‘Ramayana: Rise of a Legend’ Review: Can this Epic Deliver the Magic?

1 Comment

Get Your Ram On (CREDIT: Sony Pictures)

Starring: Ranbir Kapoor, Yash, Sai Pallavi, Ravi Dubey, Sunny Deol, Arun Govil, Lara Dutta, Indira Krishnan, Sonal Jha, Rajiv Kumar, Adinath Kothare, Nitish Sharma, Kajal Aggarwal, Rakul Preet Singh, Anupam Kher, Vivek Oberoi, Harish Uthaman, Kunal Kapoor, Suhail Nayyar, Sheeba Chaddha, Shishir Sharma, Ajinkya Deo, Mukesh Tiwari, Sonia Balani, Riya Kapoor, Surabhi Das, Shobana, Faisal Malik, Parminder Chhada, Saurabh Sachdeva, Kanchan Chetal, Chetan Hansraj, Rhyah Narasimhan, Dishita Sehgal

Director: Nitesh Tiwari

Running Time: 165 Minutes

Rating: PG-13 for God-Like Action Violence

Release Date: November 6, 2026 (Theaters)

What’s It About?: Based on the ancient Indian Hindu epic, Ramayana: Rise of a Legend (aka Ramayana: Part 1) chronicles the rise of Prince Rama (Ranbir Kapoor) in a world on the verge of being torn apart. From the moment of his royal birth, he was fated to lead his kingdom to glory. With his brother Lakshmana (Ravi Dubey) and the sage Vishvamitra (Ajinkya Deo) constantly by his side, he dutifully follows the calls of dharma. On the bright side, this means marrying the beautiful princess Sita (Sai Pallavi). On the less bright side, this means agreeing to be exiled for fourteen years because of palace intrigue orchestrated by his stepmother. While living alongside Sita and Lakshmana in the forest, Rama is tempted by trickster forces, while battles of cosmic significance loom on the horizon.

What Made an Impression?: For Fans Only?: My familiarity with ancient Hindu texts consists of having read the Bhagavad Gita (or at least part of it) a couple of decades ago in high school. I thought I may have read some of the Ramayana as well, but none of this movie felt familiar. So while it was occasionally hard to keep track of this dense milieu, I found it generally rousing and intimate enough in parts to keep me entertained. If you, however, are coming at this from the opposite end of the familiarity scale, perhaps it will be easier to feel connected to it. Or perhaps instead you’ll be more easily disappointed by how it doesn’t live up to the source material. Either way, it’s probably best to think of this story the way my plus-one described it: i.e., this culture’s version of a superhero tale.
Modern Storytelling: Ramayana looks like it has the budget and scope to stand alongside Hollywood blockbusters in American multiplexes without having to succumb to an inferiority complex. But there are plenty of moments (particularly in crowd shots) when it looks like the visuals have been generated by an algorithm. To be fair, that’s a scourge of much of modern cinema. And the entire movie isn’t plagued by that, as the smaller-scale scenes offer much more satisfying effects. Nothing groundbreaking, but sufficiently charming.
Smoothed in Translation: This American release of Ramayana features English dialogue with artificial intelligence-lip syncing, presumably to prevent any outrageously mismatched mouth movements. I’m not an absolutist about completely keeping AI out of movies, but this approach does feel rather soulless. I’d much rather watch a subtitled version, or an even a dubbed edition that hilariously misses the mark in terms of matching the lips to the phonemes. But I guess the makers of Ramayana were going for something a little more polished. They accomplished that, but that means that this journey really only truly comes alive in fits and starts.

Ramayana: Rise of a Legend is Recommended If You Like: Morphing, Ancient soap operas, Being dutiful

Grade: 3 out of 5 Dharmas

Movie Review: ‘Hotel Mumbai’ Dramatizes a Massive Tragedy Unflinchingly But With Only Fleeting Insight

Leave a comment

CREDIT: Mark Rogers/Bleecker Street

Starring: Dev Patel, Armie Hammer, Nazanin Boniadi, Anupam Kher, Tilda Cobham-Hervey, Jason Isaacs, Amandeep Singh

Director: Anthony Maras

Running Time: 125 Minutes

Rating: R for Constant Deadly Gunfire and Plenty of Profanity

Release Date: March 22, 2019 (Limited)

A lot of real-life historical tragedies have been dramatized on screen, but rarely has it felt as exploitative as it does in Hotel Mumbai. Part of that is due to the deadly nature of the attacks, in which hundreds of people were killed or injured by explosives and gunfire, often at close range. It is also attributable to director Anthony Maras’ decision to show so many of the deaths in graphic, bloody detail. The 2008 Mumbai terrorist attacks that culminated at the Taj Mahal Palace Hotel were indeed quite terrifying, but what does this dramatization illuminate besides reminding us that tragedies like this one have happened and that they are often fueled by religious extremism?

If there is to be anything valuable on offer here, it would presumably be about forging some sort of connection with the characters. And on that score, there are people that I care about and are rooting to make it out alive, but their stories are not especially unique. Among those with the most fully fleshed-out arcs, there is the guest (Armie Hammer) who is trying to protect his family, the hotel employee (Dev Patel) who is trying to make it home to his family, and the head chef (Anupam Kher) who rises up as a leader and comforter. These roles are well-acted, and some (if not all) are surely based on real people, but their stories do not say much beyond, “This is how certain people react to trauma.” But among the perpetrators (all young men who look to be in their early twenties) there is Imran (Amandeep Singh), who starts to question what he is fighting for as the mission drags on. That is where the real, complicated story is at, but alas, his personal crisis only gets a handful of moments, leaving Hotel Mumbai an endurance test without much to mentally grapple with after making it through.

Hotel Mumbai is Recommended If You Like: Witnessing trauma

Grade: 2.5 out of 5 Casualties