looking over her dad while his liver wastes away. At this point in the story, I was all ready for the two ladies to just toast to the baby Jesus as the credits roll, or maybe, if they’re feeling dangerous, to drive away together to somewhere that their love will be accepted. But then something much more unpredictable happens. I won’t say anything anymore, and honestly I’m worried I may have already said too much. But this was the moment for me that Eileen went from perfectly satisfying to astoundingly unforgettable. It might have been nice if the running time were 10 or 20 minutes longer to let this swerve breathe a little bit. Still, it’s a bracing and breathtaking conclusion to an unexpected thrill ride.

Eileen is Recommended If You Like: Carol, Lady MacBeth, Gone Girl

Grade: 4 out of 5 Martinis

It’s a ‘Silent Night’ for All the Worst Reasons in John Woo’s Christmas-Set Tale of Vengeance

1 Comment

Joel Kinnaman and Catalina Sandino Moreno having a Silent Night (CREDIT: Lionsgate)

Starring: Joel Kinnaman, Scott Mescudi, Catalina Sandina Moreno, Harold Torres

Director: John Woo

Running Time: 104 Minutes

Rating: R for Bloody Violence, Mostly Due to Gunfire

Release Date: December 1, 2023 (Theaters)

What’s It About?: Brian Godluck (Joel Kinnaman) has just survived the most terrible tragedy during the holiday season. His young son has been killed by a stray bullet in a gang-related shootout. Fueled by adrenaline in the heat of a moment, he chases after the men who are responsible, a decision that ends with him being shot in the neck. He manages to make it out alive, but in the process he loses the ability to speak. After recovering, vengeance takes over his life, and he circles Christmas Eve on his calendar as the day for payback. And because the movie he’s in is called Silent Night, there’s hardly any audible dialogue throughout.

What Made an Impression?: Poetic Vengeance: It’s quite the challenge for an actor to realize a full characterization without being heard. Scott Cudi (aka the rapper Kid Cudi), for example, can only do so much as the lead detective, although to be fair, he doesn’t have that many scenes, and he’s mostly filling a utilitarian purpose. Kinnaman at least has plenty to do as the main character, with anguish written all over his face even at his most determined. But perhaps the most profound performance is delivered by Catalina Sandina Moreno as Brian’s wife Saya. With her deep eyes and full cheeks, she’s always had a visage that you can get lost in, and director John Woo knows exactly how to frame her. In many ways, Saya is the stereotypical action movie spouse who gets dropped by the wayside before the flashy set pieces arrive. But her eventual absence hits more profoundly than most, as Brian sinks further and further into the underworld.
Unrelenting … and Cathartic?: There are plenty of Christmas-set movies that aren’t exactly holly-jolly, so Silent Night isn’t exactly sacrilegious. But it is among the bleakest ever in this particular subgenre. When all is said and done and Brian has fed his desperation as much as he possibly can, I couldn’t help but feel devastated, even knowing that this is just a movie. But in a way, Silent Night also works as a what-not-to-do guide if the Worst Possible Thing happens to you as a parent, much the same way that the true crime genre is so popular in part because it can help warn us how to be less vulnerable in the face of life-threatening danger. Additionally, I can’t help but be impressed by Woo’s commitment to the gimmick, and breathe a sigh of relief when the tension of the whole mission finally concludes.

Silent Night is Recommended If You Like: Bracing yourself for the absolute worst tragedy

Grade: 3 out of 5 Christmas Sweaters

Older Entries Newer Entries